Trail of Robin Hood

Trail of Robin Hood (1950)

*** (out of 4)

Roy Rogers has to come to the aid of buddy Jack Holt when his Christmas tree market gets attacked by a group of bad men wanting to take over the business and jack up prices. TRAIL OF ROBIN HOOD has a title that doesn't make too much sense but I'd say the entire story that takes up the 68-minutes doesn't make much sense. However, if you're coming to a "B" Western for its story then I guess you'd be letdown by most items in the genre as you really can't look at the story too hard. This film is mainly going to appeal to film buffs of the genre who not only get to see Rogers doing his thing but we've got Jack Holt making a return to the genre. It's interesting to note that the story here does have a couple interesting things in it. One is that there's a sequence where it's brought up that people have forgotten old Western stars but they're now getting to know them on television. There's another scene where one of Holt's silent Westerns are shown and this was a good thing because it probably reminded several people in 1950 that the current crop of Western stars all owed something to Holt and others. Not only will this entertain film buffs but the film also features other "B" Western stars making cameo appearances including Rex Allen, Allan "Rocky" Lane, Tom Tyler, Monte Hale, William Farnum, Ray Corrigan, Kermit Maynard and Tom Keene. All of these factors make the film worth watching and of course you get a fine performance from Rogers in the Trucolor glory. Fans of the genre should have a good time with this as long as they don't take the entire Christmas tree thing too serious. Plus there are plenty of good fights and a really fun climax involving a burning bridge.

TRAIL OF ROBIN HOOD (1950) is a late Trucolor Roy Rogers western directed by Republic Pictures' great action director, William Witney. While the plot is somewhat absurd, the film boasts a number of novel touches. First off, it features great outdoors Trucolor photography, giving it a look that only Roy Rogers westerns of 1947-50 seemed to have. Second, former action star Jack Holt is on hand playing himself as a retired western star who harvests Christmas trees on his ranch. Third, it offers a host of second- and third-tier cowboy stars, some retired, as guest stars who come to Jack's aid. Fourth, it features cute little Carol Nugent as a pre-adolescent sharpshooter. Fifth, it gives Dale Evans a break and hands female lead duties over to pretty Penny Edwards, a perennial western fan favorite.

Rogers plays Roy Rogers, head of the local office of the U.S. Soil Administration(!). When a rival timber crew crosses the land boundary and cuts down Christmas trees on Jack Holt's property, Roy enters the scene riding Trigger and carrying twin six-shooters. The rival crew is upset at Holt's plan to sell the trees at cost so that poor families can buy them. Apparently, the Christmas tree market in rural Southern California is so lucrative that villain Mitch McCall (Clifton Young) is even willing to commit arson and murder for a piece of it. Aldridge (Emory Parnell), McCall's unwitting employer, sends his daughter, no-nonsense businesswoman Toby (Penny Edwards) to check up on things. She seems to be in cahoots with McCall for much of the film, but then falls under Roy's musical spell (aided by Foy Willing and the Riders of the Purple Sage) and--presto!--becomes a homebody, cooking Christmas dinner for everybody.

When McCall's henchmen make it tough for Holt to get his trees to market, young Sis McGonigle (Carol Nugent) sends out a call for help to nine of Holt's movie star buddies, including Allan 'Rocky' Lane, Monte Hale, Rex Allen, William Farnum, Tom Keene (later to appear in the equally subtle PLAN NINE FROM OUTER SPACE) and Tom Tyler (yes, Captain Marvel himself). They all show up on horseback in full western regalia, but all they actually get to do is drive wagons on a studio rig against a rear screen projection background.

Although this is set at the time it was filmed, 1950, it occupies an alternate Hollywood universe that was unique to B-westerns. Roy is a government officer and Mitch McCall is a company man, yet they both wear cowboy outfits, complete with gun belts, and, like most of the locals, ride horses. The main town is a standard-issue western set (not a paved road, gas station, diner, or drugstore in sight, and no cops either, except for a lone sheriff). Only one character, Toby, the city girl, rides a car (a roomy 1950 convertible). When Holt tells the kids about his old movies, they tell him they have television. (Yet, we don't see any antennas! Hmmm...) When the cowboy stars drive the Christmas trees to market, they use wagons, not pickup trucks. This was not unusual in B-westerns with contemporary settings, but the effect is triply bizarre when viewed in Trucolor.

Trucolor was a two-strip color process (as opposed to Technicolor's three-strip process), that tended to favor blue, orange and brown hues. Red usually wavered toward orange, yellow was never visible and green was only rarely glimpsed, making Trucolor an odd choice for a film in which hundreds of Christmas trees (colored a parched brown in this print) play an important role.

Roy is his usual two-fisted, righteous self, plunging into fights with the Christmas tree grabbers even when the odds are against him, in true Republic Pictures fashion. He rides Trigger at great speeds, but is ably assisted on the action front by his German shepherd, Bullet, who bares his fangs and sinks them into a steady stream of Roy's adversaries. Jack Holt is quite charming here, somewhat looser and more relaxed than when he had to play the square-jawed hero. He had started in movies in 1914 and became a top silent star of adventures and dramas in the 1920s and continued as a star, but in lower-budgeted films, well into the sound era. He had two more films in the can after this one, which was released a month before he died of a heart attack at 72.

Gordon Jones (Mike the cop on the old Abbott & Costello TV show) provides comic relief as the town handyman and buffoon, Splinters McGonigle, who gets out of numerous jams thanks to his resourceful little sister, Sis. Clifton Young is a convincingly slimy-looking villain (the actor died a year later). The Lydecker Brothers, Republic's famous special effects team, contribute a sequence showing the burning of the Red River Bridge. There are three or four forgettable songs, one with a Christmas theme. The title, TRAIL OF ROBIN HOOD, is somewhat puzzling, unless Holt's act of selling his own Christmas trees at cost to needy families is seen as a Robin Hood-like act (stealing from yourself to sell to the poor?). This one pales in comparison to other Rogers Trucolor westerns, most notably THE GOLDEN STALLION (1949) and TRIGGER, JR. (1950), but it's still a must-see for Rogers fans or anyone seeking a visually striking, offbeat, action-packed western.

Like so many Roy Rogers films, this one's title has absolutely nothing to do with the title. So, if you are looking for any sort of Robin Hood angle, you'll be disappointed.

As for the movie, it's a very mixed bag. Let's start with the bad. As Roy's career evolved, he began playing an idealized version of himself--and was even referred to as Roy Rogers in his films. And, in this persona, he was a swell guy--a guy who loved kids and was about as hard-edged as a bowling ball! More and more in his films he would either have children in key roles (in this one, it's 'Sis') or have childish sorts of plots. I assume that his fan base became increasingly younger as his career progressed. Unfortunately, sometimes this resulted in ridiculously saccharine plots--and the plot in this one is just cringe-worthy! Fortunately, however, there is a HUGE plus that fans of B-westerns will love. Near the end, when Roy and his friends are in a jam, out come a group of B-movie stars of the 20s, 30s and 40s--and it's nice to see the likes of Monte Hale, Kermet Maynard, Ray Corrigan and Rocky Lane (and more). For me, this makes up for the horrid plot....a bit.

The film begins with Roy stumbling into some...Christmas tree rustlers!! I kid you not...Christmas TREES!! It seems that his good friend Jack Holt (the real-life star of tons of westerns and other films--and the father of cowboy star Time Holt) has a Christmas tree farm and he's being robbed blind--thanks to the henchmen hired by a competitor. Roy understands that (gosh) unless he helps, lots of children will be disappointed this Christmas!! While not as bad as "Santa Claus Versus the Martians", this is an amazingly stupid plot--and has absolutely nothing to do with the old west. By 1950, Roy's films were becoming more and more detached from reality--playing up his children's hero role much more than any western character.

So the film has a super-dumb plot, an annoying kid BUT lots of nice cameos. Plus, if you are a fan of Holt (I love his older films if you can find them), it's one of the last films he made, as he would die about a year later. Worth seeing if you are a huge fan, otherwise it's pretty dumb.

Jack Holt, playing retired movie star Jack Holt, is getting ready to cut the Christmas trees he sells cheaply as a service. A competing firm is trying to beat him to market, because they're in it for money.

That's about the extent of the story of this movie, with the usual singing, riding and silliness. There's also a zillion old B movie cowboys on hand, their character names their screen names: Rocky Lane, Rex Allen, William Farnum (although he claims to be 'Bill'), Crash Corrigan.... well, only ingenue Penny Aldredge and comic relief Gordon Jones have major roles under any name but their own.

It's Roy Rogers' Christmas movie for 1950 and it's a bit of an extravaganza, William Witney directs with his usual facile hand, John MacBurnie lights the interiors like a series of Rockwell paintings and Dale Evans is strangely absent.

Republic had been spending more money on their Roy Rogers vehicles, and this shows the effect. Even so, the genre was dying. The following year would be Rogers' last in the Bs and the first of his long-running TV series.

Even with the end of the trail so clearly marked, it's a good little B, with George Chesebro getting the best line.

"Trail of Robin Hood" it should be said, has absolutely nothing to do with Robin Hood. It is though, one of my favorites Rogers westerns. Directed by William Whitney, it's filled with action, hard ridin', sweet singin' and cameos from several western stars which Republic liked to do from time to time.

The story is about Roy coming to the aid of retired cowboy star Jack Holt (playing himself) who is competing with a large company to market Christmas trees. The company headed by Aldrich (Emory Parnell) is trying to buy up the rights to cut the trees from local ranchers. Of course Holt won't sign up. Aldrich's foreman Mitch McCall (Clifton Young) and his henchmen including Murtagh (James Magill) and Whitey (Lane Bradford) do all they can to foil Holt and Rogers efforts.

Aldrich's daughter Toby (Penny Edwards) goes to the camp to try to persuade Holt to sell his trees. But of course she comes over to Roy and Jack in the end. Splinter (Gordon Jones) and his kid sister "Sis" along with a turkey named "Galahad" and Foy Willing and the Riders of the Purple Sage are also along to help.

When McCall frightens the men who were to drive Holt's wagons in the race to market, Sis calls in several cowboy heroes to help. The stars of Republic's other "B" western series, Rex Allen, Allan "Rocky" Lane and Monte Hale lead the charge. Also pitching in are former cowboy heroes Ray "Crash" Corrigan, Tom Keene, Tom Tyler, Kermit Maynard, William Farnum and reformed bad guy George Cheseboro. Farnum and Holt's careers dated all the way back to the early days of silents. Needless to say the good guys prevail and the picture ends with Roy and Trigger riding off into the sunset amid a snow storm.

Dale Evans, Roy's leading lady both on and off the screen was off having a baby when this picture was made.

"Trail of Robin Hood" released in 1950 proved to be Roy Rogers last Trucolor western. The remaining entries in his series, which ended in 1951, would all be in Black and White.