Walker intenta recuperar el dinero que le han robado tras ser traicionado y dado por muerto.Walker intenta recuperar el dinero que le han robado tras ser traicionado y dado por muerto.Walker intenta recuperar el dinero que le han robado tras ser traicionado y dado por muerto.
- Dirección
- Guionistas
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- Premios
- 1 premio ganado en total
Opiniones destacadas
Tough and brutal, that best describes Boorman's excellent direction. Lee Marvin is perfect as a man who is out for revenge. The story is quite raw, it features flashbacks which haunt the character. The ending sums up the character, but you'll need to see it to find out for yourself. The supporting cast is very good, but this Marvin's baby and he is terrific.
Boorman makes full use of the widescreen frame. Watching in full frame ruins the entire picture. You have only truly seen Point Blank if you've viewed in widescreen.
Boorman makes full use of the widescreen frame. Watching in full frame ruins the entire picture. You have only truly seen Point Blank if you've viewed in widescreen.
Point Blank(1967) is a early feature by John Boorman who would go on to direct Deliverance(1972), Excalibur(1981), and The General(1998). It is an excellent noir about a man who's betrayed and left for dead who goes after the outfit that owes him money. Point Blank is a tightly constructed thriller with brillient montage and mise-en-scene. The film does a good job at showing the phychodelic colors of late 1960's San Fransico. Lee Marvin in this movie shows why he is one of the best Hollywood tough guys of all time. It is much better than the remake Payback(1999) because of Lee Marvin's presence and the masterful editing and camera work of the film.
This was a movie made for Marvin. Whether by design or by accident it matters not, this was the perfect vehicle for probably the only authentic believable actor as well qualified to play this type of screen role. Marvin looked like your average definition of a gangster, thug,slick operator, tough guy call it what you will and had the physique, persona, acting skills etc to carry the role and excel in it. Marvin acted above himself in this movie as he did in The Killers several years prior & reunited with Dickinson in the process something that added a special thread throughout the movie.There was sadly not enough of these types of roles to enable Marvin to display his obvious talent in portraying these types of screen characters but there was just enough to wet our apetite for more. Point Blank was probably the pick of them before Marvins career sidetracked to other areas which to my mind while it may have added to his body of work did not amply display to us the full talents of this contemporary one off actor the like of which I sadly fear we will never be fortunate enough to see again. That being said the movie was also notable for many other brilliant performances principally Lloyd Bochner, Carol O,connor & John Vernon who also possessed some of the qualities attributed to Marvin although not on the same scale or intensity.All In all a movie worth watching for a number of reasons. Lee we miss you. Heaven must be a gass with you & cassavetes steve Mcqueen etc.
Point Blank kind of came and went in theaters but I can't imagine anyone who saw it in 1967 left forgetting John Boorman's tough and beautiful film. A simple story told in a very stylish and, at times, surreal manner. Though the storyline is a variation on "revenge" themes, it is Boorman's images that open it up and find pay-dirt. Images of Lee Marvin emptying his pistol in slow motion, the sound of footsteps over a string of pictures that curdle the mind, and the seemingly limitless use of rawness perfectly realized in the action and performance by Marvin and,interestingly, Angie Dickinson. There is a wonderful conflict between the primal Marvin and the Corporate Crime world which he cannot understand. Marvin knows survival of the fittest- not the richest. It's hypnotic and aggressive. Boorman balances perfectly on the line between the two.
Point Blank is one of those lost gems from the 1960's. It got buried because it was released around the same time as Bonnie and Clyde. This film combines all the great elements of the American action film with flourishes of European art house cinema. John Boorman's direction is excellent, and not enough can be said about Lee Marvin's performance. This is without question one of Lee's best tough guy performances. I don't understand how the previous reviewer can say this film seems "dated" and "funny for all the wrong reasons". It is as fresh and interesting as it was back at the time of its release. Those looking for it on DVD may want to know that the widescreen format version appears on TCM occasionally. You may want to pop in a tape the next time it is on until the DVD finally comes out.
¿Sabías que…?
- TriviaWhen James Sikking auditioned for the role of the assassin, Sir John Boorman rejected him and told him that his face was too nice for a killer. For the next week, though, Boorman would look out his office window at MGM and see Sikking standing outside, partially concealed by a bush or a column, just watching him menacingly. The director eventually walked out and offered him the part.
- ErroresAfter Chris leaves Walker in her apartment, Reese is shown standing and staring through a large plate glass window as though he is looking outside, but the reflection of a red camera light can be seen in the glass.
- Créditos curiososintroducing JOHN VERNON
and SHARON ACKER
- ConexionesFeatured in Lionpower from MGM (1967)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Point Blank
- Locaciones de filmación
- Huntley House, Santa Monica Beach - 1111 2nd Street, Santa Mónica, California, Estados Unidos(the building Mal Reece's penthouse is located, and Chris comes to visit)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 2,500,000 (estimado)
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