The episode of Wtf Happened to This Horror Movie? covering Ravenous was Written by Emilie Black, Narrated by Travis Hopson, Edited by Victoria Verduzco, Produced by Andrew Hatfield and John Fallon, and Executive Produced by Berge Garabedian.
1999, a year of hope, a year of high fashion, nooo, no… 1999, the year when people prepared for Y2K, the year of all the odd choices when it came to fashion, and the year of interesting cinematic options. We got The Mummy which gave us all the hot cast members we could ask for and still gives us memes, we got End of Days, Stigmata, Idle Hands, House on Haunted Hill, The Haunting, Stir of Echoes, and The Blair Witch Project. It was a year for surprising hits, shocking failures, and offbeat horror films. So many smaller budgets did so well. Also out in 1999 was this movie about cannibalism in the olden days of the United States,...
1999, a year of hope, a year of high fashion, nooo, no… 1999, the year when people prepared for Y2K, the year of all the odd choices when it came to fashion, and the year of interesting cinematic options. We got The Mummy which gave us all the hot cast members we could ask for and still gives us memes, we got End of Days, Stigmata, Idle Hands, House on Haunted Hill, The Haunting, Stir of Echoes, and The Blair Witch Project. It was a year for surprising hits, shocking failures, and offbeat horror films. So many smaller budgets did so well. Also out in 1999 was this movie about cannibalism in the olden days of the United States,...
- 16/12/2023
- de Emilie Black
- JoBlo.com
The episode of Wtf Happened to This Horror Movie? covering The Invisible Man (2020) was Written and Narrated by Adam Walton, Edited by Jaime Vasquez, Produced by Andrew Hatfield and John Fallon, and Executive Produced by Berge Garabedian.
One of the most recurring trends in Hollywood right now is the horror remake, and for better, or worse, it isn’t gonna disappear (pun intended) anytime soon. David Gordon Green’s The Exorcist remake may have been met with a geyser of pea soup from the mouths of critics and fans alike, but that isn’t slowing the trend down for the foreseeable future. The Halloween franchise has been picked up by Miramax with the intention of creating a TV series, and a possible cinematic universe, and that’s just hot off the heels of Halloween Ends, erm, ending the recent trilogy with somewhat of a whimper. Another classic horror franchise that...
One of the most recurring trends in Hollywood right now is the horror remake, and for better, or worse, it isn’t gonna disappear (pun intended) anytime soon. David Gordon Green’s The Exorcist remake may have been met with a geyser of pea soup from the mouths of critics and fans alike, but that isn’t slowing the trend down for the foreseeable future. The Halloween franchise has been picked up by Miramax with the intention of creating a TV series, and a possible cinematic universe, and that’s just hot off the heels of Halloween Ends, erm, ending the recent trilogy with somewhat of a whimper. Another classic horror franchise that...
- 11/12/2023
- de Adam Walton
- JoBlo.com
Peter Lorre’s Hollywood debut is one of the weirder pix ever to come from MGM, or maybe anywhere else. One of ace cinematographer Karl Freund’s rare forays into directing, and his last. Gregg Toland photographed it, and years later Pauline Kael would claim he stole a lot of shots from this to use in Citizen Kane!
The post Mad Love appeared first on Trailers From Hell.
The post Mad Love appeared first on Trailers From Hell.
- 25/1/2023
- de TFH Team
- Trailers from Hell
Sophie Marceau and Johan Heldenbergh lead the cast of Jean-Paul Civeyrac’s new movie, a Moby Dick Films production which will be sold by Kinology. The first clapperboard is primed and ready to slam on 17 February, in the Paris region, on Une femme de notre temps, Jean-Paul Civeyrac’s 10th feature film. Shining bright at the head of the cast is Sophie Marceau and Belgium’s Johan Heldenbergh. Written by the director, the story centres around Juliane Deroux, a police superintendent in Paris. She’s...
"It will be difficult to continue this story of mine. I don't even know if it is a story. It is difficult to call this a story, this constant....clustering and falling apart...of elements..." —Witold Gombrowicz's CosmosIf I weren't already soaked to the bone from the sweltering heat that has accompanied the Locarno Film Festival this year, Andrzej Żuławski's first movie in fifteen years was bound to get me feverish. One of the few true visionary risk-takers of cinema has yet again found a subject fitting for his boundless energy, Witold Gombrowicz's mental madcap 1965 novel Cosmos. For those familiar with Żuławski's films like Possession, On the Silver Globe and L'amour braque, it may come as a surprise that the assaultive quality of the novel's streaming consciousness–poring over a young man's vacation in a small town boarding house, where he seems to discover conspiracies of small crimes...
- 9/8/2015
- de Daniel Kasman
- MUBI
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