Devil Doll
- 1964
- 1h 21min
CALIFICACIÓN DE IMDb
4.8/10
2.7 k
TU CALIFICACIÓN
Un malvado hipnotizador/ventrílocuo trama hacerse con los millones de una heredera.Un malvado hipnotizador/ventrílocuo trama hacerse con los millones de una heredera.Un malvado hipnotizador/ventrílocuo trama hacerse con los millones de una heredera.
- Dirección
- Guionistas
- Elenco
Francis De Wolff
- Dr. Keisling
- (as Francis de Wolff)
Redmond Bailey
- Backstage Crew
- (sin créditos)
Anthony Baird
- Soldier
- (sin créditos)
Tony Castleton
- Charity Ball Guest
- (sin créditos)
David Charlesworth
- Hugo Novik
- (sin créditos)
Lorenza Colville
- Mercedes
- (sin créditos)
Sadie Corre
- Hugo the Dummy
- (sin créditos)
Trixie Dallas
- Miss Penton
- (sin créditos)
Keith Denny
- Audience Member
- (sin créditos)
Margaret Durnell
- Countess
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opinión destacada
A beautifully-crafted low budget shocker which has unfortunately been overlooked in view of the classic 'Ventriloquist's Dummy' episode from the horror compendium film, DEAD OF NIGHT (1945; episode directed by Alberto Cavalcanti). Actually, it bears very few similarities to it: the dummy may be called Hugo as in the earlier film (though DEVIL DOLL was in fact based on a short story written by Frederick E. Smith), but here we have the ventriloquist who is doing the mind-controlling and the dummy who is subservient to him, whereas in the 1945 film it was the other way around.
Some dated elements like the dance number early in the film (couldn't they have thought of something more sinister as a way of making the heroine, Yvonne Romain, fall under the hypnotist's spell?) are not enough to spoil DEVIL DOLL's very effective suspense sequences, especially whenever The Great Vorelli and Hugo get to share the screen. Performances are generally adequate (including William Sylvester as the requisite American 'star') but Bryant Halliday obviously dominates the film as the villainous Vorelli. Reminiscent of John Barrymore in SVENGALI (1931), his sheer magnetic presence makes one wish he had made more films of the caliber of DEVIL DOLL. (On a side note, we DVD Maniacs should also feel obligated towards him for his capacity as co-founder of Janus Films, 'home owner' of The Criterion Collection!)
Some critics find the film a bit flat, almost like a made-for-TV film: it does have a tendency towards showing the actors in close-up but this, as explained in the commentary, was more due to budgetary limitations than to a conscious choice of film-making style adopted by the director; furthermore, the plot's very dependence on various states of emotion on the characters' part makes the intimacy of it all entirely appropriate!
Which brings us to the ending: though unconvincing in detail (Vorelli's transference of souls gradually took place over a period of months but here it happens in a flash!), the impact of it is undeniable and makes for a hugely satisfying climax to a wonderful little film, a genuine sleeper and now regaining some well-deserved momentum with Image Entertainment's excellent DVD release.
Some dated elements like the dance number early in the film (couldn't they have thought of something more sinister as a way of making the heroine, Yvonne Romain, fall under the hypnotist's spell?) are not enough to spoil DEVIL DOLL's very effective suspense sequences, especially whenever The Great Vorelli and Hugo get to share the screen. Performances are generally adequate (including William Sylvester as the requisite American 'star') but Bryant Halliday obviously dominates the film as the villainous Vorelli. Reminiscent of John Barrymore in SVENGALI (1931), his sheer magnetic presence makes one wish he had made more films of the caliber of DEVIL DOLL. (On a side note, we DVD Maniacs should also feel obligated towards him for his capacity as co-founder of Janus Films, 'home owner' of The Criterion Collection!)
Some critics find the film a bit flat, almost like a made-for-TV film: it does have a tendency towards showing the actors in close-up but this, as explained in the commentary, was more due to budgetary limitations than to a conscious choice of film-making style adopted by the director; furthermore, the plot's very dependence on various states of emotion on the characters' part makes the intimacy of it all entirely appropriate!
Which brings us to the ending: though unconvincing in detail (Vorelli's transference of souls gradually took place over a period of months but here it happens in a flash!), the impact of it is undeniable and makes for a hugely satisfying climax to a wonderful little film, a genuine sleeper and now regaining some well-deserved momentum with Image Entertainment's excellent DVD release.
- Bunuel1976
- 13 jun 2004
- Enlace permanente
Deadly Dolls and Terrifying Toys
Deadly Dolls and Terrifying Toys
From a simple wind-up monkey to the high-tech terrors of M3GAN, these disturbing playthings left us with nightmares.
Argumento
¿Sabías que…?
- TriviaAccording to executive producer Richard Gordon, the theater in which The Great Vorelli performs was not open to the public at the time and was scheduled to be demolished. The film crew was able to shoot inside the theater for the show and backstage scenes before the deadline for the building's demolition.
- Citas
Mark English: [on the telephone to Bob] Now get your tail out of bed and get to work.
Bob Garrett: Wilco, wilco, stay cool and all that jazz. Hey, how'd you know I was still in bed?
Mark English: It figures, boy, it figures.
- Versiones alternativasThe international version is different from the original British version.
- The opening and closing credits are different.
- The international version replaces two scenes with topless women with alternate takes, featuring them clothed or covered.
- The international version contains a scene which explains the motivation for Magda's murder, while the British version replaces this with a stage performance in which a woman is hypnotized and strips, ending up topless.
- ConexionesFeatured in Mystery Science Theater 3000: Devil Doll (1997)
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Detalles
Taquilla
- Presupuesto
- GBP 25,000 (estimado)
- Tiempo de ejecución1 hora 21 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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Principales brechas de datos
By what name was Devil Doll (1964) officially released in India in English?
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