Un profesor de inglés inspira a sus alumnos a mirar la poesía con una perspectiva diferente.Un profesor de inglés inspira a sus alumnos a mirar la poesía con una perspectiva diferente.Un profesor de inglés inspira a sus alumnos a mirar la poesía con una perspectiva diferente.
- Dirección
- Guionista
- Elenco
- Ganó 1 premio Óscar
- 20 premios ganados y 19 nominaciones en total
Lara Flynn Boyle
- Ginny Danburry
- (escenas eliminadas)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
‘Snow White’ Stars Test Their Wits
Argumento
¿Sabías que…?
- TriviaWhat attracted Robin Williams to the role of John Keating more than anything else was that he was the type of teacher he, in his school days, always wished he had.
- ErroresMany mistakes in the band musical instruments used for 1959. Fiberglass sousaphones, metal drum carriers, tenor drums - all about 20 years too early.
- Citas
McAllister: "Show me the heart unfettered by foolish dreams and I'll show you a happy man."
John Keating: "But only in their dreams can men be truly free. 'Twas always thus, and always thus will be."
McAllister: Tennyson?
John Keating: No, Keating.
- Versiones alternativasTV version shown on USA Network (and released on laserdisc) includes 14 minutes of extra footage not included in the original theatrical release.
- Bandas sonoras'Water Music': Suite III in D 'Allegro'
Music by George Frideric Handel
Performed by Stuttgarter Kammerorchester (as The Stuttgart Chamber Orchestra)
Conducted by Karl Münchinger
Courtesy of London Records
A Division of PolyGram Classics
Opinión destacada
... and yet it has grown on me to where it is one of my favorites.
When I first saw this in the theater I felt disappointed and baited and switched. Robin Williams may be top billed, but he is not the center of the film although he is the motivating character. He is a new teacher at an elite private school for boys that has traditions that probably nobody remembers the reasons for. Williams' character is out of step with the rest of the faculty at the school and encourages his students to seize the day. Anyone who grew up with the overbearing-we-expect-more-out-of-you parents, or even attended boarding school, or grew up in some similar environment can identify with the students in the film.
Every aspect of this film is powerful. From screenplay to direction, casting to acting, the movie drags us into a world of teenagers that are REAL. Sometimes funny, sometimes sad, sometimes rebellious ... sometimes they win, sometimes they lose. This is very much a Peter Weir film. The screenplay is one the most powerful ones ever, and one characteristic of this movie is the evolution the characters go through. Just like Truman Show, Witness, The Last Wave and Fearless, Weir drags his characters into the story and changes them. He evolves them so that, in the end, his characters are more human and feel something beyond traditional beliefs and codes; Things that people have died for throughout history: Freedom, Respect, Pride... things that may not be that important to an average person, things that make one a hero.
When I first saw this in the theater I felt disappointed and baited and switched. Robin Williams may be top billed, but he is not the center of the film although he is the motivating character. He is a new teacher at an elite private school for boys that has traditions that probably nobody remembers the reasons for. Williams' character is out of step with the rest of the faculty at the school and encourages his students to seize the day. Anyone who grew up with the overbearing-we-expect-more-out-of-you parents, or even attended boarding school, or grew up in some similar environment can identify with the students in the film.
Every aspect of this film is powerful. From screenplay to direction, casting to acting, the movie drags us into a world of teenagers that are REAL. Sometimes funny, sometimes sad, sometimes rebellious ... sometimes they win, sometimes they lose. This is very much a Peter Weir film. The screenplay is one the most powerful ones ever, and one characteristic of this movie is the evolution the characters go through. Just like Truman Show, Witness, The Last Wave and Fearless, Weir drags his characters into the story and changes them. He evolves them so that, in the end, his characters are more human and feel something beyond traditional beliefs and codes; Things that people have died for throughout history: Freedom, Respect, Pride... things that may not be that important to an average person, things that make one a hero.
- AlsExGal
- 3 ago 2023
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Sociedad de poetas muertos
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 16,400,000 (estimado)
- Total en EE. UU. y Canadá
- USD 95,860,116
- Fin de semana de estreno en EE. UU. y Canadá
- USD 340,456
- 4 jun 1989
- Total a nivel mundial
- USD 235,860,116
- Tiempo de ejecución2 horas 8 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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What is the streaming release date of La sociedad de los poetas muertos (1989) in Australia?
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