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7.2/10
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TU CALIFICACIÓN
La creciente amistad de dos estibadores de Nueva York se ve amenazada por un punk notablemente repelente.La creciente amistad de dos estibadores de Nueva York se ve amenazada por un punk notablemente repelente.La creciente amistad de dos estibadores de Nueva York se ve amenazada por un punk notablemente repelente.
- Nominada a2premios BAFTA
- 1 premio ganado y 2 nominaciones en total
Robert F. Simon
- George Nordmann
- (as Robert Simon)
David Clarke
- Wallace
- (as David Clark)
Ralph Bell
- Night Boss
- (sin créditos)
Charles Jordan
- Old Stevedore
- (sin créditos)
Mike O'Dowd
- Malick's Henchman
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaWritten specifically for Sidney Poitier.
- ErroresWhen Axel is fighting Charlie and they end up on the tracks near the end of the rail car, Axel picks up a hunk of pipe that bends while he is swinging it. Charlie then hits him a couple of times in the gut. When Axel falls on the ground, it is obvious he has padding under his jacket (to absorb the blows) which disappears in the next shot.
- Citas
Axel Nordmann: Excuse me, a-are you in charge here?
Night Boss: Yeah.
Axel Nordmann: I-I'm looking for a guy named Charlie Malick.
Night Boss: He ain't here. He works the day shift.
Axel Nordmann: Excuse me.
Night Boss: Yeah.
Axel Nordmann: The thing is-a, I'm looking for work.
Night Boss: Nothin' I can do for ya kid, you'll have to come back in the mornin'.
- Versiones alternativasAlso available in a computer colorized version.
- ConexionesFeatured in Afro Promo (1997)
Opinión destacada
This is an excellent movie that tackles the issue of racism in a delicate and balanced way. Great performances all round but absolutely outstanding acting by Sidney Poitier.
He makes this movie breathe and alive. His portrayal of a guy who struggles against discrimination and violence is simply mind blowing. His acting is forceful and delicate and subtle at the same time. Truly worthy of an Oscar, Poitier had to wait (because of his skin colour) for many more years before the sheer brilliance of his acting was recognised by the Academy.
Cassavetes turns in a great performance too, withdrawn, troubled and realistic as it has become his hallmark. He and Poitier contrast inimitably the forces of cowardice, courage and human transformation through friendship.
The movie is enjoyable and at the same time deeply haunting in its portrayal of racism in the US. The irony is that it somehow mirrors the realities under which Poitier had to work.
He makes this movie breathe and alive. His portrayal of a guy who struggles against discrimination and violence is simply mind blowing. His acting is forceful and delicate and subtle at the same time. Truly worthy of an Oscar, Poitier had to wait (because of his skin colour) for many more years before the sheer brilliance of his acting was recognised by the Academy.
Cassavetes turns in a great performance too, withdrawn, troubled and realistic as it has become his hallmark. He and Poitier contrast inimitably the forces of cowardice, courage and human transformation through friendship.
The movie is enjoyable and at the same time deeply haunting in its portrayal of racism in the US. The irony is that it somehow mirrors the realities under which Poitier had to work.
- kaehnea
- 27 ene 2006
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Na ivici grada
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 25 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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Principales brechas de datos
By what name was Edge of the City (1957) officially released in India in English?
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