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6.2/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaA horror movie star returns to his famous role after years in a mental institution. But the character seems to be committing murders independent of his will.A horror movie star returns to his famous role after years in a mental institution. But the character seems to be committing murders independent of his will.A horror movie star returns to his famous role after years in a mental institution. But the character seems to be committing murders independent of his will.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Julie Crosthwaite
- Ellen Mason
- (as Julie Crosthwait)
Luana Anders
- Catherine Medina (Clip from 'The Pit and the Pendulum')
- (material de archivo)
John Dierkes
- West (Clip from 'The Haunted Palace')
- (material de archivo)
Boris Karloff
- Clip from 'The Raven'
- (material de archivo)
Opiniones destacadas
A horror movie star (Vincent Price) returns to his famous role after years in a mental institution. But the character seems to be committing murders independent of his will.
This is a great cast! Vincent Price as horror star Paul Toombes, Peter Cushing as his friend Herbert Flay. And even throw in Robert Quarry as Oliver Quayle. Cushing and Price alone sell a film, but Quarry (known to horror fans as Count Yorba) is a welcome addition.
This is probably the sexiest Price film. While he has had his share of female co-stars, and some of them even sort of foxy (see the Phibes films), here is the first time I know of where women are practically throwing themselves at him. Sure, he is past 60 at this point, but still a handsome man in his own right.
I also have to give credit to whoever joined Amicus and AIP together. AIP has consistently made Price a star in their films, and Amicus is a powerhouse in Britain (second only to Hammer). By combining them, that was a work of genius (and I presume why we see Cushing and Price share a screen).
Some critics have bashed the film saying "it could have been written during a lunch break", but I think it is a very touching homage to Price's career in horror, particularly with the showing of some of his past work. Howard Maxford hesitantly approves, saying it has "a fairly successful mixture of chills and humour." I concur.
There are, of course, other Price films to see first. But do not rule this one out -- it is better than some of his other work (I thought it easily topped "Cry of the Banshee") and a real treat to see him alongside Cushing. For as little exposure as this one gets, it is much better than you might think (though, the most overlooked Price film is still probably "Mad Magician").
This is a great cast! Vincent Price as horror star Paul Toombes, Peter Cushing as his friend Herbert Flay. And even throw in Robert Quarry as Oliver Quayle. Cushing and Price alone sell a film, but Quarry (known to horror fans as Count Yorba) is a welcome addition.
This is probably the sexiest Price film. While he has had his share of female co-stars, and some of them even sort of foxy (see the Phibes films), here is the first time I know of where women are practically throwing themselves at him. Sure, he is past 60 at this point, but still a handsome man in his own right.
I also have to give credit to whoever joined Amicus and AIP together. AIP has consistently made Price a star in their films, and Amicus is a powerhouse in Britain (second only to Hammer). By combining them, that was a work of genius (and I presume why we see Cushing and Price share a screen).
Some critics have bashed the film saying "it could have been written during a lunch break", but I think it is a very touching homage to Price's career in horror, particularly with the showing of some of his past work. Howard Maxford hesitantly approves, saying it has "a fairly successful mixture of chills and humour." I concur.
There are, of course, other Price films to see first. But do not rule this one out -- it is better than some of his other work (I thought it easily topped "Cry of the Banshee") and a real treat to see him alongside Cushing. For as little exposure as this one gets, it is much better than you might think (though, the most overlooked Price film is still probably "Mad Magician").
This was made around the same time as 'Vault of horror' and it shows. Vincent Price is an ageing movie star who is asked to reprise his role as a killer a few years after his wife-to-be was decapitated by a killer nobody caught. The movie within a movie is just footage obtained from Prices earlier horror flicks like 'Pit and the pendulum' and 'The house of Usher'. The movie itself has good performances from Price and Peter Cushing and the music is great! The music sets an atmosphere for good horror especially in a part where a girl is looking for Vincent Price in Peter Cushings garden. The part where Vincent Price is interviewed by Michael Parkinson adds some class to the movie and also some terror as the killer is stalking someone in the studio! Overall, the movie has a good atmosphere helped by Douglas Gamleys music and decent acting. The movie is tense with the old dark house style 'looking downstairs with a candle' and some good deaths. The only problems are with the story as this just looks like a tribute to Prices earlier movies than something original and the 70's rock music in one of the death scenes. It gives the movies age away and isn't as timeless as Prices earlier movies. If your a Price and Cushing fan you will like it but for a normal person, its a scary but dim treat. 5 and a half out of 10.
I saw this movie for the first time about a year ago and thought it was genuinely pretty creepy. I am from the Scream generation and believe it or not, saw comparisons between this movie and Scream. It made me feel the same way. It was horror with a little bit of mystery. I am hoping for a dvd release of the film. If you haven't seen the movie, give it a try. You might be surprised.
An ageing horror star comes out of retirement only to find murder follows him everywhere he goes.
There's nothing better than watching two stars, in this case horror stars grace the same screen. Very loosely based on Angus Hall's novel Devil day (1969) Madhouse is certainly of it's time (1974) which is a good thing, making it contemporary of that time and different to their older films. After parties, Cine films, film reels, film launches, tributes and the trappings of fame are on show indicative of film world at that time. Madhouse is wonderfully shot, rich in contrast, with excellent set design and locations. It exudes atmosphere in places and is genuinely creepy in spots, still it's an odd film, almost surreal in places, especially the scenes in the cellar and the body on the boat.
With a striking looking supporting cast both Vincent Price and Peter Cushing are excellent. Even though in their fermenting ages which is a shame, it's fitting to the story, and you can't help feel that there's irony baste over irony in Prices role of Paul Toombes, even maybe a hint of truth in the dialogue of his character. Mild-mannered Cushing as Herbert Flay unfortunately doesn't get as much screen-time as you'd like. This is certainly Price's show and he effortlessly captures the viewer with his immense presence and deep tones as much as he did 10 years earlier in The Last Man on Earth (1964).
Although reminiscent in feel of The House on Haunted Hill (1959) and The Satanic Rites of Dracula (1973) it's my no means a 'classic' but there is enough killings, spiders, old horror clips, kooky cops and good performances to keep you watching veteran editor Jim Clark's (Charade (1963), Memphis Belle (1990)) last and only horror directing contribution.
All in all, Madhouse an intriguing must see for its possible comparable look at how much real life Price was injected into Dr. Death by Ken Levison in his screenplay.
There's nothing better than watching two stars, in this case horror stars grace the same screen. Very loosely based on Angus Hall's novel Devil day (1969) Madhouse is certainly of it's time (1974) which is a good thing, making it contemporary of that time and different to their older films. After parties, Cine films, film reels, film launches, tributes and the trappings of fame are on show indicative of film world at that time. Madhouse is wonderfully shot, rich in contrast, with excellent set design and locations. It exudes atmosphere in places and is genuinely creepy in spots, still it's an odd film, almost surreal in places, especially the scenes in the cellar and the body on the boat.
With a striking looking supporting cast both Vincent Price and Peter Cushing are excellent. Even though in their fermenting ages which is a shame, it's fitting to the story, and you can't help feel that there's irony baste over irony in Prices role of Paul Toombes, even maybe a hint of truth in the dialogue of his character. Mild-mannered Cushing as Herbert Flay unfortunately doesn't get as much screen-time as you'd like. This is certainly Price's show and he effortlessly captures the viewer with his immense presence and deep tones as much as he did 10 years earlier in The Last Man on Earth (1964).
Although reminiscent in feel of The House on Haunted Hill (1959) and The Satanic Rites of Dracula (1973) it's my no means a 'classic' but there is enough killings, spiders, old horror clips, kooky cops and good performances to keep you watching veteran editor Jim Clark's (Charade (1963), Memphis Belle (1990)) last and only horror directing contribution.
All in all, Madhouse an intriguing must see for its possible comparable look at how much real life Price was injected into Dr. Death by Ken Levison in his screenplay.
I thought this "diamond in the rough" was masterfully done. Vincent Price is his old self as the true the master of macabre. It is easy to see that this movie contains many characteristics found heavily in the modern day, surprise ending, slasher flick. With many exciting and suspenseful chase scenes, a wicked masked murderer, quick slashing deaths, and an emotionally disturbed main character, "Madhouse" reminds me of a sick mixture of "Scream" and Hitchcock's classic, "Psycho." In addition, the scenes and camera shots beautifully convey the mood and emotion of the awkward story line. Although obviously low budget, it baffles me that "Madhouse" isn't more recognized on the ongoing list of cult classics. Not the best movie in the world, but certainly worth checking out.
¿Sabías que…?
- TriviaThe film's opening credits include special participation by Basil Rathbone and Boris Karloff. Both of these actors were long since dead, having died in the late 1960s (Rathbone in 1967 and Karloff in 1969), but they appear in this film in clips from real films that they had each starred in with Vincent Price: Rathbone in Cuentos de terror (1962) and Karloff in El cuervo (1963).
- ErroresJulia's dead body is breathing heavily after Paul Toombes discovers her.
- Citas
Paul Toombes: Miss Peters, as they say in horror movies, you will come to a bad end.
- Créditos curiosos"With special participation by Boris Karloff (and) Basil Rathbone." At the time of this film's theatrical release in 1974, both of these actors had been dead since 1967 and 1969, respectively, and their "special participation" was actually limited to appearing in this film in clips from real films that they had each starred in with Vincent Price: Karloff in El cuervo (1963) and Rathbone in Cuentos de terror (1962).
- ConexionesFeatured in The Horror Hall of Fame (1974)
- Bandas sonorasWhen Day Is Done
Performed by Vincent Price
Selecciones populares
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- How long is Madhouse?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Manicomio
- Locaciones de filmación
- Pyrford Place, West Byfleet, Surrey, Inglaterra, Reino Unido(Herbert Flay's house)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 32 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the Spanish language plot outline for La mansión sangrienta (1974)?
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