CALIFICACIÓN DE IMDb
6.5/10
10 k
TU CALIFICACIÓN
Al regresar a Hollywood en 1951 después de trabajar en Francia, un director de cine se encuentra de frente con el macartismo.Al regresar a Hollywood en 1951 después de trabajar en Francia, un director de cine se encuentra de frente con el macartismo.Al regresar a Hollywood en 1951 después de trabajar en Francia, un director de cine se encuentra de frente con el macartismo.
- Dirección
- Guionista
- Elenco
- Premios
- 2 premios ganados y 2 nominaciones en total
Roxann Dawson
- Felicia Barron
- (as Roxann Biggs)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opinión destacada
In 1947 the House Committee on Un-American Activities began an investigation into Communism in Hollywood. Shortly after this director David Merrill returns from filming abroad. It is not long before he is targeted for having attended "a few meetings" a few years ago. The approach is softly, softly with the committee just wanting Merrill to name some more names for them. When he refuses to help, he finds himself gradually cut out of studios and projects, with fewer and fewer people willing to take his calls.
The period of history around which this film is set is an interesting one and one that is worth knowing about as part of the whole "learning from history" ideal. However this is not the same as the film itself being good because unfortunately it is not what I would have liked. It relies too heavily on the informative nature of the recreation of the period rather than developing an interesting script with realistic characters. It doesn't help that the film tries to be all very serious and respectful but does rather fail and ends up coming over all earnest and self important. The script also tries not to really upset anyone who didn't take the moral stance of the fictional Merrill by just focusing on him even though it would have been a lot more interesting if it had had outrage, bitterness and realism at its heart.
Winkler directs without a great deal of style and his courtroom scene is average where it should have been the best scene of the film. De Niro works his material hard and makes for an engaging lead, however it is the lack of depth and complexity in his material that limits his performance. This is more or less true of the rest of the cast which, although starry, doesn't really provide anyone in particular with an opportunity to mark themselves out. Bening, Wendt, Wettig, Wanamaker, Sizemore, Scorsese, Cooper and others are good presences but not much more than that.
Overall then an interesting film in so much as it informs about an important period of history. However it is all very earnest and safe and lost a lot of potential for me. The cast is starry but the material is middle-of-the-road and didn't give anyone the complexity and outrage that the subject deserved.
The period of history around which this film is set is an interesting one and one that is worth knowing about as part of the whole "learning from history" ideal. However this is not the same as the film itself being good because unfortunately it is not what I would have liked. It relies too heavily on the informative nature of the recreation of the period rather than developing an interesting script with realistic characters. It doesn't help that the film tries to be all very serious and respectful but does rather fail and ends up coming over all earnest and self important. The script also tries not to really upset anyone who didn't take the moral stance of the fictional Merrill by just focusing on him even though it would have been a lot more interesting if it had had outrage, bitterness and realism at its heart.
Winkler directs without a great deal of style and his courtroom scene is average where it should have been the best scene of the film. De Niro works his material hard and makes for an engaging lead, however it is the lack of depth and complexity in his material that limits his performance. This is more or less true of the rest of the cast which, although starry, doesn't really provide anyone in particular with an opportunity to mark themselves out. Bening, Wendt, Wettig, Wanamaker, Sizemore, Scorsese, Cooper and others are good presences but not much more than that.
Overall then an interesting film in so much as it informs about an important period of history. However it is all very earnest and safe and lost a lot of potential for me. The cast is starry but the material is middle-of-the-road and didn't give anyone the complexity and outrage that the subject deserved.
- bob the moo
- 11 abr 2007
- Enlace permanente
Argumento
¿Sabías que…?
- TriviaMartin Scorsese portrays a fictional director called "Joe Lesser". This character is based on director Joseph Losey, who left Hollywood in the 1950s rather than face the HUAC examinations.
- ErroresThere is a Milwaukee Braves baseball pennant on the wall of Merrill's son's room. This film takes place in 1951 and 1952. The Braves didn't move to Milwaukee from Boston until 1953.
- Citas
David Merrill: [to the Blacklist Committee] Fuck them!
- Bandas sonorasStraighten Up and Fly Right
Written by Nat 'King' Cole and Irving Mills
Performed by Nat 'King' Cole
Courtesy of Capitol Records, Inc.
By arrangement with CEMA Special Markets
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Detalles
Taquilla
- Presupuesto
- USD 13,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 9,480,198
- Fin de semana de estreno en EE. UU. y Canadá
- USD 2,278,290
- 17 mar 1991
- Total a nivel mundial
- USD 9,480,198
- Tiempo de ejecución1 hora 45 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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