Locura sangrienta

Título original: The Stepfather

1987
R
1h 29min

CALIFICACIÓN DE IMDb

6.7/10

20 k

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5 videos

94 fotos

Psychological Horror Psychological Thriller Slasher Horror Horror Thriller

Después de asesinar a toda su familia, un hombre se casa con una viuda con una hija adolescente en otra ciudad y se prepara para volver a hacerlo.Después de asesinar a toda su familia, un hombre se casa con una viuda con una hija adolescente en otra ciudad y se prepara para volver a hacerlo.Después de asesinar a toda su familia, un hombre se casa con una viuda con una hija adolescente en otra ciudad y se prepara para volver a hacerlo.

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

6.7/10

20 k

TU CALIFICACIÓN

Ver la información de producción en IMDbPro

Premios
- 2 premios ganados y 8 nominaciones en total

Videos5

Fotos94

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9:57

Argumento

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Trivia
Screenwriter Donald E. Westlake based the character of Stephanie on his real-life teenage stepdaughter, who he was having difficulty getting along with at the time.

Errores
Jerry hits Susan in the face with the telephone. Her face is bloodied as she stands up. After she rolls down the stairs into the basement, her face is back to normal.

Citas
Jerry Blake: Wait a minute, who am I here?
Sue: Jerry?
Jerry Blake: That's right. Jerry Blake. Thanks, honey.

Conexiones
Featured in Siskel & Ebert & the Movies: The Stepfather/Duet for One/Wanted: Dead or Alive/Hoosiers (1987)

Bandas sonoras
Run Between the Raindrops
(1985)
Performed by Pat Benatar
Music and Lyrics by Myron Grombacher (as M. Grombacher) and Neil Giraldo (as N. Geraldo)
Published by Tyreach Music/Neil Geraldo Music Co./Rare Blue Music, Inc. (ASCAP)
Courtesy of Chrysalis Records, Inc.

Opiniones de usuarios155

Opinión destacada

10/10

Terry O'Quinn makes his mark

This is one of the best thrillers to emerge from the 1980s. It has assured direction from Joseph Reuben. An excellent script by Donald E. Westlake.And an absolutely mesmerizing performance from Terry O'Quinn, who invests his character with enough repressed fury to make most screen psychos look like Mr Rogers.

The film starts out with a real sense of style as O'Quinn washes his bloody hands in a bathroom sink then proceeds to alter his appearance drastically before walking downstairs to his murdered family; its a startling and creepy beginning and the rest of the film is as stylish and well done. I think its biggest strength is the well-developed psychopathology of Terry O'Quinn's character. His behavior actually makes sense in terms of his madness. This is a refreshing change of pace from most films of this type, where the killers have zero motivation and are just plot-devices.