CALIFICACIÓN DE IMDb
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TU CALIFICACIÓN
Un innovador documental musical sobre un concierto del grupo de rock Talking Heads.Un innovador documental musical sobre un concierto del grupo de rock Talking Heads.Un innovador documental musical sobre un concierto del grupo de rock Talking Heads.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados y 1 nominación en total
Steven Scales
- Self - Percussion
- (as Steve Scales)
Ednah Holt
- Self - Backing Vocals
- (as Edna Holt)
Talking Heads
- Themselves
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opinión destacada
It's a good thing that the Talking Heads broke up when they did. I mean, could you imagine them slogging it out today, playing the state fair circuit, or worse, the street fair circuit? No, watch this film. See a band at its creative and energetic peak. Remember them as they were over the two or three days in which it was filmed. Of course, you must watch David Byrne. He would make his entire body a performance art. He would contort, jog, dance, leap, and even make his clothes a prop.
But, watch Tina Weymouth...
Tina is a very visual performer too. She says almost nothing, letting her bass guitar speak for her. And while David goes over the top often, Tina is subtle and sublime. With her body moves as she dances in place. With her facial expressions, her smiles, occasional raised eyebrows, and glances. Then when the action shifts to the Tom Tom Club (in order to give David a break and allow him to change into his big suit), her big moment is for one song only--"Genius of Love" but man does she seize the moment and make it all her own! Rounding out the Talking Heads of course are drummer Chris Frantz (Tina Weymouth's husband for over 30 years now) and guitarist/keyboardist Jerry Harrison. When Chris takes the stage, he bounds up onto the riser, bows, and with a big smile, gets drumming. He is clearly enjoying himself during this and at the end of the show, he jubilantly throws his sticks into the audience. Jerry is a little harder to get a bead on. At times he's clearly enjoying himself, particularly on BURNING DOWN THE HOUSE. Other times he seems a little detached.
Rounding out the touring band are Alex Weir on lead guitar, Bernie Worrel on keyboards, Edna Holt and Lynn Marbry on back-up vocals, and Steve Scales on percussion. None are treated as sidemen, rather as an integral part of the show.
It has been commented that some "sweetening" of the sound was done. But I believe that it was to achieve sound consistency. I have heard several concert films with terrible audio (RUST NEVER SLEEPS comes to mind). Seeing this movie is what made me a Talking Heads fan back in 1985. Finding a copy at the used book store in 2006 is what helped me re-discover them.
It would be easy to dismiss the Talking Heads as all visual as all David Byrne. Such is not the case. The songwriting and musicianship was solid throughout the band's career. The band remained together for several more years, scoring several additional hits including AND SHE WAS, LADY DON'T MIND, & WILD WILD LIFE. They called it quits as a band in 1991, although all four members have remained active in music.
But, watch Tina Weymouth...
Tina is a very visual performer too. She says almost nothing, letting her bass guitar speak for her. And while David goes over the top often, Tina is subtle and sublime. With her body moves as she dances in place. With her facial expressions, her smiles, occasional raised eyebrows, and glances. Then when the action shifts to the Tom Tom Club (in order to give David a break and allow him to change into his big suit), her big moment is for one song only--"Genius of Love" but man does she seize the moment and make it all her own! Rounding out the Talking Heads of course are drummer Chris Frantz (Tina Weymouth's husband for over 30 years now) and guitarist/keyboardist Jerry Harrison. When Chris takes the stage, he bounds up onto the riser, bows, and with a big smile, gets drumming. He is clearly enjoying himself during this and at the end of the show, he jubilantly throws his sticks into the audience. Jerry is a little harder to get a bead on. At times he's clearly enjoying himself, particularly on BURNING DOWN THE HOUSE. Other times he seems a little detached.
Rounding out the touring band are Alex Weir on lead guitar, Bernie Worrel on keyboards, Edna Holt and Lynn Marbry on back-up vocals, and Steve Scales on percussion. None are treated as sidemen, rather as an integral part of the show.
It has been commented that some "sweetening" of the sound was done. But I believe that it was to achieve sound consistency. I have heard several concert films with terrible audio (RUST NEVER SLEEPS comes to mind). Seeing this movie is what made me a Talking Heads fan back in 1985. Finding a copy at the used book store in 2006 is what helped me re-discover them.
It would be easy to dismiss the Talking Heads as all visual as all David Byrne. Such is not the case. The songwriting and musicianship was solid throughout the band's career. The band remained together for several more years, scoring several additional hits including AND SHE WAS, LADY DON'T MIND, & WILD WILD LIFE. They called it quits as a band in 1991, although all four members have remained active in music.
- paulefortini
- 8 mar 2007
- Enlace permanente
Argumento
¿Sabías que…?
- TriviaThe footage was culled from several different shows. In order to minimize the amount of cameras in the frame, one show was shot completely from one side of the stage, and the next night was shot from the other side.
- ErroresThe concert was edited together from three shows and, it being a "live" show, things not planned happened. The first night, David Byrne put on the baseball cap that was thrown on stage from the audience; the next night, it can be seen next to the drums so that he can put it on again.
- Citas
David Byrne: Thanks! Does anybody have any questions?
- Versiones alternativasVideo release is 12 minutes longer and features three additional songs not included in original theatrical version.
- ConexionesEdited into Talking Heads: Girlfriend Is Better (1984)
Selecciones populares
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- How long is Stop Making Sense?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Talking Heads: Stop Making Sense
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,200,000 (estimado)
- Total en EE. UU. y Canadá
- USD 10,306,902
- Fin de semana de estreno en EE. UU. y Canadá
- USD 41,666
- 21 oct 1984
- Total a nivel mundial
- USD 13,111,106
- Tiempo de ejecución1 hora 28 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1(original ratio)
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