Loco por las muchachas

"Boats! Boats! Boats!" might have been a more appropriate title for this rather lackluster Elvis feature, one of those formula films that were a dime a dozen. He plays a fisherman who loves being out on the ocean and begins to despair when he learns that his adoptive parents are selling their boats because they must move to a dry climate for health reasons. Nothing very interesting occurs throughout, and Presley is involved in at least three rather embarrassing songs: most notorious is perhaps the silly "Song of the Shrimp", along with a cringe-worthy tango in an apartment called "The Walls Have Ears", and a ridiculous singalong called "Earth Boy" which Elvis sings along with with two little Asian girls (their sister would later star with Elvis in the much better "IT Happened AT THE WORLD'S FAIR"). But at least there is also the decent rocker "I Don't Wanna Be Tied" and especially Elvis' big hit "Return to Sender" to enjoy. It's s a rare opportunity to see him perform the latter classic in a movie, and I'd say it's the best two minutes of the entire film. ** out of ****

One of Elvis' best movie song performances comes in this film, and it's "I Don't Wanna Be Tied". The King is electrifying in this number! I like it better than "Return To Sender", which was the big seller. Elvis shakes and bakes like there's no tomorrow! Next to "C'mon Everybody" from "Viva Las Vegas", I think Elvis does his best movie dancing. EPE ought to re-release this song as they did with "A Little Less Conversation".

Stella Stevens was cool in this film as well.

The King's acting is unusually strong in this film. He has an edge here that is not often seen in his other roles. The scenes with Jeremy Slate and Elvis are particularly entertaining. His character (Ross Carpenter) is in a fix financially and Elvis' edge suits the role.

I think that as the formula plot movies piled up, you can see Elvis just kinda going through the motions, and not developing a character.

Let's face it - Elvis Presley was about as handsome and talented as a man could be. It's a shame that the Colonel put him on the movie treadmill with banal vehicles.

I've heard that Elvis was offered the role of Tony in "West Side Story", but the Colonel's greed screwed up the deal. What a shame. It could have put Elvis in a serious direction cinematically. The role went to Richard Beymer, who was panned by the critics. I think of Elvis singing "Maria", "There's A Place For Us", and I know he would have been fantastic.

A bit odd, but generally pleasing, colorful Elvis Presley vehicle casts the singing star as a tuna fisherman who longs to buy his own sailboat; he takes a job as a nightclub entertainer (nearly usurping former-girlfriend Stella Stevens) and balks at women who want to buy him things in exchange for his affection (another poor guy with principles!). Stevens is a tough broad who looks like she's been around a bit, though she's still a better fit for Elvis over newcomer Laurel Goodwin, who twinkles like a bobby-soxer. Elvis actually shows great passion for Goodwin (kissing her in the rain, even speaking of marriage), but she just doesn't seem his type. Musically, Elvis goes International: singing Chinese, dancing a Spanish Tango, crooning Calypso. In the rock 'n roll opener, he sings, "I'm just a red-blooded boy and I can't stop thinking about girls" (if he didn't like girls, what color would his blood be then?). The prettiest song, "Mama", is sung not by Presley but rather The Four Amigos, while Stevens seems to do her cabaret act in between various arguments. Goodwin (secretly rich) takes a job in a hat-shop, but why--to prove she has principles too? The script makes no sense, and the hot-headed character conflicts are contrived, but Jeremy Slate is a convincingly wormy adversary for Elvis, and E.P.'s performance is blithe and easy-to-take. **1/2 from ****

Elvis as a fisherman whose biggest dream is to own the boat he helped build with his father - to aid him in his quest he works for a jerk and sings at a club. Also, he falls for a girl.

Rumor is that studio execs in the 60's said that Elvis's films didn't need titles - just numbers. It's pretty funny, but I'm not in a position to judge just yet - I have a lot a Elvis flicks to go through. "Girls, Girls, Girls" is a pretty mediocre fare with sub par songs and a very thin story.

First off; Elvis isn't believable for a second as a fisherman. His on screen image as a somewhat mischievous yet good natured and wholly independent working class Joe (who never accepts handouts) is already getting tiresome; with some 20 more movies to go where he's playing basically the same guy. As most reviewers have pointed out; Elvis was a solid enough actor when working with decent people and material but in this flick he's neither here nor there.

The songs here aren't that good, sad to say. The classic "Return to Sender" is the real standout but others are fairly forgettable.

But on the whole I always enjoy these Elvis movies up to a point. Despite some obvious laziness inherent with Presley's movies they're mostly fairly attractive looking, always displaying nice scenery, have a number of knockout beauties and solid songs (not all, but most).

Elvis did some serious work before this film; most notably "Jailhouse Rock", "King Creole" and "Flaming Star". Those are excellent films, Elvis is excellent in them and they're a worthy addition in any film lover's collection. His later "fluff" films range from good to fairly lacklustre but fans of the King can easily sit through them and enjoy themselves.

I like this movie a lot, and I may be partial because I got to meet Stella Stevens and she's an adorable, outspoken lady. I asked her whether they used her voice in the scene where she sings in the nightclub, and she says they would not use her voice although she wanted them to (some books claim her voice WAS used). I won't tell you exactly WHY she says she wasn't allowed to, but let's just say she mentioned Ann-Margret doing them in "Viva Las Vegas" and say no more. Decent songs, some very annoying songs too, but I like the concept of Elvis as a singing fisherman, so what the hey?