Un joven soldado en Vietnam se enfrenta a una crisis moral cuando se enfrenta a los horrores de la guerra y a la dualidad del hombre.Un joven soldado en Vietnam se enfrenta a una crisis moral cuando se enfrenta a los horrores de la guerra y a la dualidad del hombre.Un joven soldado en Vietnam se enfrenta a una crisis moral cuando se enfrenta a los horrores de la guerra y a la dualidad del hombre.
- Dirección
- Guionista
- Elenco
- Ganó 4 premios Óscar
- 24 premios ganados y 16 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
Argumento
¿Sabías que…?
- TriviaAccording to Oliver Stone, he intentionally cast Tom Berenger and Willem Dafoe against type. Berenger was mostly famous for playing good guys, while Dafoe had primarily played villains up until then. Both men received Oscar nominations for their work.
- ErroresWhen the men are playing cards, one of the men is looking at a Playboy from March 1971, despite the film taking place in 1967.
- Citas
[Refering to Vietnam]
Chris Taylor: Somebody once wrote, "Hell is the impossibility of reason." That's what this place feels like. Hell. I hate it already, and it's only been a week. Some goddamn week.
- Versiones alternativasTV version has much of its dialogue redubbed and shots refilmed, replacing such lines as "He thinks he's Jesus F---in' Christ!" with "He thinks he's George Freakin' Washington!"
- ConexionesEdited into A Tour of the Inferno: Revisiting 'Platoon' (2001)
- Bandas sonorasAdagio for Strings
Written by Samuel Barber
Arranged and Conducted by Georges Delerue
Used by arrangement with G. Schirmer, Inc.
Opinión destacada
Its hard to know where to start with such a breathtaking film. Oliver Stone's Platoon is quite simply the best Vietnam war film ever made in my opinion. Everything about it is as close to perfection as we are likely to see. Charlie Sheen plays the lead, and Willem Defoe and Tom Berenger play the two sergeants that form a key part of the plot.
Chris Taylor (Sheen) is torn between the sergeants. Barnes (Berenger) is the battle hardened, brutal murderer, who uses the war as an excuse to tender to his sadistic pleasures. Elias (Defoe) is the other side of the spectrum. We get the sense that he has wrestled with his inner demons, but he has successfully come through to the other side. He has compassion for his fellow man, and he uses drugs as a form of escapism from this brutal war. The two symbolise the struggle that Taylor must face if he is to survive out in Vietnam.
Oliver Stone perfectly captures war. The shooting is frantic and impossible to follow. It perfectly disorientates us, just as the soldiers were. We have no idea who is being shot at, and neither do they. We follow the war at ground level, and see the brutalities first hand. Having served in Vietnam, the film is loosely based on Stone's time out there, and Taylor loosely based on himself.
Full Metal Jacket showcases how inhumane the war was, Apocalypse Now turns it into a story about life in general, and hopelessness, but Platoon has everything. Trying hard to avoid the old cliché, but if you only watch one war film, make sure it is this one. Nothing else can come close.
Chris Taylor (Sheen) is torn between the sergeants. Barnes (Berenger) is the battle hardened, brutal murderer, who uses the war as an excuse to tender to his sadistic pleasures. Elias (Defoe) is the other side of the spectrum. We get the sense that he has wrestled with his inner demons, but he has successfully come through to the other side. He has compassion for his fellow man, and he uses drugs as a form of escapism from this brutal war. The two symbolise the struggle that Taylor must face if he is to survive out in Vietnam.
Oliver Stone perfectly captures war. The shooting is frantic and impossible to follow. It perfectly disorientates us, just as the soldiers were. We have no idea who is being shot at, and neither do they. We follow the war at ground level, and see the brutalities first hand. Having served in Vietnam, the film is loosely based on Stone's time out there, and Taylor loosely based on himself.
Full Metal Jacket showcases how inhumane the war was, Apocalypse Now turns it into a story about life in general, and hopelessness, but Platoon has everything. Trying hard to avoid the old cliché, but if you only watch one war film, make sure it is this one. Nothing else can come close.
- blinkchester
- 27 abr 2004
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- USD 6,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 138,530,565
- Fin de semana de estreno en EE. UU. y Canadá
- USD 241,080
- 21 dic 1986
- Total a nivel mundial
- USD 138,545,632
- Tiempo de ejecución2 horas
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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