¿Arde París?

This is a good movie, but only if you have read the book. Otherwise, it would appear to be muddled and difficult to follow. There were so many different resistance factions operating in Paris at the time of the liberation it is difficult to keep them straight. The movie doesn't help you in that regard. Reading the book gives you a much better perspective on the part each faction played in the liberation.

The little vignettes you see with characters appearing in the film for only a few minutes are all true. Unfortunately, they don't always make sense to an uninformed viewer and they give the viewer the sense of a badly edited film.

The true story of the last few days before the liberation is extremely remarkable. Hitler sent a hard core general he trusted to destroy Paris. It is incredible that he disobeyed orders and saved the city.

What I really loved about the movie was the city itself. It is one of the most beautiful cities in the world. The film was shot mostly in the actual locations where the events portrayed took place. As a lover of history, I have been fortunate to have visited Paris more than once and walked these locations fully aware of what happened there. That makes this movie special for me. But, the film does have problems.

Besides being a bit disjointed, the French and German dialog were dubbed in English. It would have been better with subtitles, although many of the same actors did their own English dubbing. The film is in black and white, which doesn't bother me, but it might have been better in color. One of the main reasons for B&W was the Nazi flags. The French authorities refused to allow red and black Nazi flags to fly in Paris, even for a movie. They agreed only to have black and gray flags. But the black and white filming also allowed the blending of authentic war footage with the movie. Also remember that another similar film, The Longest Day, was shot a couple of years earlier in B&W.

The film is filled with a small army of great international actors. That was fun, although I didn't buy Kirk Douglas as General Patton. Gert Frobe (Goldfinger) was excellent as the German general in charge of Paris and Charles Boyer was also excellent in his small role. The music was composed by Maurice Jarre and is just wonderful. Whenever I am in Paris, the music continually runs through my head. As a side note, Jarre obviously borrowed much of this soundtrack for use in "Grand Prix".

In short, this is a historical movie rather than a great film. I recommend you read the book to get the full impact of the movie. But understand this remarkable story of the liberation is stranger than fiction, which makes it a good read. And, if you ever visit Paris the movie will take on a whole new perspective.

In August 1944, Adolf Hitler assigns General Dietrich von Choltitz (Gert Froebe) to be in the military governor of Paris and to burn the city in case of the Allied forces arrival. Meanwhile, the French resistance has internal fights of the different factions and leaderships. One French major convinces the Allied forces to liberate Paris from the Germans. General von Choltitz disobeys Hitler's orders and spares Paris from destruction.

"Paris brûle-t-il?", a.k.a. "Is Paris Burning?", is an underrated French super production about the liberation of Paris in World War II. It is impressive the number of stars in this movie, directed by René Clément; screenplay by Francis Ford Coppola; music by Maurice Jarre. There are many cameos of great actors and also a huge number of bit players. Unfortunately the dubbing in English is awful. Fortunately this German general did not destroy one of the most beautiful cities in the world. My vote is eight.

Title (Brazil): "Paris Está em Chamas?" ("Is Paris Burning?")

Although Hitler somehow survived the failed July assassination attempt his paranoia increased. One of the few high-ranking officers he felt he could still trust was Dietrich von Choltitz. He had served Hitler well and was an officer who could be relied upon to obey orders implicitly. Hitler appointed him Governor-General of Paris with instructions to restore order and if need be destroy Paris rather than let it fall into Allied hands. Every bridge and monument was mined. This and the general insurrection led by the French Communist Party combined to make this a momentous and perilous time in the history of the French capital. As the Allies approached, von Choltitz rescinded Hitler's order. Seventy-five years on it is almost impossible to appreciate just how close Paris came to total destuction.

These events should, in theory anyway, provide sufficient material for a first-class movie, especially with René Clément at the helm.

In reality alas the film is a dud. One can try and find reasons. Personally I think it is down to a variety of factors: at a little under three hours it rambles; the newsreel footage is far more interesting and thrilling than the filmed action; there is an irritating mish mash of accents with some decidedly dodgy dubbing; there are too many writers and far too many famous faces. One critic at the time observed that the flames were extinguished by the shower of stars! The performance that stands out is that of Orson Welles as Swedish Consul Raoul Nordling, an unsung hero whose diplomatic relationship with von Choltitz assuredly influenced the latter's thinking. This relationship is very well depicted in Volker Schloendorff's film 'Diplomacy' with Niels Arestrup and Andre Dussollier as General and Consul.

The scene that really packs a punch is the sight and sound of the bell of Notre Dame which had been silenced for over four years. This is especially poignant in light of the recent fire that engulfed this monumental edifice. Clement has also included a rendition of 'La Marseillaise' which never fails to move. Needless to say the film was a tremendous success in France and Maurice Jarre's rather hurdy-gurdy 'Paris Waltz' theme extremely popular in its own right. Big budget plus well known actors equals great film? In this case decidedly not. Strange indeed that 'The Longest Day' which had no less than five directors, seems to work better than this with just the one. The real star of course is Paris itself.

About 350 years earlier Henry of Navarre had captured just about all of France, but Paris and had been ruling as Henry IV for about five years but he decided he wasn't really king without his capital. He converted to the Catholic religion and Paris became united with the rest of the country. Henry decided that Paris was indeed worth a mass.

Fast forward to 1944. Maybe militarily Paris wasn't worth that much in defeating Hitler, but for the morale of a people being liberated from a brutal conqueror it was invaluable. When the forces of the Resistance in its many branches could no longer be contained with Allied armies only days from Paris, battle plans got changed and a Free French Division under General Phillippe Leclerc went in and helped the Resistance take the city.

Paris brule-t-il is the French cinema's answer to The Longest Day. It is dotted with cameos from French, German, and American film players and makes very effective use of newsreel footage blended into the finished product. You really do think you are watching an actual filmed record of the events as they happened.

The lead in this film is German actor Gert Frobe, better known to audiences as James Bond nemesis Goldfinger. The film opens with him being given command of the city by Hitler himself and given very specific orders to destroy the city before it was recaptured.

Frobe knows it and finally admits that the war is lost. He's concerned about what history will think of him should he do this terrible thing. He gets a direct order from Hannes Messemer playing Alfred Jodl and a reminder of what Hitler does to those who disobey him. Frobe's character General Von Choltitz died shortly after this film debuted and Jodl was executed after being tried at Nuremberg.

Jean-Paul Belmondo, Alain Delon, Jean-Pierre Cassel, Yves Montand are all playing roles of Resistance members. Leslie Caron has a poignant small part as a woman trying unsuccessfully to get her husband freed before the Nazis ship him off to Germany before retreating.

Americans in this film are Kirk Douglas as General Patton, Glenn Ford, as General Bradley and Robert Stack as General Siebert. Those three were put in briefly to insure some American box office in a French story. Funny no one thought of Douglas for the Patton biographical film classic four years later.

Orson Welles has a much bigger part as the Swedish consul general in Paris who negotiates between the Nazis and the Resistance before the Free French Division arrives. Another one of those brilliantly executed parts by Welles he did to get money for his own projects.

Director Rene Clement really made the people of Paris the star of this film. It is their tribute picture and a terrible reminder to people in every nation what it is like to live under a tyranny.

This film is a very well done dramatisation of the account of the liberation of Paris in August of 1944.History buffs take note;notice the mascot names of the tanks in General Leclerc's Free French armoured division.Many had Spanish names such as "Madrid" "Teruel" & "Zaragosa" as these vehicles were manned by anti-Fascist Spanish refugee fighters who played a largely important yet mostly un-acknowledged part largely ignored by mainstream historians about the WW2 period.