In the Heat of the Night

I found that the series was very realistic, and in some cases very funny. The characters seem real, and the plots are interesting. The cast that was chosen could not have been better. That acting was done well, and it was very sincere. Especially, when the show got into the heart of difficult issues. This might sound a bit silly, but the show meant a lot to me, because it was one of the last shows that was true to what it was, and one of the best series that has ever been produced in my mind.The one thing that I would really like to know, if someone somewhere is trying to come up with a DVD collection of the series. I know that I would probably be first in line. It is a show that I enjoyed, and miss watching a great deal.

I remember watching the last season on CBS, then later catching re-runs on TNT. This show is amazing, with many memorable shows that caught my attention and didn't let go until the show was over. Many great performances by actors who sadly disappeared or were stuck in guest appearances after this show.

Basically, the "In the Heat of the Night" show picks up where the 1967 series ended (with some minor plot changes, and the show was updated to the times). Chief Gillespie (Carroll O'Connor) is much more comical and light-hearted than the 1967 character. Virgil Tibbs (Howard Rollins) has settled in Sparta and brings his wife, Althea (Anne-Marie Johnson) along. There are also many stand-out characters in the police department, including Bubba Skinner (Alan Autry), Parker Williams (David Hart), Lonnie Jamison (Hugh O'Connor), Wilson Sweet (Geoffrey Thorne), and Luanne Corbin (Crystal R. Fox). This show also broke ground by introducing Harriet DeLong (Denise Nicholas), who becomes involved in a relationship with Gillespie.

This show presented the south (and the police) very well, and consistently produced shows that kept your attention - even to the very end. There was also an element of comedy to each episode, that helped the show not to be dragged down to the over-dramatic. But, the comedy also doesn't make the show overly corny or stupid.

Everyone in the cast contributed great, consistent performances. It's a shame that most of the cast couldn't find work after this show.

Hugh O'Connor (Carroll's adopted son) committed suicide only months after the show was canceled.

Howard Rollins died shortly after the show was taken off the air from cancer.

Carroll O'Connor left acting for a few years, making guest appearances once in awhile, and died of a heart attack in 2001.

Anne-Marie Johnson has done several voice-overs, and I remember seeing her in a telemovie, 'Asteroid', a few years back. Other than a recurring roll on the now-canceled TV show, 'Grace Under Fire', Alan Autry, has disappeared. David Hart, Geoffrey Thorne, Denise Nicholas, and Crystal Fox have also disappeared after this show.

In the Heat of the Night was a great show. It was also a seemingly cursed show. None of the actors have gone on to "bigger and better things". And three have since died. R.I.P. TNT still re-runs this show, so, if you catch it, I recommend you watch the show. You won't be disappointed.

Rating: 9/10

I watch this show every chance I get. Acting is superb by all. I have no complaints with any aspect of this show. Opening music is sensual and delicious, and sets the stage for some good old southern intrigue, mystery and once in awhile romance.

Most pleasant is the way they throw you off the track, always keep you guessing as to ..who done it.. There is some racial tension-- although not to offensive.. It is usually resolved in a satisfactory manner..... A gentle reminder to us all to be fair and open-minded. No nudity or profanity, a nice change from todays stuff. A must watch....

This show starring Carroll O'Connor is one of the best shows done for TV. Every show taught you a lesson about real life in the south. It showed racial problems and how they could be solved; it showed how drugs and drinking can tear a family apart and how to deal with it. It showed a police force so caring and understanding of what people go through. This is a tv show that was made from a movie and it will go on and on in reruns because it was done so well. Again we have to thank CARROLL O'CONNOR for doing such a great job.

Though most will forever remember O'Conner for his Emmy-winning turn as "Archie Bunker" in the classic "All in the Family," his last television role on the long-running "In the Heat of the Night" was still equally as memorable. Inspired by the Oscar-winning film, starring Rod Steiger and Sidney Poitier, the show dealt with the police force of the mythical town of Sparta, Missisippi, headed by Chief Bill Gillespie with transplanted Philedelphian Virgil Tibbs, new and black to a force that was unprepared for such a high-ranking black. Though the first couple of episodes dealt with the adjustments that had to made with the new man on the force, the racial tension in the department was soon eliminated as both The Chief and Tibbs, along with other policemen (the superb Alan Artry as "Bubba," David Hart as the down-home, tea-drinking "Parker," Geoffrey Horne" and Hugh O'Conner as the young cops, "Sweet" and "Lonnie Jameson," respectively) came to respect and trust each other.

Many of the shows dealt with timely topics as A.I.D.S., spousal abuse, rape, and corrupt politicians. One of the series' most powerful episodes is "A Trip Upstate," wherein Chief Gillespie is asked to attend the execution of a criminal (guest star Paul Benjamin) that he caught years before. The riveting execution is quite detailed and the dialog-less performances by O'Conner and Benjamin are Emmy-worthy. The eye contact between the two actors is unbelievably intense. Whether one is pro or con on the topic of capital punishment, this particular installment should have some effect, one way or the other.