CALIFICACIÓN DE IMDb
7.5/10
31 k
TU CALIFICACIÓN
Una mujer que debe robar una estatua de un museo de París para ocultar las falsificaciones de arte de su padre encuentra a un hombre que puede ayudarla.Una mujer que debe robar una estatua de un museo de París para ocultar las falsificaciones de arte de su padre encuentra a un hombre que puede ayudarla.Una mujer que debe robar una estatua de un museo de París para ocultar las falsificaciones de arte de su padre encuentra a un hombre que puede ayudarla.
- Premios
- 1 nominación en total
Roger Tréville
- Auctioneer
- (as Roger Treville)
Edward Malin
- Insurance Clerk
- (as Eddie Malin)
Georg Stanford Brown
- Waiter
- (sin créditos)
Louise Chevalier
- Cleaning Woman
- (sin créditos)
Rémy Longa
- Young Man
- (sin créditos)
Pierre Mirat
- Guard
- (sin créditos)
Jacques Ramade
- Guard
- (sin créditos)
Olga Valéry
- Lady with the dog
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opinión destacada
William Wyler crafts a delightfully frothy caper backed up by wonderful on screen chemistry between Peter O'Toole & Audrey Hepburn. It seems to me that Hepburn always managed to bond with her Male co-stars, and here the interplay between O'Toole and herself is wonderful. Check out a long sequence of events involving the pair hiding out in a closet, it's gold dusted cinema.
The film's central plot involves Hepburn & O'Toole planning a daring robbery from a Paris museum to keep her art forger Father (a delightful Hugh Griffith) out of trouble, at first the couple are purely business partners with no love lost for each other, but as the story plays out the pair are forced to get along and etc.
The burglary itself is dramatic, attention grabbing entertainment, and it's also the film's highest point, but overall the film as a whole is simply good romantic fun. Also helps that it features a very tidy shift for the finale to further reward the audience for their time spent with the movie. Throw in dapper turns from Charles Boyer & Eli Wallach too, and it's all good really.
Open the wine, sit back and relax with Pete & Audrey. 8/10
The film's central plot involves Hepburn & O'Toole planning a daring robbery from a Paris museum to keep her art forger Father (a delightful Hugh Griffith) out of trouble, at first the couple are purely business partners with no love lost for each other, but as the story plays out the pair are forced to get along and etc.
The burglary itself is dramatic, attention grabbing entertainment, and it's also the film's highest point, but overall the film as a whole is simply good romantic fun. Also helps that it features a very tidy shift for the finale to further reward the audience for their time spent with the movie. Throw in dapper turns from Charles Boyer & Eli Wallach too, and it's all good really.
Open the wine, sit back and relax with Pete & Audrey. 8/10
- hitchcockthelegend
- 3 mar 2008
- Enlace permanente
Argumento
¿Sabías que…?
- TriviaWalter Matthau was the first choice for the Eli Wallach part but was asking $200,000, so the producers opted for the less expensive George C. Scott. Scott had been on the set for a few weeks before shooting began. However, on his first day of shooting, he didn't show up until after lunch, and director William Wyler decided to fire him. He was already finding it difficult to handle two heavy drinkers, Peter O'Toole and Hugh Griffith, and the prospect of a third was just too overwhelming. On hearing of Scott's removal from the production, Audrey Hepburn became quite inconsolable.
- ErroresWhen Bonnet gives the curator the statue, the curator touches the white marble with his bare hands. A real curator would never touch a marble work of art with bare hands, as the oils from the skin can stain the marble, turning it yellow. Curators always wear white gloves before touching any work of art.
- Citas
[Nicole describes the burglar to her Papa]
Nicole Bonnet: Well, it was pitch dark and there he was. Tall, blue eyes, slim, quite good-looking... in a brutal, mean way, Papa. A terrible man!
- ConexionesFeatured in Star Wars: Music by John Williams (1980)
- Bandas sonorasLa Marseillaise
(1792) (uncredited)
Written by Claude Joseph Rouget de Lisle
In the score when the statue is transported to the museum
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Cómo robar un millón
- Locaciones de filmación
- Neuilly-sur-Seine, Altos del Sena, Francia(Bonnet's house at junction Rue Parmentier & Boulevard Bineau, now demolished)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 6,000,000 (estimado)
- Tiempo de ejecución2 horas 3 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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Principales brechas de datos
What is the Japanese language plot outline for Cómo robar un millón de dólares (1966)?
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