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IMDbPro

Return to Glennascaul

  • 1952
  • 23min
CALIFICACIÓN DE IMDb
6.9/10
1 k
TU CALIFICACIÓN
Orson Welles in Return to Glennascaul (1952)
Psychological HorrorSupernatural HorrorHorrorMysteryShort

Agrega una trama en tu idiomaOrson Welles, on break from filming Othello, relates a tale he heard one spooky Irish midnight not so long ago when, driving through the countryside, he picked up a man with car trouble who ... Leer todoOrson Welles, on break from filming Othello, relates a tale he heard one spooky Irish midnight not so long ago when, driving through the countryside, he picked up a man with car trouble who told of a strange encounter with two hitchhikers.Orson Welles, on break from filming Othello, relates a tale he heard one spooky Irish midnight not so long ago when, driving through the countryside, he picked up a man with car trouble who told of a strange encounter with two hitchhikers.

  • Dirección
    • Hilton Edwards
  • Guionista
    • Hilton Edwards
  • Elenco
    • Michael Laurence
    • Shelah Richards
    • Helena Hughes
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.9/10
    1 k
    TU CALIFICACIÓN
    • Dirección
      • Hilton Edwards
    • Guionista
      • Hilton Edwards
    • Elenco
      • Michael Laurence
      • Shelah Richards
      • Helena Hughes
    • 30Opiniones de los usuarios
    • 9Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Nominado a 1 premio Óscar
      • 1 nominación en total

    Fotos7

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    Elenco principal7

    Editar
    Michael Laurence
    • Sean Merriman
    Shelah Richards
    Shelah Richards
    • Mrs. Campbell
    Helena Hughes
    • Lucy Campbell
    John Dunne
    • Daly
    Isobel Couser
    • The Short Woman
    Ann Clery
    • The Tall Woman
    Orson Welles
    Orson Welles
    • Narrator…
    • Dirección
      • Hilton Edwards
    • Guionista
      • Hilton Edwards
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios30

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    Opiniones destacadas

    10Ron Oliver

    A Story That Is Told In Dublin

    Driving to Dublin late one night, Orson Welles stops to pick-up a stranded motorist. The man proceeds to tell Welles about what happened to him late one evening at that very spot in the road, when he was flagged down by two women. As his tale continues, it wraps back to enfold Welles and the viewer in its skein of mystery - inviting us all to RETURN TO GLENNASCAUL...

    In 1951, during a hiatus in the production of his OTHELLO, two of the actors in the Shakespearean film asked Welles, their old friend, to appear in a short film they were producing. They were Hilton Edwards & Micheál Mac Liammóir, the founders of the famed Dublin Gate Theatre. They thought Welles would be the perfect choice to tell their little ghost tale. They were right - his magnificent voice still worked its magic as it had in radio's heyday. Others in the cast, all excellent, were Michael Laurence (also on leave from OTHELLO), Shelah Richards & Helena Hughes.

    This Irish two-reeler is a superb example of what can be done in a very short amount of screen time. Beautifully crafted, not a frame of film or line of dialogue is wasted. Intriguing & entertaining, it's a shame this little gem is so obscure today.
    6Bunuel1976

    RETURN TO GLENNASCAUL: A Story That Is Told In Dublin {Short} (Hilton Edwards, 1951) **1/2

    Travelling through Dublin by car, Orson Welles (playing himself) gives a lift to a stranded man, who recounts a similar but strange occurrence of his own. Not particularly gripping as a ghost story; however, the detail is quite nice…and Mr. Welles' genial presence entirely welcome. Even so, the Academy of Motion Pictures Arts and Sciences thought it enough of a novelty at the time to deem it worthy of an Oscar nomination in the "Best Two-Reel Short Subject" category in 1953 – one that was eventually won by an obscure Walt Disney 'True-Life Adventure' documentary, BEAR COUNTRY! What is interesting to modern audiences in general and Welles scholars in particular is that the short under review was literally shot when the great man was taking a break from the filming of OTHELLO (1952) – an event which is captured in its very opening scenes! In fact, it was co-produced by Micheal MacLiammoir and writer/director Edwards who, were not only portraying Iago and Brabantio in Welles' exceptional filming of Shakespeare's tragedy, but had been Welles' theatrical cohorts in the late 1930s when he was just starting out. The restored version of the short – retitled ORSON WELLES' GHOST STORY – was overseen by genre producer Richard Gordon and introduced by the ubiquitous Peter Bogdanovich.
    9llltdesq

    An Orson Welles finger-exercise and quite a good one, as well

    This short, nominated for an Academy Award, was adapted from a ghost story Welles once heard and was filmed during a financially-enforced sabbatical during the filming of Othello. It is remarkably moody and quite creepily atmospheric. It is essentially a finger-exercise for Welles, but it is a comment on Welles (and, sadly, on other directors) that his finger-exercises are more interesting and worthwhile than some director's magnum opus. Glad to see it's available. Recommended.
    8Space_Mafune

    Enjoyable

    This short little ghost story feels just like that, a story someone might tell during a long drive or over a campfire. The details are obscure enough to make you wonder and the reaction of Orson Welles to the story told him here is priceless to witness. A short little film which manages to tell an haunting story in a very short amount of time.
    7jellopuke

    Nice little ghost story

    It's a short and quite simple but it's well done and has the right amount of atmosphere to work. Wish Orson had directed it, but it's still fun.

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    Argumento

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    • Trivia
      Note when the stranded motorist says he has trouble with his distributor, and Orson Welles ironically, and maybe sarcastically, says he also has trouble with his distributor as well - meaning film distributor. He was having financial difficulties making La tragedia de Otelo, el moro de Venecia (1951) at the time, so this is probably an inside joke.
    • Errores
      The narrator says that Sean Merriman returns to the house when he realizes he left his cigarette case on the mantle. However, Lucy Campbell was holding the case when Sean noticed the lateness of the hour and suddenly got up to leave, forgetting to get the case from Lucy in his haste. It is Lucy who places the case on the mantle, which goes unnoticed by Sean while he is bidding farewell to Lucy's mother.
    • Citas

      Orson Welles: What happened to your car?

      Sean Merriman: I had trouble with the distributor. I say, aren't you...?

      Orson Welles: Uh... yes, I am. I've had trouble with my distributor, too.

    • Versiones alternativas
      A four-minute introduction with Peter Bogdanovich was added for 1992 release, retitled "Orson Welles' Ghost Story".
    • Conexiones
      References La tragedia de Otelo, el moro de Venecia (1951)
    • Bandas sonoras
      Crime Wave
      (uncredited)

      Music by Bob Busby

      Chappell Recorded Music Library

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 1953 (Estados Unidos)
    • País de origen
      • Irlanda
    • Idioma
      • Inglés
    • También se conoce como
      • Return to Glennascaul: A Story That Is Told in Dublin
    • Locaciones de filmación
      • Irlanda
    • Productora
      • Dublin Gate Theatre
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      23 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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