CALIFICACIÓN DE IMDb
5.9/10
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TU CALIFICACIÓN
El pistolero Clint Cooper regresa a su ciudad natal para ayudar a combatir una redada de su antigua banda.El pistolero Clint Cooper regresa a su ciudad natal para ayudar a combatir una redada de su antigua banda.El pistolero Clint Cooper regresa a su ciudad natal para ayudar a combatir una redada de su antigua banda.
Mary Benoit
- Mother
- (sin créditos)
Fred Carson
- Gilbey
- (sin créditos)
George DeNormand
- Townsman
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
'The Quick Gun' never exerts itself, but it's still a western that (only just) held my interest from start-to-finish.
The premise is watchable enough, which is fortunate as the acting, dialogue and fight scenes aren't great. All of the acting is on the wooden side, with the exception of Ted de Corsia who is pretty good as Spangler. The cast are all likeable, though don't quite give top performances in my opinion.
Dialogue-wise it's boring, there's quite a few moments with blocks of speaking. The combat isn't pleasing on the eye either, given its slow nature. The music and camera work is OK, I guess.
If you want to sit back and chill with a western that doesn't take much effort, then this is one for you. It's fine to watch, if underwhelming overall.
The premise is watchable enough, which is fortunate as the acting, dialogue and fight scenes aren't great. All of the acting is on the wooden side, with the exception of Ted de Corsia who is pretty good as Spangler. The cast are all likeable, though don't quite give top performances in my opinion.
Dialogue-wise it's boring, there's quite a few moments with blocks of speaking. The combat isn't pleasing on the eye either, given its slow nature. The music and camera work is OK, I guess.
If you want to sit back and chill with a western that doesn't take much effort, then this is one for you. It's fine to watch, if underwhelming overall.
Audie Murphy is one of my favorite actors, in westerns he's real good. Clint Cooper returns to the town he was run out of, 2 years prior to the start of the movie, and he Audie, tells a flash back-like story. He returns because he wants to redeem himself, and in the beginning it's tense, but as per usual, the town begins to let Clint Cooper know, everything isn't as it seems. So, without giving the plot away and telling how well lit the scenes are, I will just end by saying if you like to root for the good guy turned bad guy, turned good guy, then you might like this film. One funny thing is seeing a rough tough rancher with a bright purple shirt on. Something tells me, that wouldn't have happened back in the day. The trouble starts when Tom Morris finds out that Clint Cooper is back in town! Tom want's revenge for Clint killing his two sons in a gun fight while Tom Morris and his sons were trying to steal Clint's families land. So the towns people hate Clint and want him gone! But the town doesn't have time to run him off this time. Spangler's on his way with his gang to rob the town and burn it to the ground if "I feel like it, nobody could stop us". Clint's been thinking about the cute little school marm he left behind, figures he can come home and pick up where he left off! But she's gonna marry Clint's old buddy the Town Sheriff. So watch and see how all this untangles! But be careful 'couse Clint's gun "got to fast"
This is an enjoyable Audie Murphy western.
Simple story with some nice drama but the highlights of the film all belong to the 'Spangler' character. He is dynamic, boisterous, over the top and often hilarious (intentional or otherwise).
Nice way to spend an afternoon :)
Simple story with some nice drama but the highlights of the film all belong to the 'Spangler' character. He is dynamic, boisterous, over the top and often hilarious (intentional or otherwise).
Nice way to spend an afternoon :)
The Quick Gun is directed by Sidney Salkow and written by Robert E. Kent. It stars Audie Murphy, Merry Anders, James Best, Ted de Corsia, Walter Sande and Rex Holman. A Techniscope/Technicolor production with cinematography by Lester Shorr and music by Richard La Shelle.
1964 saw three Audie Murphy Westerns released, Bullet for a Badman was rather good, Apache Rifles was just above average and The Quick Gun was quite frankly poor. Which is a shame since the premise and double pronged dose of villainy showed good promise on the page. Plot essentially sees Murphy as Clint Cooper, a gunman returning to the town of Shelby two years after he had left because of killing two men. Although he was forced into the fight, many of the town denizens consider him an evil force, a problem since he is trying to get the whole town to understand that a gang of outlaws are on their way to pillage all and sundry. With the father of the two men killed by Cooper after his blood, the gang on their way and very much having Cooper in their sights since they know him well, Cooper has got it all to do to win the heart of the gal he loves and settle down in peace on his deceased father's ranch.
Of course it's a narrative tailor made for a Murphy character, defend the town against all hostilities whilst proving himself as a just man. But it never amounts to much more than a few half hearted up-tempo scenes. There are a number of villains for Cooper to deal with, but they are weakly performed by the actors, marking them out as unconvincing, with Walter Sande as Tom Morrison laughable as we are expected to believe his old and bulky frame can give a lithe Murphy a good fist fight. This is one of the many false things that dominate the picture, the fights are ultra slow, the stunt doubles all too obvious and the town of Shelby itself is one of the most unconvincing I have seen in a B Western. The interiors are all pristine and pretty, often looking like how someone would decorate a Wild West themed restaurant, badly artificial.
There's a decent sequence involving flames and as ever, Murphy is watchable and likable even in the most tawdry of Oaters, but this really smacks of unprofessionalism by those around him. Making it hard to recommend to anyone but the staunchest of Audie's fans. 5/10
1964 saw three Audie Murphy Westerns released, Bullet for a Badman was rather good, Apache Rifles was just above average and The Quick Gun was quite frankly poor. Which is a shame since the premise and double pronged dose of villainy showed good promise on the page. Plot essentially sees Murphy as Clint Cooper, a gunman returning to the town of Shelby two years after he had left because of killing two men. Although he was forced into the fight, many of the town denizens consider him an evil force, a problem since he is trying to get the whole town to understand that a gang of outlaws are on their way to pillage all and sundry. With the father of the two men killed by Cooper after his blood, the gang on their way and very much having Cooper in their sights since they know him well, Cooper has got it all to do to win the heart of the gal he loves and settle down in peace on his deceased father's ranch.
Of course it's a narrative tailor made for a Murphy character, defend the town against all hostilities whilst proving himself as a just man. But it never amounts to much more than a few half hearted up-tempo scenes. There are a number of villains for Cooper to deal with, but they are weakly performed by the actors, marking them out as unconvincing, with Walter Sande as Tom Morrison laughable as we are expected to believe his old and bulky frame can give a lithe Murphy a good fist fight. This is one of the many false things that dominate the picture, the fights are ultra slow, the stunt doubles all too obvious and the town of Shelby itself is one of the most unconvincing I have seen in a B Western. The interiors are all pristine and pretty, often looking like how someone would decorate a Wild West themed restaurant, badly artificial.
There's a decent sequence involving flames and as ever, Murphy is watchable and likable even in the most tawdry of Oaters, but this really smacks of unprofessionalism by those around him. Making it hard to recommend to anyone but the staunchest of Audie's fans. 5/10
It's your standard bad guy vs. good bad guy western. Clint Cooper returns to the town that ran him off and reluctantly agrees to stay and fight the coming horde of thieves. Though this is a very predictable plot, it doesn't feature the huge leaps that are common in some westerns from the era.
Watching this movie 41 years after it's release and judging it by today's standards isn't really fair. It is from a simpler time in history and as a result seems naive to us.
Today you would never see scenes that are supposed to occur at night happening in obvious sunlight. The melo-drama is passe. Everyone knows that gunshots are messy, except in old westerns. Having said all of that, fans of the genre and Audie Murphey will no doubt enjoy this film.
I also enjoyed watching James Best before his Dukes of Hazard days. While I am not one who thinks that his performances as Sheriff of Hazard County are un-noteworthy, this role really opened my eyes to his versatility and talent as an actor.
Watching this movie 41 years after it's release and judging it by today's standards isn't really fair. It is from a simpler time in history and as a result seems naive to us.
Today you would never see scenes that are supposed to occur at night happening in obvious sunlight. The melo-drama is passe. Everyone knows that gunshots are messy, except in old westerns. Having said all of that, fans of the genre and Audie Murphey will no doubt enjoy this film.
I also enjoyed watching James Best before his Dukes of Hazard days. While I am not one who thinks that his performances as Sheriff of Hazard County are un-noteworthy, this role really opened my eyes to his versatility and talent as an actor.
¿Sabías que…?
- TriviaMurphy was paid $37,500 for his performance.
- ErroresWhen Audie Murphy visits Merry Anders in the schoolroom, many of the paintings on the wall behind her are clearly done by 1960s children - a modern house, lamp etc.
- Citas
Jud Spangler: Oh now Clint, you ought to trust me better than that.
Clint Cooper: I trust you, Spang, and you trust me, but we just can't trust each other.
- ConexionesEdited into Arizona sangrienta (1965)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The Quick Gun
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 400,000 (estimado)
- Tiempo de ejecución1 hora 27 minutos
- Relación de aspecto
- 2.35 : 1
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