El fabuloso Doctor Doolittle

As an animal lover, I very much enjoyed Dr. Doolitle (1967). It's an enjoyable Comedy/Adventure/Musical/Fantasy movie about Dr. Doolitle, the animal doctor, and his journey to find the Great Pink Sea Snail in order to improve on his skills in animal languages. I gave this film a 6/10 because the vintage settings are authentic and beautiful, the overall message of the film, and the cinematography is excellent. The criticisms that I have are that some of the characters were boring, some songs were dull and there are some very corny and unfunny moments.

The movie begins on a fishing deck in the middle of a town where the houses are yellow-brown brick and conjoined together with triangular rooftops, chimneys, and a sign reading "Fundlesy Clay". Dr. Doolite's home is not how you would expect an average veterinarian's home to look. Across the bridge and past, a small garden is Dr. Doolitle's brick house. There is a large doorbell and an engraved wooden and brass sign with his name on it on the wooden door. Inside his home, you will find all kinds of animals, such as pigs, monkeys, parrots, roosters, horses, donkeys, owls, sheep, ducks, rabbits, hedgehogs, cats, and dogs walking and sitting inside and outside.

The message of the film is about why we treat animals different from humans even though humans are animals as well. Dr. Doolite is a proud vegetarian who speaks to animals. When he was in court and presented his case in an attempt to prove that he is able to speak to animals, the judge decided to sentence Dr. Doolite to an insane asylum. He claims the reason in that he treats animals like humans and then Dr. Doolite goes into a song explaining why we should not kill and eat animals, and rather treat them like people.

The cinematography of the film is great. The director cuts to the new actors very smoothly when a new person is speaking or when something new has been introduced. The camera pans slowly onto Dr. Doolitle while he speaks the most important parts. While reading this book in the library after he is released from jail, the camera switches back and forth between Dr. Doolitle and Emma while they are conversing in a very smooth and professional manner.

The film is 152 minutes long. Adults may find some parts to be very immature humour or very corny. For example, there is a scene where Dr. Doolitle is singing what appears to be a love song to a baby seal in a stroller. Also, although some of the songs are humorous, short, sweet, and catchy, others are not. There are some songs in the film that I think should have been taken out completely. The characters, other than Dr. Doolitle, are boring and uninteresting. Their motives, strengths, and weakness are unclear as most characters in the film are not very dynamic.

I would recommend this movie to people who enjoy musicals. The film definitely gets better after the 1-hour mark. It is a good film to watch when you had a long day and just want to shut off your brain and enjoy a film with your family. The comedy is light and easy but there are definitely some funny moments. The animals are enjoyable, especially the two-headed llama.

I gave this film 6/10 stars because it was not nearly as good as I was hoping that it would be. The areas that I think that could be improved would definitely be that Tommy, Lady Petherington, and Matthew were all very boring characters. Some more detail could have been added to bring them to life. There were only 1 or 2 songs that I really enjoyed and found catchy in the film and some of the jokes made in the film seemed a tad lazy. The parts that made the film good were the cinematography, the settings, and the overall message of the film.

Highly atmospheric and splendidly acted this film is a pure joy to watch. Legendary actor Rex Harrison give one of his best screen performances as the eracable,lovable Doctor. Anthony Newley gets one of his rare screen appearances and shows just what a talented performer he was.And of course Lord Attenbourgh's comic turn as Albert Blossom gives him rare comic opportunity.the score is well done by Leslie Bricusse (Newley's long time collaborator.)And the dialogue is sharp and witty. the performance are extremely real for a childeren's fantasy film. Its a shame that the Eddie Murphy misfire has taken recognition away from this charming film.

If the only "Dr. Dolittle" you've ever known is Eddie Murphy's rendition, you need to see Rex Harrison's original performance! The first "Dolittle" has the remake and its sequel beat by a mile! Sure, it has the look and feel of those campy 1960's movies, like "Mary Poppins" and "Chitty Chitty Bang Bang." But it also has the same comfy and family-friendly appeal. The original movie best captures the image of Hugh Lofting's famous veterinarian, in 19th-century England, just as he should be! So never mind Eddie Murphy, and enjoy the real Dr. Dolittle!

I know it goes against the general tide to praise this film (the only other place I've ever read a really positive review of it being the back of its own video cover), but I'm going to do it--and I'll even attach my name! For, in my opinion, this musical adaptation by Leslie Bricusse of Hugh Lofting's delightful "Doctor Dolittle" series succeeds in a great many respects. I was enchanted as a child when I saw it in the cinema, and I still enjoy watching it on video with my own children.

The admittedly meandering plot combines elements from various of the Dolittle books, but it essentially concerns the Victorian veterinarian's quest for the Great Pink Sea Snail, an animal whose language he hopes to add to the thousands he has already learned. Thus the first part of the movie takes Dolittle and his friends through several adventures on their way to earning the money to make the journey, while the second finds the entourage actually setting sail (on the aptly-named "Flounder") for Sea Star Island and their goal. And, even if the musical *is* so front-end-loaded with big numbers that the second half seems anticlimactic, and even if the resolution of the plot's final conflict *is* jarringly abrupt, and even if the film's direction *is* a tad slow, it is *also* the case that I find more than enough pleasures along the way to compensate for these shortcomings.

One is Bricusse's marvelous score. Besides the Academy Award-winning "Talk to the Animals," he includes two other showcase pieces for star Rex Harrison's trademark "powerful patter" delivery, the humorous "Vegetarian" and the impassioned "Like Animals." Other up-tempo winners are "I've Never Seen Anything Like It" (brilliantly put across by Richard Attenborough--the twinkle never leaves his eye!--in what amounts to an extended cameo as wily circus-master Albert Blossom) and "Faraway Places," while tender ballads "When I look in Your Eyes" and "Beautiful Things" are very affecting. And if "After Today" seems to have been pulled from the trunk of another show by mistake, the other Anthony Newly numbers--including "My Friend the Doctor" and "This is the World of Doctor Dolittle" (as well as the lovely "Where are the Words," which is on my soundtrack album but not in the video)--are spot on.

Another pleasure is the cast. As the Doctor, Harrison is wonderful, of course. The film was originally conceived as a reunion project for him and composing team Lerner & Lowe, who'd written "My Fair Lady," and it's clear that the part was written for the star. But I'm impressed that eventual Lerner & Lowe stand-in Bricusse, though he was obviously influenced by "My Fair Lady," resisted what had to be the temptation to turn the main character into Henry Higgins--and that Harrison also didn't see the gig as a mere Higgins reprise. The charming Doctor--kind to animals, children, and people from all walks of life; educated and capable but somehow sweetly clueless at the same time; gentle but rousable to anger on behalf of his charges--is a different character, and Harrison gets him right.

As for the other leads, Anthony Newly, for once, is perfect as the elfin Matthew Mugg, while child actor and "whatever-happened-to" candidate William Dix is a fine if underused Tommy Stubbins. Even Samantha Eggar, in the mis-conceived role of a tentative love-interest for Dolittle, does well with the part she's been given. And strong support is provided by the aforementioned Attenborough, Peter Bull as the beefy English squire who is the closest thing to a villain in this piece, and Geoffrey Holder as Willie Shakespeare, head of a quirkily-PC group of island natives encountered during the voyage.

Finally, there's the appearance of the film: it's beautiful. If you find you can't enjoy a musical unless it's shot on a soundstage, the wide-open spaces won't work for you, but I loved all the wonderful locations.

This is a big movie, long and theatrically-structured (Overture, Act I, Entr'acte, Act II, and even Exit Music!). They don't make them like this anymore--which sounds like a straight line, but I mean it in a regretful way. :-) I recommend "Doctor Dolittle" heartily, and I think the family will enjoy it even more if, before you watch it, you read a couple of the original Dolittle books together first!

[P.S.-- don't be put off this film if you didn't happen to like the similarly-titled 1998 Eddie Murphy vehicle which billed itself as a remake. They're completely different!]

I was taken as a child to see this movie in 1967 and loved it. I ended up buying the soundtrack, coloring books, puzzles, etc. It charmed me that much. Today, I still find it to be a great yet under-rated film. The DVD is nice, but this is a movie that is really meant to be seen on the big screen. That is why I also own a copy on 16mm film. What a difference it makes seeing it in this format. Regardless of how you watch it, this movie is entertaining for kids and adults of all ages. Those who might get bored with it are those who prefer the newer version with Eddie Murphey over this classic from 1967. Which, by the way, got nominated for Best Picture and won the Oscar for Best Song (Talk to the Animals). Rex Harrison's performance is outstanding as the wonderful Doctor Dolittle. I give this timeless film an 8 out of 10.