CALIFICACIÓN DE IMDb
7.8/10
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TU CALIFICACIÓN
Arnold es un hombre gay que trabaja como drag queen en la ciudad de Nueva York en 1971. Conoce a un apuesto hombre bisexual.Arnold es un hombre gay que trabaja como drag queen en la ciudad de Nueva York en 1971. Conoce a un apuesto hombre bisexual.Arnold es un hombre gay que trabaja como drag queen en la ciudad de Nueva York en 1971. Conoce a un apuesto hombre bisexual.
- Premios
- 1 premio ganado y 3 nominaciones en total
Axel Lott
- Marina Del Rey
- (as Axel Vera)
Opinión destacada
A notable film on several levels. First, it was way ahead of America in being a relatively mainstream film that treated gay men as people of depth, value, humor and worth making a film about. (Although there is sad irony in the fact this huge hit play took so long to make it to the screen that AIDS had already totally altered the landscape by the time of its release. That's something the film only notes in the closing credits, and gives it a bit of a 'rose colored glasses' hue).
But beyond any politics or social significance this is also a very well acted, funny and moving look at one man, Arnold, (played by the unique and charismatic Harvey Firestein, who wrote the play and screenplay) as he looks for love – both romantic and familial in a sometimes very cold world. If Firestein's performance can occasionally feel theatrical, it's also entirely appropriate for the starting-to-age drag queen performer he plays. What's wonderful is how Firestein always keeps the humanity under Arnold's occasional flamboyance very alive, as does Anne Bancroft as his 'difficult' mother. Later in her career Bancroft could tend towards theatricality on screen as well, but she tones it down just enough to feel real here, and anyway, lets face it, next to a drag queen, who is more innately dramatic than a Jewish mother? (I grew up with one, trust me).
Matthew Broderick and Brian Kerwin also do very good work in support, Broderick as a sexy but understated young man totally at ease with his sexuality, and Kerwin as a confused bi- sexual trying to work out his. While never rising to the level of a great film (the direction is very straightforward and bland, there's almost a TV movie look to it, it never completely surpasses it's theatrical origins), it's certainly a good, touching, human, and important one – although to a generation growing up with the reality of gay marriage and deeper integration of gay people into society, some of the historical importance may be lost. But not the essential, timeless embrace of kindness, love, respect and understanding
But beyond any politics or social significance this is also a very well acted, funny and moving look at one man, Arnold, (played by the unique and charismatic Harvey Firestein, who wrote the play and screenplay) as he looks for love – both romantic and familial in a sometimes very cold world. If Firestein's performance can occasionally feel theatrical, it's also entirely appropriate for the starting-to-age drag queen performer he plays. What's wonderful is how Firestein always keeps the humanity under Arnold's occasional flamboyance very alive, as does Anne Bancroft as his 'difficult' mother. Later in her career Bancroft could tend towards theatricality on screen as well, but she tones it down just enough to feel real here, and anyway, lets face it, next to a drag queen, who is more innately dramatic than a Jewish mother? (I grew up with one, trust me).
Matthew Broderick and Brian Kerwin also do very good work in support, Broderick as a sexy but understated young man totally at ease with his sexuality, and Kerwin as a confused bi- sexual trying to work out his. While never rising to the level of a great film (the direction is very straightforward and bland, there's almost a TV movie look to it, it never completely surpasses it's theatrical origins), it's certainly a good, touching, human, and important one – although to a generation growing up with the reality of gay marriage and deeper integration of gay people into society, some of the historical importance may be lost. But not the essential, timeless embrace of kindness, love, respect and understanding
- runamokprods
- 26 dic 2013
- Enlace permanente
Argumento
¿Sabías que…?
- TriviaEstelle Getty originated the role of Ma Beckoff on Broadway. She was unavailable filming The Golden Girls (1985) as Sophia, Dorothy's mother, to reprise the part for the movie so Anne Bancroft was cast instead.
- ErroresArnold hires a car service to take him and Ma to the cemetery, and the car is seen waiting for them. But when Ma storms off and leaves in the car, it's not the same driver that brought them to the cemetery.
- Bandas sonorasDames
Music by Harry Warren
Lyrics by Al Dubin
Performed by Harvey Fierstein (uncredited), Ken Page (uncredited), Charles Pierce (uncredited), Axel Lott (uncredited), Nick Montgomery (uncredited), Robert Neary (uncredited), and Harriet C. Leider (uncredited)
© 1934 (renewed) Warner Bros. Inc. (ASCAP)
[Performed in the drag show during the opening credits; reprise in the first 1973 scene]
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Torch Song Trilogy
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 4,865,997
- Fin de semana de estreno en EE. UU. y Canadá
- USD 70,022
- 18 dic 1988
- Total a nivel mundial
- USD 4,870,903
- Tiempo de ejecución2 horas
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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