Death of a Salesman

Arthur Miller's compelling work is deftly translated to the small screen here, with riveting performances by Dustin Hoffman as Willy Loman, Kate Reid as Willy's wife Linda, and John Malkovich as the prodigal son Biff. This work touches my soul on several levels: sympathy for the fallen man Willy, understanding of the difficulty of both hating your father and wanting him to be proud of you as Biff shows, and the ever-protective enabler Linda, who defends Willy even as she sees him failing before her eyes. Miller took a simple American family struggling to make life work, and made each character in their own way extraordinary.

I had to read Arthur Miller's „Death of a Salesman` for my English class this year. Our teacher was a very industrious woman and let us analyze every character's every word several times, until we couldn't hear the words „Willy`, „Linda`, „Biff`, „American Dream` and „stockings` any more. It was terrible! She didn't show us any theater or film version, so we began to utterly dislike the text as a whole: a sentimental play where you already know the ending when you read the title.

A few days ago, I spotted Volker Schlöndorff's film version on television, a German dubbed version, but that doesn't matter because I already knew the lines and Schlöndorff hardly changed them.

Fortunately, Schlöndorff didn't make any effort to put his own special style into the movie, he just left the play the way it was and the way, I suppose, Arthur Miller wanted it. So some of you might claim that this version was too stage-drama-like, not cinematic. For me, this was ideal because I could see the REAL, lively „Death of a Salesman`, played by an ideal cast: Dustin Hoffman: a little over-acting, but enthusisiastic; Kate Reid: so authentic that she could be taken for my mother; John Malkovich: silent, thoughtful, „self-confident`, great! How shall I put it? This film sort of opened my eyes towards this great, merciless work of Arthur Miller. This play is something you can orientate your life to. At many important turning points of your life, you can remember Willy Loman and his fate that is fictitious but – and believe me, I know some people who are exactly like him – definitely could be the fate of a real person, and not only of an American. I found the „Salesman` important, not as much as a criticism of the American Dream but an account of what must happen, if lives are built upon lies – lies to others and lies to yourself. Those people who think „Death of a Salesman` is rubbish are those who suppress cruel truths just as Willy Loman does.

So, when I saw this movie, I was completely stunned because its hopelessness became clear to me and I noticed how crucial this American classic really is. I give Schlöndorff 8 out of 10 stars because there are some flaws in his way of directing (e. g. letting Malkovich and Lang play their young alter egos was stupid because no one believes that they are 17).

Another sad example how bad teachers can destroy a masterpiece. Shame on you, Mrs. H.!

On the age of sixty and something years, the salesman Willy Loman (Dustin Hoffman) realizes that he is a loser and his empty life was a worthless fraud. The disturbed and deranged Willy becomes delusional, mixing fantasy and reality, and disclosing secrets of his family.

"Death of the Salesman" is a very depressive and tragic theatrical movie with awesome performances, mainly of Dustin Hoffman, Kate Reid and John Malkovitch. I have never read Arthur Miller's novel or seen the movie or the play; therefore I did not expect such a sad story with so complex characters. The story, in the 40's, shows the evil face of the capitalism (and the American Dream), and the character of Dustin Hoffman becomes insane when he sees that he is a loser and his life a complete failure: he is paying the last installment of his old house after thirty years of sacrifice; his sons have not been successful in life; his old car is broken; his old refrigerator needs repair; he does not have any money after more than thirty years working for the same company and in the end he is treated like a street dog and fired. For a viewer that does not know this drama (like me), I recommend to see this movie in a happy day, otherwise he or she may become too much depressed with such heart-breaking story. My vote is eight.

Title (Brazil): "Morte do Caixeiro-Viajante" ("Death of the Salesman")

Superb portrayal of tragic characters. One can sense the futility, frustration, and disappointment of Loman. As we age and our faculties deteriorate along with unrealized dreams, it is easy to grasp for hope even where none exists and transfer our aspirations to the next generation only to have them carry your faults and failings in addition to their own. Profoundly sad but unfortunately that is the reality for countless billions of the human race. 8/10.

A generation after Lee J. Cobb originated the role on stage and Fredric March did the big screen version, Dustin Hoffman does a really great job as Willy Loman in Death Of A Salesman in a made for television version. It's a bit more surreal than the others but Arthur Miller's message about misplaced values certainly gets across.

All poor Willy Loman wanted to be was be liked and that to him became a creed. It's how you sell your product, it's how you sell yourself. He loved his family, but he was always 'on'. And forever envious of brother Ben who went out and took risks but saw the world.

Hoffman was years younger than March or Cobb, but with makeup he certainly looks the part. Kate Reid plays the wife and John Malkovich and Stephen Lang are sons Biff and Hap. They really function well as the Loman family unit and the chemistry is real.

Seeing how much purchasing is now done on line, I wonder if a lot of the message of Death Of A Salesman will be lost in the future. An audience in the future might not know what a salesman is or does as personal contact in buying and selling becomes less and less.

I certainly hope not.