Intriga en el rojo oeste

In any number of films, you can find Nicholas Cage as a strong, silent hero, Dennis Hopper as a homicidal maniac, Lara Flynn Boyle as a vamp/tramp, and the late, lamented J.T. Walsh as the heavy. These are the types of roles these four can play in their sleep, and they have done so often enough that to see them playing them again borders on cliche. What a relief, therefore, that John Dahl, a master at getting a lot of mood out of a little action, directed this nuanced noirish thriller. Hopper manages to keep from going over the top, Cage shows a little more depth than his usually-superficial action heroes, Boyle is by turns sultry, innocent, and scheming, and one gets a sense of the hard iron of the soul that is central to his character, Wayne. Dahl's direction gives a sense of the emptiness of the Big Sky country where the story takes place while also being intimate enough to show how a wrinkled brow can indicate a radical change of plot in store. The plot twists are top-notch, and one of the other great twists in this movie is that some of the supporting characters actually act as if they have brains. It isn't often that minor characters like deputy sheriffs have more brains than their headlining superiors. But with a director as smart as Dahl, you shouldn't be surprised by the intelligence of anything connected with this film. An excellent movie.

A nice little neo-noir with a good story and strong cast that held the tension all the way through. Hat's off to the director John Dahl for making this. Liked also his movie 'Rounders' and I will probably check out some of his other work in the future.

Michael Williams (Nicolas Cage) can't nail down a job due to his leg. He's running low on money. He goes to Red Rock to look for a drilling job. The bartender Wayne Brown (J.T. Walsh) assumes Michael to be Lyle from Dallas. He has hired Lyle (Dennis Hopper) to kill his cheating wife Suzanne (Lara Flynn Boyle). Michael takes the money and tells her. She makes a counter offer to double the money. He writes a letter to the sheriff. When he tries to leave town, he accidentally hits a man. He brings the injured man to the hospital but the man has actually been shot. Then Wayne Brown walks in as the sheriff of this little town but that's not the end of this twisty plot.

This is stripped down. There is a desolate feel to everything. The characters are dark. Nicolas Cage does some of his best work. Dennis Hopper is doing his dark killer character. Lara Flynn Boyle nails the femme fatale act. It does add a few too many craziness but I do like the hard noir style.

A little known neo - noir (read all about this after watching this) gem, RRW is supremely well constructed and makes great use of its plot and minimalist setting.

I would request watchers to not read the IMDb summary and pledge head long into it. It's unpredictable and is a lot of fun to watch, without knowing where the narrative is heading.

Nicholas Cage, Dennis Hopper and JT Walsh give A grade performances. But, it is the assured direction and the superb screenplay that keep you glued to the screen.

Highly recommended.

"Red rock west" superbly ends on a train,while Dwight Yoakam's sensational "A thousand miles from nowhere" is heard during the final credits.One should note that the excellent soundtrack features two songs of the late great Johnny Cash and other chestnuts.

What about the movie?It's an excellent entertaining flick.Two tremendous leads :Nicolas Cage ,who always seems overtaken by events,always looking stupefied and Dennis Hopper who does not take his character seriously and deliciously overacts while displaying a lot of humor.All the supporting cast is excellent ,and as absolutely no one can be trusted in this money story,there are enough twists to satisfy the action-packed movie buff.One should notice that ,towards the end ,in the graveyard ,the movie verges on horror.

An excellent entertainment for a hard day's night.