Un director de televisión intenta utilizar su adrenalina después de un accidente de coche para revitalizar la vida sexual con su mujer.Un director de televisión intenta utilizar su adrenalina después de un accidente de coche para revitalizar la vida sexual con su mujer.Un director de televisión intenta utilizar su adrenalina después de un accidente de coche para revitalizar la vida sexual con su mujer.
- Premios
- 9 premios ganados y 6 nominaciones en total
Deborah Kara Unger
- Catherine Ballard
- (as Deborah Unger)
David Cronenberg
- Auto Wreck Salesman
- (voz)
- (sin créditos)
Jordan-Patrick Marcantonio
- Man in Tattoo Parlor
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
‘Snow White’ Stars Test Their Wits
Argumento
¿Sabías que…?
- TriviaSex scenes between James Ballard and his secretary were filmed but cut because director David Cronenberg felt the actors' chemistry was too good, contravening the nature of all the other relationships in the film.
- ErroresAfter Vaughan repeatedly crashes the left front bumper of his Lincoln into a junker James Ballard is sitting in, causing major damage to the bumper and the lights, Vaughan is soon shown driving on the highway with no damage to the bumper and both left lights operational.
- Citas
[Last lines]
James Ballard: Katherine, are you all right?
Catherine Ballard: James. I don't know.
James Ballard: Are you Hurt?
Catherine Ballard: I think I'm all right...
[James starts groping and kissing her]
Catherine Ballard: ... I think I'm all right.
James Ballard: Maybe the next time, darling. Maybe the next time.
- Versiones alternativasAccording to Issue 58 of Film Ireland magazine, the Irish censors imposed 35s worth of dialogue cuts on the cinema release - this affected the sex scene where Catherine fantasizes about Vaughn to James. It's speculated this was actually done not due to the content, but to dissuade the distributors from submitting the uncut version on video (which could cause controversy in a less restricted environment) - however, all video releases are uncut and still rated 18.
- ConexionesFeatured in Late Review: Censorship and Cronenberg 's Crash (1996)
Opinión destacada
"How many orgasms per mile can you get ?" This is one of the catching tag lines of the movie "Crash". Again Cronenberg delivers a dive into human psychic, the world of dark obsession, and twisted fantasy's.
The plot:
A sexually frustrated couple starts experimenting with the outlines of anonymous sex. It is the husband James Ballard (James Spader) who gets into a car crash with Dr. Ellen Remington (Holly Hunter) and her husband. They crash frontally and both Ballard and Remington are seriously injured. Remington's husband dies while being launched from his seat through his own windshield into Ballards. Ballard ends up in the hospital, traumatized, trying to recover from his injuries. He gets into deeper contact with Helen Remington. Their mutual Crash-victim status brings them closer together, ultimately delivering them into the sump-oil-soaked world of the pathological Vaughan (Elias Koteas). Renegade scientist and leader of a strange subterranean group, Vaughan is only able to achieve sexual release by crashing into people on the motorways surrounding Heathrow airport. Getting sucked into his world, Ballard becomes obsessed with car crashes, and dives into the illegal world of "thrill seeking" and raw and hard (but mostly cold) sex.
The review:
To be quiet honest "Crash" is a very underestimated picture. First of all there are a serious amount of people who thought that the subject was laughable, and not to be taken serious, for how could you take something like this serious ?
After crashing your car and being injured, having sex with the victim of a car-crash ?
Apart from the post-traumatic stress that can appear after such an incident it also triggers a lot of adrenaline, which is almost a self produced drug. Cronenberg cuts a subject which is still very much of a taboo, the "thrill seeking taboo". You got a lot of so called thrill seekers now these days, which can result into ghost riding on the freeway, climbing on buildings without security etc. All in all the thrill seek element isn't that original.
This is where Cronenberg has looked for a thrill that rushes into a perverse sexual outburst. After the shock of crashing into a car, the adrenaline, the rush of the experience becomes so real, you feel so alive that you need to let it all out, which comes into the act of "making love". Cronenberg is trying to paint the audience a picture of an event like this.
Based on J.G. Ballards novel "Crash" which was quiet detached and cold, the director follows in style with the dark freeways of Canada, showing that even in your car you are not always save, and how a car can become the ultimate "drive" for pleasure. The problem with this film (like many others) is that it is so far out there that you either hate it or love it. The pacing is rather slow in the beginning and its hard to get into, if you don't understand the psychology that lies underneath the dialog. The movie has a solid script but the subject and material is not accessible for everybody. James Spader who often (he almost could be a stereotype) plays sexual frustrated protagonists ("Sex,Lies,and Videotapes", "Secretary", "Speaking of Sex") delivers a terrific performance here. His distant and alienated acting fits perfectly into the dark en and sensual story, and doesn't come as a insincere or "over the top". Some people felt that Koteas and Hunter performances where a little flat, but they have just the balance between low key and an over the top performance (Koteas more than Hunter). You got to keep in mind that these people are already deranged from the beginning. What you see is simply a drop falling into bucket that is overflowing.
The use of light and shadow is very subtle and excellently done by cinematographer Peter Suschitzky. He really knows how to pull you into a certain world, that LOOKS like ours but feels very different. In any case I can recommend the movie if you want to watch something different. A lot of people will not understand the weight this film carries, and therefore this movie will be underrated, or simply will be put aside as boring or unrealistic. THIS IS A MISTAKE,... don't put it away, watch it, and feel the awkwardness. The result ?
"Humans really are quiet weird creatures..."
The plot:
A sexually frustrated couple starts experimenting with the outlines of anonymous sex. It is the husband James Ballard (James Spader) who gets into a car crash with Dr. Ellen Remington (Holly Hunter) and her husband. They crash frontally and both Ballard and Remington are seriously injured. Remington's husband dies while being launched from his seat through his own windshield into Ballards. Ballard ends up in the hospital, traumatized, trying to recover from his injuries. He gets into deeper contact with Helen Remington. Their mutual Crash-victim status brings them closer together, ultimately delivering them into the sump-oil-soaked world of the pathological Vaughan (Elias Koteas). Renegade scientist and leader of a strange subterranean group, Vaughan is only able to achieve sexual release by crashing into people on the motorways surrounding Heathrow airport. Getting sucked into his world, Ballard becomes obsessed with car crashes, and dives into the illegal world of "thrill seeking" and raw and hard (but mostly cold) sex.
The review:
To be quiet honest "Crash" is a very underestimated picture. First of all there are a serious amount of people who thought that the subject was laughable, and not to be taken serious, for how could you take something like this serious ?
After crashing your car and being injured, having sex with the victim of a car-crash ?
Apart from the post-traumatic stress that can appear after such an incident it also triggers a lot of adrenaline, which is almost a self produced drug. Cronenberg cuts a subject which is still very much of a taboo, the "thrill seeking taboo". You got a lot of so called thrill seekers now these days, which can result into ghost riding on the freeway, climbing on buildings without security etc. All in all the thrill seek element isn't that original.
This is where Cronenberg has looked for a thrill that rushes into a perverse sexual outburst. After the shock of crashing into a car, the adrenaline, the rush of the experience becomes so real, you feel so alive that you need to let it all out, which comes into the act of "making love". Cronenberg is trying to paint the audience a picture of an event like this.
Based on J.G. Ballards novel "Crash" which was quiet detached and cold, the director follows in style with the dark freeways of Canada, showing that even in your car you are not always save, and how a car can become the ultimate "drive" for pleasure. The problem with this film (like many others) is that it is so far out there that you either hate it or love it. The pacing is rather slow in the beginning and its hard to get into, if you don't understand the psychology that lies underneath the dialog. The movie has a solid script but the subject and material is not accessible for everybody. James Spader who often (he almost could be a stereotype) plays sexual frustrated protagonists ("Sex,Lies,and Videotapes", "Secretary", "Speaking of Sex") delivers a terrific performance here. His distant and alienated acting fits perfectly into the dark en and sensual story, and doesn't come as a insincere or "over the top". Some people felt that Koteas and Hunter performances where a little flat, but they have just the balance between low key and an over the top performance (Koteas more than Hunter). You got to keep in mind that these people are already deranged from the beginning. What you see is simply a drop falling into bucket that is overflowing.
The use of light and shadow is very subtle and excellently done by cinematographer Peter Suschitzky. He really knows how to pull you into a certain world, that LOOKS like ours but feels very different. In any case I can recommend the movie if you want to watch something different. A lot of people will not understand the weight this film carries, and therefore this movie will be underrated, or simply will be put aside as boring or unrealistic. THIS IS A MISTAKE,... don't put it away, watch it, and feel the awkwardness. The result ?
"Humans really are quiet weird creatures..."
- Yuto_Zeiram
- 12 mar 2006
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Crash: Extraños placeres
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 9,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 2,664,812
- Fin de semana de estreno en EE. UU. y Canadá
- USD 738,339
- 6 oct 1996
- Total a nivel mundial
- USD 2,673,038
- Tiempo de ejecución1 hora 40 minutos
- Color
- Mezcla de sonido
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What is the streaming release date of Crash. Extraños placeres (1996) in India?
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