I did not see this film when it was originally released. I was 12 then, but for some reason I was not attracted to it. So today, when I have finally seen it, I am not moved by nostalgia, as it often happens to me when I revisit films from my youth. This one is truly a poor motion picture, for all the reasons some reviewers have indicated: awful script and dialogs, inaccuracy of several sorts, corny costumes and settings, unbelievable hair styles, Caucasian actors playing natives of the American continent, and very bad acting, especially from Yul Brynner who overdid the macho number he created for the King of Siam, posing as if he were doing a photo shoot for "Tomorrow's Man" or any other male physique magazine of the 1960s. Today it seems worse, with everybody speaking the same language (English), but with different USA accents, except Shirley Anne Field who did her best British phrasing. As for the score, once Elmer Bernstein complained in a letter he wrote me (he is the only composer I have ever exchanged correspondence with) that he had not convinced any record company to issue "Kings of the Sun", one of his favorite film scores. If heard apart from the visuals, I am sure it works, but to most ears quite probably it sounds as the score for a western or biblical film. As it is, it sounds strange adding musical comments to images that pretend to convey life in America the continent, before the arrival of the European conquistadors. Bernstein was not all that wrong, in any case, for scriptwriter James R. Webb worked on this one just after "How the West Was Won" and before "Cheyenne Autumn", maybe taking it for another western without horses.
