FX2: ilusiones mortales

Rollie Tyler (Bryan Brown) is no longer in the movies. He's now a toymaker with a girlfriend named Kim Brandon (Rachel Ticotin). Her ex-husband NYPD detective Mike Brandon asks him to use his skills to help catch a killer. As the other cops go off to take down the suspect, a mysterious assassin kills Mike. Rollie records Lt. Ray Silak tampering with the murder weapon. The assassin tracks down Rollie and Leo McCarthy (Brian Dennehy) saves him in the nick of time.

The most memorable thing in this movie is Rollie's man-size mechanical clown with a control bodysuit. It's a double-edge sword. It's fun at first but Rollie looks sillier and sillier with the control suit. In fact, a lot of this movie is pretty silly. A lot of the traps are reminiscent of "Home Alone" with chemicals and bigger tech.

Along with all the gadgetry, one of the things that Rollie is known for is his avoidance of guns. He's a MacGyver in that way. However this can go too far. In one scene, he grabs the assassin's gun in the aquarium while he's being drowned. Then for some reason he leaves it behind for the assassin to pick up and shoot at him. It's annoying when smart characters do stupid things. This is simply inferior to the original. It's not as much fun. It is sillier and not as compelling. It's not terrible but it's not good.

Decent if somewhat belated(5 years??) followup to the '86 suprise hit, has Dennehy and Brown in fine form, some involved monkey business with Vatican medallions, bad cops and computer records. You gotta like the MacGyver-ish stuff they throw in, the indestructible hit-man and of course, That Clown. The Fighting, Animitronic Klown. Quite funny in it's way.

This thing is def. tongue in cheek, at little on the confusing side if you try to think about the flips and flops in the plotting; but hey-it's all in fun. Dated but good.

**1/2 outta ****.

This agreeable follow-up packs intrigue , fast pace , action , suspense and lots of amusement . F/X was a great movie because of the idea of a special effects artist attempting to get himself out of a mess . This followup is also good but inferior to original . It deals with F/X man Rollie Tyler (Bryan Brown) as expert craftsman , nowadays he is a toymaker and settles a peaceful life . A Police agent , asks Rollie to help him to make a setup for chase a psycho-killer . As Rollie accepts because the cop is the ex-husband (Tom Mason ) of his new girlfriend (Rachel Ticotin) and he carries out the execution the phony work . The operation was going well when allegedly another murderer kills the cop . When corrupt agents double cross him on the staging the fake assassination Rollie finds himself embroiled in a deadly cover-up and he uses his special effects to trap the corrupt agents . Obviously a chief police is involved with the death , but when the things get worse Rollie calls on Leo MacCarthy (Brian Dennehy ) , confronting both of them a corrupt system . The whiz Rollie and Leo team up once more to use their special effects and advanced technology to find those responsible for the death of the cop . Rollie must use his movie magic and wits to discover the true guilty , survive and he becomes involved a mess that includes Mafia , Vatican and some golden medallions . As far as the story goes , it involves a bigger scale of corruption in the law enforcement circle .

Entertaining but ordinary 1990's-type action thriller that has some nice parts as is fast-paced , well acted , engaging and thrilling film . It has ex-Inspector Dennehy and FX wizard Brown in perfect form , developing an enjoyable relationship between the crime-busting buddies . Furthermore, good secondaries as Rachel Ticotin , Kevin J O'Connor , Joanna Gleason , Philip Bosco , all of them make fine performances . Some moments were predictable , but for the most part , it was finely-paced with action scenes efficiently handed and some good intrigue and mystery . There are some very exciting scenes as well as some ingenious special effects, including the final setup that resolves prominently the intrigue . The cinematography by Victor J. Kemper and editing are functional . Decent musical score fitting to action by Lalo Schifrin though excessive use of synthesizer . Action is pretty nicely done and fast moving with some engaging gimmickry provided by means of Animatronics and a telemetry suit , enabling the wearer to control a clown's movements via remote control that includes piloting a helicopter . The motion picture is professionally directed by Richard Franklin (Road games , Psycho II, Patrick). This is an acceptable if somewhat belated following to surprise hit realized in 1986 that was a Sleeper titled ¨FX , Murder by illusion¨ , the sequel ¨FX2¨ however, the entire thing is nowhere near as exciting and interesting . It's followed followed by an amiable TV series .

Special effects genius Rollie Tyler (Bryan Brown) is lured back into the world of creating illusion in "F/X2" also starring Brian Dennehy and Rachel Ticotin.

It's five years since Rollie quit the film business; now he's a toy-maker with a new girlfriend, Kim (Ticotin). When Kim's ex-husband, Mike (Tom Mason), a police officer, asks for Rollie's help in catching a killer, he reluctantly agrees.

Through no fault of Rollie's, Mike ends up dead and Rollie has the proof that Mike was set up. This puts Rollie in danger - deja vu. He makes a desperate call to Leo, and the two team up again.

This time around, the plot is a somewhat far-fetched, the emphasis being more on action. There are some very exciting scenes as well as some ingenious toys, including a toy clown that figures prominently in the plot.

Brown and Dennehy have incredible chemistry. They're a joy to watch. My old classmate, Josie DeGuzman (here spelled Josie) is back as Leo's secret weapon in the department. Being predominantly a theater actress, her performance is somewhat stagy but she's no less likable. Joanna Gleason plays an assistant DA.

Clever effects, the great re-teaming of Brown and Dennehy, and very entertaining.

The glaring shortcoming of F/X 2 is that the main thrust of the plot, i.e. the what and why of the baddies, is not revealed until an hour or so into the film. At 109 minutes, that's well over half-way. Certainly the point was to pop our main character, Rollie Tyler (reprised by Bryan Brown from the first movie), into a life and death situation beyond his comprehension, and not until several clues are followed revealed that he (and we) find out what these circumstances are.

Briefly, Rollie, the Australian special effects wizard, is hired again by the FBI to aid in cornering a serial killer. However, the plan goes awry when the FBI man who was supposed to stop the suspect in his tracks is killed by another unknown killer. Rollie finds himself also caught in a web of intrigue. And of course, when he is on the verge of getting snuffed out, Dennehy as Leo McCarthy pops in to save his ass. Not a bad opening, all things considered.

Finally, Leo uncovers the back story, which I won't reveal, lest I be accused of "giving it away" as they say. However, the back story is described almost offhandedly, without even a flashback. Unfortunately, the downside is that, with very little screen time left, neither the history of what's behind the bad guys' motivations nor the bad guys themselves are ever fully developed. I found myself wanting to know more about the circumstances surrounding this back story, the what and the why. Of course, with these kinds of movies, a lot of screen time must be devoted to the baddies chasing the innocent by-standers in shopping malls or in car chases. I guess it's a Hollywood law that American filmmakers must devote a specified minimum amount of time to choreographed running around and shooting so they can legitimately call their project an "action movie".

Still the film has its entertainment value. There is a strange chemistry that exists between Brian Dennehy (reprising his role has Leo McCarthy) and Bryan Brown, and again I wish that had been milked for all its worth. Of course, the most entertaining sequence, like the first installment, is the use of movie effects to thwart the bad guys, which works very well. Maybe I appreciated it as a breath of fresh air from the typical cat and mouse chase with automatic weapons that typically climaxes most of these kinds of films.

Still very much in the style of a 1980's action movie, although this was 1991, with the typical rock songs spliced in for good measure. With the exception of the use of the special effects against the baddies at the finale, story-wise it is really the equivalent of a two-part episode of "Simon and Simon" with a larger budget.