Cyrano de Bergerac

No, no, my dearest love... I don't love you!

I was just a teenager when I first saw this film. I really didn't know what to expect of a French movie with unknown actors (at least to me by then), with a story I didn't previously know and with the only reference of some Cesar awards. After all, it was an european movie, it was French, it was based in a classic book and with a romantic theme. But something attracted me.

I was shocked.

Actually it was the first movie I ever went to see to the cinema more than once. I purchased it on VHS as soon as I could, and I am getting it on DVD now that it's available in Spain. After all this time, I know by heart almost every scene of the movie, and it keeps on bringing tears to my eyes in the final scenes, no matter how many times I've seen it.

The movie has so many things so nicely put together, it's almost impossible not to be hooked on some of them.

To begin with, I was very surprised with the fact that the whole movie is spoken in verse. I think it was the first time I had ever seen something like that, and it is probably also the last since I can't remember any other movie like this! I don't know how well it was done in English, but I can say it was translated into Spanish awesomely. I can only wonder how beautiful it is in the original French version. Everything is so musically coherent and adequate, that you really enjoy watching the movie spoken in verse. I loved it.

Then there is the absolutely magnificent performance by Gerard Depardieu. He perfectly resembles at every moment the personality of the eager and sometimes naive but at the same time extremely intelligent, romantic, desperate and vulnerable Cyrano. His physical look, his facial expressions, his voice... everything makes him the perfect Cyrano de Bergerac. You really share his suffering and at the same time you admire its strong personality and determination. He makes Cyrano an admirable man, an enjoyable human being. Wonderful.

Apart from that, there is many more things in this movie that make it absolutely enjoyable. The humor. The sets and props, all the environments created. The music. And the story is an absolute classic that many people will feel related to; the struggle of a man than, even though not physically gifted, wants to live and love with no limits... to the person who is not ready to correspond him. Maybe it's the reason why it was so touching for me when I was a teenager, and maybe that's why it still brings tears to my eyes even today :)

All in all, a beautiful romantic tale with great sets and performances and that will touch almost anyone's hearts. My favourite movie of all time, and definetly a classic.

Gérard Depardieu became famous with Cyrano, and Cyrano de Bergerac knew its master with Depardieu.

This classic piece of French literature is based on real events (largely adapted), and while it is a stage play, the skill of transposing the play to the silver screen is a feat!

The film resorts to skillful cutting of the text (now public domain - check Gutemberg), which sounds easy, but is not, because it flows so naturally and needs to be cut surgically, word for word.

At the same time, all that is missing from the script by Edmond Rostand is inspired by generations of stage performance. The miracle then is making the script in French likable to audiences who do not understand French, as Edmond Rostand can be compared to George Bernard Shaw, Shakespeare and Samuel Beckett.

The genius of Gérard Depardieu and the beauty of the sets, the quality and care for detail all push to bring this beautiful film within reach of non French audiences. In that respect the sword duel scene at the beginning is memorable and worth playing twice on DVD!

One thing though, the finale scene I found awkward but Edmond Rostand created it so the director had no choice.

The film that made me realise that it's OK for guys to cry. Cyrano, as played so convincingly by Depardieu, is a great rollicking hero, not the foppish aristocrat of previous productions. Indeed, it is his larger than life robustness that makes his futile, towering defiance at the resolution so poignant; the ignoble end of a hero is a classic theme, right from Beowulf, through John Wayne's "The Shootist", to 2000's "Crouching Tiger, Hidden Dragon"

The lyricism in the English translation of Cyrano is commendable, the filmmaking technically sound, the sets and choreography well presented. Depardieu's portrayal of the legendary swordsman as a bullish brawler rather than a delicate fencer is an interesting take, and I find it works.

The downside is that the character of Roxanne is so utterly insipid and moronic that you wonder why Cyrano is so taken with her. The tragedy of this Cyrano isn't that his love is unrequited, but that it's so misplaced. An interesting contrast is with "Crouching Tiger, Hidden Dragon", which replaces the Roxanne character with a peer for the hero, a "companion battleship" as Henry Higgins would say. This makes for an even more heartwrenching story, and makes you realise that Cyrano could have been even better if Depardieu's superb performance had been tempered just a little in favour of a Roxanne who was more worthy of his regard.

WARNING - YOU WILL FALL IN LOVE WITH THIS FILM

This is the ONE film that made Gérard Depardieu a world-wide superstar. Although he was a star in the french cinema for years, Gérard Depardieu was an un-heard-of unknown in the United States prior to the success, and critical acclaim of this french language film. This film also won 2 Academy awards in 1990(best foriegn film, and best costume). If you have ever seen this film then you know that this was the role that Gérard Depardieu was born to play. After seeing this I cannot imagine another actor in the world playing this role but Gérard Depardieu. This movie will make you laugh, and it will make you cry. You cannot help but to experience all of Cyrano's passions and his lust for life, as well as his heartache for never getting Roxanne to fall in love with him,and his anger and embarassment he feels about his self-contiousness about his large nose. As the film moves foward you grow to love the Cyrano de Bergerac charactor as you experience his emotions with him.There is some good battle scenes and some action scenes and even some killing(but what little bloodshed is done in this film -is done with good taste and relavence to the story instead of a bunch of meaningless killing like as seen in other films in this genre). This is about as well done as any film will ever get. I give it 5 out of 5 stars, a perfect film- A masterpiece

I saw the first adaptation of Edmond Rostand's novel, the 1950 version with José Ferrer. Despite Ferrer's good acting, it had some things going against it. First it was in English, and the thing is that the whole play is written in verses that rhyme. Of course, you just cannot do that in English. Second, Rostand's story was seriously altered.

Now, with this version we finally get the real Cyrano de Bergerac, a man whose nose is as great as his courage and skill at sword play, his talent at writing beautiful love poetry, and his will to resist all temptation to become the servant of higher powers. We get to follow his adventures, to feel his wonderful love for beautiful Roxane, his attempt to win her love in ways that nobody would ever consider, and his struggle to keep the freedom of his spirit.

I admired the acting, the direction, the lighting, and the costumes. There is so much in this movie to applaud. But the best of it all is that it keeps so close to the original text. I read the play and I just couldn't believe how good this adaptation is. Watch this movie if you have the heart of both a lion and of a lover, and you can appreciate excellent French poetry.