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Richard Dreyfuss and Holly Hunter star in an offbeat comedy where the characters are the punchlines. Holly Hunter gives another excellent performance with a dead on Boston accent. This is her character's story more than anyone else. Although Danny Aiello and Gena Rowlands add to the movie, it is Hunter's story. Laura San Giacomo is a surprise as well. She is hardly in the movie, but she is as strong as Gena Rowlands...which I may add is a giant task. If you love Dreyfuss, you will love his over the top performance as an old man who wears his heart on his sleeve. Aiello is just as good if not better. Both characters are seen as father figures. By the end of the movie, the two are more like brothers. A touching story that keeps the character development moving until the end of the movie. Not many comedies are like this one.

I found this movie/the story mesmerizing. Holly Hunter is exceptional, but then the entire cast is perfect. I don't share the thought that Dreyfuss' character was obnoxious. I think he was just full of life and willing to lay it on the line, all the time, because you only go around once. Hence the title, Once Around.

He didn't play it safe. I had a hard time understanding why the Bella family could not accept him. They had nothing to lose and everything to gain by developing their relationship with him.

I actually felt the family members were envious of Renata and Sam and their love for each other.

It's a great study in family dynamics. It's well-worth watching. I'm going to watch it again, today.

This is one of Lasse Hallestrom's best films. It is a richly textured, completely unique character study of a youngish woman named Renata, played superbly by Holly Hunter in what is arguably her best performance. Renata comes from a close Italian family outside of Boston, and has drifted from job to job without much confidence or direction. Her family is very supportive of her, but rather than drawing strength form their support, Renata seems to dwell safely in it, choosing to let them be her safety net.

Renata goes on a weekend junket where she is recruited to take a position selling timeshares in the Caribbean. While she is there she meets Sam, the dynamic and aggressive top salesman, who impresses her greatly when she hears him speak. A flirtation develops, and she ends up traveling back to Boston with him.

The brash, confident Sam clashes inadvertently with her family's more traditional and reserved style, and while it is evident Sam is crazy about Renata, the family has reservations about him. A compelling and utterly captivating story ensues, which unlike most small films, takes major risks, and allows every character to be completely human.

The story deals with the power of acceptance, of love, of the magic and complete idiocynracy of personal connection, and of what it means to be alive and human. Sam is difficult--he is over the top, and loud, and exhausting. Yet the film is equally balanced in showing his many kindnesses to Renata and her entire family; his generosity, his love for her, and his pride that she loves him. Their love is peculiar and inexplicable, and yet they complete one another in that indefinable way that epitomizes the mystery of love.

it's not a sappy love story. The movie shows people warts and all, and loves them anyway. All the characters are respected. By the end, I am usually in tears. Renata tells her parents, "This is MY adventure!" and when you watch this, I think you will agree.

With a strong cast of some of Hollywood's best veteran actors and a highly respected director of praised dramas, "Once Around" got what it needs to lift it out of a often used formula. It is wonderful to see such an eclectic cast of characters together making something extraordinary out of the ordinary. Holly Hunter and Richard Dreyfus deserve each other as a highly charged couple. Dreyfus's Sam is a piece of work - brash, manipulative and yet engaging. Hunter is full of nervous energy. Gena Rowland does not disappoint in displaying the power in her character in the scene where she confronts Dreyfus in protection of her husband at a reception. The one character that stood out the most, in my mind,is Danny Aiello's family patriarch. His is a laconic, slightly wounded man, trying to remain dignified while holding the family together. He was overshadowed by the showy Dreyfus. You feel his pains. But when Dreyfus got sick near the end, he would carry him into the house when Dreyfus and Hunter come to visit. What could improve the ending is have daughter (Hunter) and father (Aiello) walk hand-in-hand in the snow, to symbolize her journey home and finds love and support where she always knew were there. 3 of 4 stars.

I started watching this movie on some movie channel and I kept watching because I knew I had seen it, but I completely forgot about it, and was SHOCKED to find out it was directed by Lasse Hallstrom. I couldn't remember a darn thing about it. (and us movie geeks hate that) Every actor in this movie are all "A" list. And that alone should keep you watching it. It has some tough parts to get through. But I advise you to stick to the end. I also agree that you have to accept (like Her family) Dreyfus's character for who he is, allow it to be part of the plot. If you can make it through the hard parts, you will be rewarded at the end. And remember this was made before Hollywood killed Frank Sinatra by putting a song of his in every darn movie. This is not a GREAT movie, but a darn good one, with a touching ending.