Un profesional de la seguridad descubre que su pasado vuelve a perseguirlo, cuando a él y su particular equipo se les encarga recuperar un objeto particularmente importante.Un profesional de la seguridad descubre que su pasado vuelve a perseguirlo, cuando a él y su particular equipo se les encarga recuperar un objeto particularmente importante.Un profesional de la seguridad descubre que su pasado vuelve a perseguirlo, cuando a él y su particular equipo se les encarga recuperar un objeto particularmente importante.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 nominaciones en total
Jo Marr
- College-Aged Cosmo
- (as Jojo Marr)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Sneakers is still fun to watch after 12 years and it was a great look at the time in which it was made. 12 years ago, the Cold War just ended and nobody was really sure how things were going to shape up geopolitically. Sneakers captured that mood perfectly and kept things tense with the soundtrack, locations and set work.
It's got the best balance of technical accuracy verses ease of viewing that I've ever seen on film. Not too many cartoon-like computer interfaces but no staring for minutes at a time at command line interfaces. Sneakers also gets points for being in the Bay Area and traveling among places that I visit every day (Hills Brother Coffee Building for the 'box drop' and the Dumbarton Bridge - for starters). Actors have fun with their roles although it's obvious that Sidney Poitier, Robert Redford, Ben Kingsley and James Earl Jones are not delivering their A-Game. It doesn't matter, it doesn't make it any less fun to watch. I like Phil Alden Robinson's camera movements; don't forget to look for the long, low slide across the Scrabble pieces right in a pivotal moment of the plot.
The movie still retains some relevance today. Ben Kingsley offers that gem " world war. And it's not about who's got the most bullets. It's about who controls the information. What we see and hear, how we work, what we think... it's all about the information!" gains some credibility especially in the face of the post-9/11 news reporting on CNN, MSNBC and Fox News. Trash-diving is still a viable option to gain information on your opponent and social engineering will always work to help you gain some information.
Sneakers is still one of the best mainstream treatments on the subject of hacking. Watch, learn, enjoy.
It's got the best balance of technical accuracy verses ease of viewing that I've ever seen on film. Not too many cartoon-like computer interfaces but no staring for minutes at a time at command line interfaces. Sneakers also gets points for being in the Bay Area and traveling among places that I visit every day (Hills Brother Coffee Building for the 'box drop' and the Dumbarton Bridge - for starters). Actors have fun with their roles although it's obvious that Sidney Poitier, Robert Redford, Ben Kingsley and James Earl Jones are not delivering their A-Game. It doesn't matter, it doesn't make it any less fun to watch. I like Phil Alden Robinson's camera movements; don't forget to look for the long, low slide across the Scrabble pieces right in a pivotal moment of the plot.
The movie still retains some relevance today. Ben Kingsley offers that gem " world war. And it's not about who's got the most bullets. It's about who controls the information. What we see and hear, how we work, what we think... it's all about the information!" gains some credibility especially in the face of the post-9/11 news reporting on CNN, MSNBC and Fox News. Trash-diving is still a viable option to gain information on your opponent and social engineering will always work to help you gain some information.
Sneakers is still one of the best mainstream treatments on the subject of hacking. Watch, learn, enjoy.
There are a bunch of movies which might not be GREAT, but really good, and you can watch them over and over again. Rainy day movies. "Sneakers" is without a doubt such a movie.
It is a lightweight caper which gets into a higher division thanks to the acting: Redford is always good, as is Strathairn, Kingsley and McDonnell. The other actors do a really good job as well, but these four stand out in my opinion.
There are twists and turns in the script, Great San Francisco locations and lots of underplayed humor in this film, all contributing to that the movie can be seen several times.
Take it for what it is, and you'll have a really good time in front of the TV.
It is a lightweight caper which gets into a higher division thanks to the acting: Redford is always good, as is Strathairn, Kingsley and McDonnell. The other actors do a really good job as well, but these four stand out in my opinion.
There are twists and turns in the script, Great San Francisco locations and lots of underplayed humor in this film, all contributing to that the movie can be seen several times.
Take it for what it is, and you'll have a really good time in front of the TV.
A friend and I were discussing River Phoenix yesterday so last night I decided to watch this movie again for the first time in a while. Let me put this out there first. This isnt an Oscar movie but its really fun. Also for 1992 the technology they are showing didn't exist. There is a lot of "you couldnt do that in 1969/1992 on the internet". Those are my only criticisms. That being said a better cast cannot be found. Its got heavy hitters. The chemistry is great. The pacing is well done. I can watch this over and over. Whats disturbing is how well.it actually forecasts the role of data in our lives now. Theres actually dialog that gets very Edward Snowden-ish that I didn't catch in the 90's or early 2000s. But is so in your face in 2021. That being said I would so watch it again.
At a key point in the plot, the device that might be able to get past any computer encrypted password needs to be tested. Carl (River Phoenix) is asked what is the hardest computer to hack into, "give me the number for something impossible to access." He answers, "The Federal Reserve transfer node, Culpeper, Virginia." Mother (Dan Aykroyd) adds, "900 billion a day goes through there."
Between December 10, 1969 and July 1992, this same building in Culpeper housed four computers through which the majority of transactions of the 5,700 US banks were processed. It was also a bomb bunker that stored about four billion dollars cash. These cash reserves and computers could be used to keep business transactions going on throughout the eastern half of the United States in the event that Washington DC was bombed in a nuclear war making cash there radioactive and unusable. Interestingly this build was decommissioned in June of 1992 just months before the film "Sneakers" opened in September of 1992. Since 2007 this building has been home to the National Audio-Visual Conservation Center at the Packard Campus of the Library of Congress where over 6 million items of the nation's audio recordings, television and motion pictures are stored and preserved, including the copyright print of "Sneakers."
Between December 10, 1969 and July 1992, this same building in Culpeper housed four computers through which the majority of transactions of the 5,700 US banks were processed. It was also a bomb bunker that stored about four billion dollars cash. These cash reserves and computers could be used to keep business transactions going on throughout the eastern half of the United States in the event that Washington DC was bombed in a nuclear war making cash there radioactive and unusable. Interestingly this build was decommissioned in June of 1992 just months before the film "Sneakers" opened in September of 1992. Since 2007 this building has been home to the National Audio-Visual Conservation Center at the Packard Campus of the Library of Congress where over 6 million items of the nation's audio recordings, television and motion pictures are stored and preserved, including the copyright print of "Sneakers."
I was drawn to Sneakers because I heard the story was of my favorite genre, a spy thriller. However, I found this movie to be more along the lines of a caper film.
Robert Redford is the leader of a team of experts who break into security systems so that institutions (such as banks) can see how good their system is. The team is made up of a diverse group: an ex-Cia agent (Portier) and three computer whizzes (Ackroyd, Phoenix, and the blind Stratharn). The group has great chemistry and often this leads to some fun humor.
Redford and his team are hired by the government (so they believe) to retrieve a black box that can decode encrypted computer firewalls. After retrieving the black box, the team finds themselves in dire trouble.
I was hoping the film would be more intense, yet Sneakers incorporates a lot of humor. It is a fun film and is enjoyable to watch, but if you are looking for a true spy film, then you may want to pass.
This film more closely resembles recent movies like Ocean's 11 or The Italian Job, popcorn films that have some laughs, some danger, and some suspense.
Redford is really great in this movie as is Straitarn; Mary McDonnell is also very good. Phoenix holds his own. Although far from their best roles, Poitier, James Earl Jones, Ackroyd, and Ben Kingsley are decent.
Overall an enjoyable film which incorporates computer hacking before it was mainstream. Rating 7 of 10 stars.
Robert Redford is the leader of a team of experts who break into security systems so that institutions (such as banks) can see how good their system is. The team is made up of a diverse group: an ex-Cia agent (Portier) and three computer whizzes (Ackroyd, Phoenix, and the blind Stratharn). The group has great chemistry and often this leads to some fun humor.
Redford and his team are hired by the government (so they believe) to retrieve a black box that can decode encrypted computer firewalls. After retrieving the black box, the team finds themselves in dire trouble.
I was hoping the film would be more intense, yet Sneakers incorporates a lot of humor. It is a fun film and is enjoyable to watch, but if you are looking for a true spy film, then you may want to pass.
This film more closely resembles recent movies like Ocean's 11 or The Italian Job, popcorn films that have some laughs, some danger, and some suspense.
Redford is really great in this movie as is Straitarn; Mary McDonnell is also very good. Phoenix holds his own. Although far from their best roles, Poitier, James Earl Jones, Ackroyd, and Ben Kingsley are decent.
Overall an enjoyable film which incorporates computer hacking before it was mainstream. Rating 7 of 10 stars.
¿Sabías que…?
- TriviaWhen Martin (Robert Redford) and Cosmo (Sir Ben Kingsley) attempt their initial prank at the beginning of the movie, the façade building seen is the famous Hill Valley clock tower from the Volver al futuro (1985) trilogy.
- ErroresThe ceiling tiles that Martin and Carl use to move around above the floors in the Playtronics building are the hanging type, quite fragile like cardboard and would not be able to support an adult's full body weight.
- Créditos curiososIn the theatrical trailer, the case members' names were first presented as anagrams, then rearranged to spell correctly. They were: fort red border - Robert Redford a york dandy - Dan Aykroyd kneel by sing - Ben Kingsely carney mend moll - Mary McDonnell rionveih irnep - River Phoenix I edit spin yore - Sidney Poitier ad variant thirds - David Strathairn
- Versiones alternativasThe line "Who's going to save the world Marty? Greenpeace?" in the dubbed Spanish version (DVD) becomes "Who's going to save the world Marty? The military?"
- ConexionesEdited into The Green Fog (2017)
- Bandas sonorasReally
Written by Mike Bloomfield & Al Kooper
Performed by Mike Bloomfield, Al Kooper & Stephen Stills (as Steven Stills)
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Sneakers
- Locaciones de filmación
- Countrywide Home Loans Corporate Headquarters, Simi Valley, California, Estados Unidos("Playtronics Corporate Headquarters")
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 23,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 51,432,691
- Fin de semana de estreno en EE. UU. y Canadá
- USD 10,031,145
- 13 sep 1992
- Total a nivel mundial
- USD 105,232,691
- Tiempo de ejecución2 horas 6 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the Hindi language plot outline for Héroes Por Azar (1992)?
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