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2.3/10
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Un joven en camino a Venecia para entregar su libro que expone el movimiento neonazi es repentinamente acechado por un extraño, perseguido por una jauría de perros salvajes y casi asesinado.Un joven en camino a Venecia para entregar su libro que expone el movimiento neonazi es repentinamente acechado por un extraño, perseguido por una jauría de perros salvajes y casi asesinado.Un joven en camino a Venecia para entregar su libro que expone el movimiento neonazi es repentinamente acechado por un extraño, perseguido por una jauría de perros salvajes y casi asesinado.
- Dirección
- Guionistas
- Elenco
Burkhard Kosminski
- Skin Walter
- (as Burkhart Kosminski)
Renee Kuenzel
- Skin #5
- (as Renee Künzel)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
What a mess. I bought the laserdisc of this years ago, an impulse purchase, because of Hugh Grant. Up to that point I had enjoyed everything I'd seen him in. After suffering through watching the film, all I could think was that the writer(s) and director must have been doing vastly different types of drugs resulting in an incomprehensible train wreck (pun intended) of a film. Neither Grant's charm nor McDowell's depth and style can save this one. The re-titling of the film to "Train to Hell" is probably the best thing the distributors have done. At least they're being honest that this is a train ride to hell in a handbasket. I haven't bothered to watch the film since (just can't bring myself to torture myself that way again).
If you like experimental films then you might get a modicum of enjoyment out of the non-linear story line, interleaved editing, and Kenneth Anger-style fantasy imagery, but to the rest of us it is a jumbled mess. As the film progresses, many cards are laid on the table, but not a one of them is played. The dialog is embarrassingly bad, and the meager plot meanders in a few different directions, but doesn't develop any of them. It wasn't even bad enough to laugh at. The ending came close to being laughable, but when I realized that this was in fact the end I was furious at having wasted so much time. The ONLY redeeming quality of the film was the images of Venice during Carnival. That was quite haunting and beautiful, but not nearly worth the boredom and frustration one must endure in the vain attempt to make sense out of this cluttered mishmash.
for some reason this film keeps being put on TV opposite late night infomercials. however, it's not any more entertaining than they are. u can sleep to it though and even listen to CDs while its on and u won't miss a thing. not sure if this could have been safely released theatrically without bomb threats against the projectionist. someone should probably confiscate all copies of this baloney and do atomic testing near them. its possible this film causes cancer.It also begs the question: why there isn't a "zero" rating on this site? I'm wondering if the director really knows how bad this is and whether he was able to be paid for it. Maybe the director's name really is alan smithee.. or maybe it should be.
This film was in one of those boxed sets, together with two other films I had never heard of (and Kickboxer staring Van Damme).
When I watch a movie, I don't have any expectations, so am rarely disappointed. When I was watching this one, I was disappointed.
Hugh Grant plays a writer living in Munich, who travels on the Orient Express to take his book manuscript (on the subject of Neo-Nazis) to a publisher in Venice. Unknown to him, a bunch of German skinheads (with authentic American accents) sneak onto the train.
While the above excitement is going on, a parallel story of a beautiful woman with a young daughter, and a white haired stranger hovering around in the background (played by Malcolm McDowell, doing his best to look extremely intense).
I didn't know what to make of this film. From the cinematography I had assumed that this film was shot in the late 80s (actually 1993 - one year prior to Hugh Grants success in Four Weddings and a Funeral). The plot was non-sensical, the direction was non-existent, and at the end of it I had no idea where the time had gone, or what I had just seen.
When I watch a movie, I don't have any expectations, so am rarely disappointed. When I was watching this one, I was disappointed.
Hugh Grant plays a writer living in Munich, who travels on the Orient Express to take his book manuscript (on the subject of Neo-Nazis) to a publisher in Venice. Unknown to him, a bunch of German skinheads (with authentic American accents) sneak onto the train.
While the above excitement is going on, a parallel story of a beautiful woman with a young daughter, and a white haired stranger hovering around in the background (played by Malcolm McDowell, doing his best to look extremely intense).
I didn't know what to make of this film. From the cinematography I had assumed that this film was shot in the late 80s (actually 1993 - one year prior to Hugh Grants success in Four Weddings and a Funeral). The plot was non-sensical, the direction was non-existent, and at the end of it I had no idea where the time had gone, or what I had just seen.
I was in my mums flat waiting for cable guy to turn up and I thought I would watch one of her DVDs. Well everything seemed fine when I read the cover and read the plot of film but as soon as it started I began to wonder.... has my mum gone mad!? Why did she buy this? From the acting to the direction I was appalled! This has to be one of the worst films I have ever seen! So Bad I still watched it to the end , hoping that there would be an explanation as to why this film was ever made in the first place or what it all meant and to think this was made with Malcolm McDowell (shame on you Malcolm!). the best thing to do with the DVD if you unfortunately have it in your collection is to use it as a nice coaster! Truly Awful!!
¿Sabías que…?
- TriviaIn a 2002 radio interview, Hugh Grant stated that it is the worst film he has ever made.
- ConexionesReferenced in Padre soltero (2004)
- Bandas sonorasNight Train to Venice
Written and Performed by Natalya Lapina (as Natalia Lapina)
Orchestrated by Wolfgang Hammerschmid
Conducted by Wolfgang Hammerschmid
Mixed by Dan Wallin
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By what name was Tren nocturno a Venecia (1993) officially released in India in English?
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