Yuen Chun Hap yu Wai See Lee

In this collection of three horror stories, Chow Yun Fat is one of two storytellers at a dinner party, recounting his experiences. The last story, dealing with a gruesome creature that attacks him and the group he is with, has some scarey moments. This story goes over the top as the creature is killed in an explosive splatter of blood and flesh. The first story of the three involves a police siege at a hospital. It has a few tense moments but ends up going nowhere. The frame work of the stories, a party that goes on between episodes, is strange. People laughing and having a good time as either Chow or his associate discuss death, horrible creatures and gruesome events. This Golden Harvest production does nothing to enhance Chow Yun Fat's reputation. Not to end this review on a negative note, the special effects are well done.

If this had been the first Hong Kong action-horror film I'd seen, it would've stuck with me for the rest of my life. Unfortunately, The Seventh Curse comes on the coattails of some of the most crazy, awesome movies I have ever seen from the director Kuei Chih-Hung. Do you want a movie about a character that has a curse that causes wounds to appear on their body, and with gross worms? Watch Bewitched (Gu), which came out five years earlier.

And I know what you're saying, this movie is an adventure, not a Shaw Brothers film-which is definitely true. Seventh Curse often feels like the craziest Spielberg film you've never heard of. But I find it hard to keep thinking that when watching the more graphic and gross-out scenes, reminiscent of something from The Boxer's Omen.

All that being said, I still think it's at least a 6. The effects are great, the sets are particularly great, and Old Ancestor is probably my favorite movie skeleton. He's got that perfect mix of goofy, 80's glowy-eyes, and impressive editing hiding the transition from puppet to stunt actor.

So, is The Seventh Curse worth a watch?

If not for the fantastic skeleton (I seriously cannot state enough how great it is), I'd say no. I think there are other films that accomplish the same things this does with more interesting plots AND more fun. However, you guys gotta see the skeleton. You HAVE to see the skeleton. So yes, watch it.

The Seventh Curse (German title) can easily be the Hongkong Version of Indiana Jones.That means more crazy fun and splatter. Have you ever seen a blood-sucking monster embryo fighting against an other old monster?If not, than take a look!

THE SEVENTH CURSE (1986) is something of a companion feature to WITCH FROM NEPAL (1986) a similarly themed Hong Kong supernatural thriller which also features Chow Yun-Fat. CURSE is the more entertaining of the two, thanks to its frequent action and impressive gore effects, although WITCH had a more interesting premise and would have made a better film with more imaginative direction. CURSE has plenty of imagination, but not enough of a story to keep us involved in the twists and turns of the convoluted plot about a Hong Kong doctor seeking to rid himself of a blood curse by going back to Thailand to confront the sorcerer who cursed him. (WITCH was about characters from Nepal who come to Hong Kong to follow the central character.)

SEVENTH CURSE is a film in the `Wisely' series about a young expert in the occult, played by a different actor in each of the films (the others include LEGEND OF WISELY and BURY ME HIGH). Wisely, here called `Wesley' in the subtitles, is played by Chow Yun-Fat, who has only a supporting role as he is called on to help out his friend, the doctor, at various points. Chin Siu Ho plays the kung fu-fighting doctor and may be known to kung fu fans for his roles in the Jet Li films TAI CHI MASTER and FIST OF LEGEND. Maggie Cheung plays a nosy lady reporter, the kind that barges into every dangerous situation imaginable. Dick Wei, the Nepalese sorcerer in WITCH FROM NEPAL, plays a good guy here, a Thai warrior who helps the doctor in Thailand.

There are lots of action scenes involving kung fu combat or shootouts in which the heroes face down dozens of anonymous Thais. The white-faced sorcerer, Aquala, played by Elvis Tsui Kam-Kong, makes quite a formidable villain and has a pack of monsters at his disposal, all created with make-up effects similar to those used in the ALIEN series and numerous Hollywood monster films of the time. Given the lower HK budgets, the effects here are quite good. There is a Crypt-Keeper-style living skeleton called `Old Ancestor' who, at one point, sucks what appears to be the spinal cord from a man's back.

The problem with the gore effects is that no one really takes the monsters very seriously. Chow stands around smoking a pipe incessantly, even in the midst of peril. We're never actually scared by the over-the-top effects. Only Maggie reacts with fright and emotion, although her character is so quick to scream, like so many old monster movie heroines, that we don't really feel any tension. Still, HK fans will be hard-pressed not to drop their jaws at the sight of two of HK's greatest stars, Chow Yun-Fat and Maggie Cheung, battling bloodthirsty reptilian monsters in a giant cave in the film's finale.

There are cameo appearances by kung fu vets Wang Lung Wei, Yasuaki Kurata, and Kara Hui Ying Hung in the opening action scene, a terrorist/hostage/SWAT team standoff in an office building.

Crazy and very fast-paced Hong Kong action/adventure/fantasy/horror/comedy that seems to dip its toe into almost every genre besides musical.

There's even a cop/crime element at the start, small amounts of romance, and a scene that feels like a riff on a Rambo sequel where it almost becomes like a war film.

It feels like it changes gears/genres every five minutes, and that's part of its charm. It always remain fun and fast paced, no matter what it's trying to do.

Of course there's not much by way of a coherent story or great characters, the fantastic Chow Yun-Fat's presence is unfortunately exaggerated by the poster (he's really not the protagonist), and honestly I wished it could have been a little bit longer, because with a fast pace and a 78 minute runtime, it's over very quickly.

But if you like movies that pull off tackling numerous genres at once, this is pretty easy to recommend.