Le parfum de Mathilde

With Dorcel movies, it's always the same things, characters, places: a young woman is taken to the country where rich family uses and abuses her in their sexual hobby: so you got castle, old furnitures, chic lingerie, maids, servants, orgies, dwarf, . The stars of this movie, Draghixa and Lydia Channel left me totally cold. Erika is really beautiful but except her bath scene, her sex scenes are uninspired and lacks from natural desire.

Very atmospheric in nature. Reminds me, in a certain way, of Kubrick's "Eyes Wide Shut" with Tom Cruse and Nicole Kidman. Draghixa is quite endearing in her role as the ingenue and was certainly at her most most devastatingly beautiful at this juncture in her short porn career. I have it on my hard disk and still click on it occasionally, sometimes only to watch the erotic solo dance number that serves as the background for the opening credits. Excellent, fast-paced direction with exceptional acting, especially for a porn flick. Definitely a movie that a woman will appreciate for all kinds of reasons. This movie is terrifically difficult to find and my DVD copy is obviously one made from a VHS tape; however, I have not found that the marginal quality of it has detracted from my enjoyment.

"Le parfum de Mathilde," directed by the duo Marc Dorcel and Jean Rollin, is a 1995 adult film that offers a unique blend of eroticism and mystery, set against the backdrop of a grand French château. The film, while not without its flaws, manages to stand out in the adult genre with its attempt to weave a narrative around its explicit content.

The plot revolves around Mathilde (played by the captivating Draghixa), a woman who inherits a perfume empire and a château from her late uncle. The château, however, is not just a grand estate but a place harboring secrets and desires. The film's adult themes are intertwined with the narrative, creating a sense of intrigue that keeps the viewer engaged.

One standout scene involves Draghixa in a sensual encounter in the château's grand library. Amidst the dusty tomes and antique furniture, she engages in a passionate act that is as visually stunning as it is explicit. The scene is shot with a sense of artistry, capturing the raw desire and the opulent setting in equal measure.

The film's strength lies in its production values. The cinematography is top-notch, with the château's grandeur captured beautifully. The costumes and set design add to the film's overall aesthetic appeal, creating a visual feast for the viewer. The performances, particularly by Draghixa, are commendable, given the challenging nature of the genre.

However, the film is not without its shortcomings. The pacing is uneven, with some scenes dragging on for too long. The narrative, while intriguing, could have been tighter and more cohesive. The film's attempt to blend mystery with erotica is admirable, but the execution falls short in places.

In conclusion, "Le parfum de Mathilde" offers a unique blend of eroticism and mystery, with high production values and commendable performances. However, its uneven pacing and inconsistent narrative prevent it from achieving true greatness. Despite its flaws, the film is worth a watch for those interested in adult cinema that attempts to offer more than just explicit content.

Le Parfum de Mathilde, a 1994 adult film directed by Marc Dorcel, is a sultry and explicit journey into the world of sensual pleasures and erotic desires. With a running time of approximately 90 minutes, this film offers a generous serving of adult entertainment, featuring some of the industry's most renowned performers of the era.

The movie opens with a steamy outdoor encounter between Maeva and Richard Langin. Maeva, with her seductive gaze and luscious curves, entices Langin beside a sleek Rolls Royce. Their passionate tryst commences with intense kissing and groping before they engage in anal intercourse, their bodies glistening in the sunlight as they surrender to their desires. Maeva's moans echo through the air, setting the tone for the rest of the film.

As the story unfolds, we are introduced to the captivating Erika Bella and Simona Valli, two stunning vixens who embody pure sensuality. Their lesbian scene is a highlight of the film, as they explore each other's bodies with eager fingers and tongues. The camera captures their every touch and caress, from gentle kisses to intense scissoring, providing viewers with an up-close and personal experience.

Erika Bella, a true icon of adult entertainment, delivers a performance that showcases her versatility and raw talent. Her scene with Maeva is a testament to her screen presence and sexual prowess. The two women engage in a passionate and intense encounter, their bodies intertwined as they explore each other's most intimate desires. Bella's skill in eliciting genuine chemistry and connection with her co-stars shines through, making this scene particularly memorable.

The film also features a diverse range of locations, from luxurious mansions to secluded gardens, adding a layer of opulence and glamour to the already enticing visuals. The production values are evident in the attention to detail, with elegant costumes and artful lighting enhancing the overall aesthetic.

However, it is the unapologetically explicit nature of the film that truly stands out. Le Parfum de Mathilde does not shy away from showcasing a diverse array of sexual acts, including anal, oral, and lesbian encounters. The performers embrace their roles with enthusiasm and a clear passion for their craft, ensuring that the scenes are both arousing and authentic.

That being said, the plot is somewhat simplistic and serves primarily as a vehicle to progress from one sexual encounter to the next. While this may be expected and even preferred by some viewers within the adult film genre, others may find themselves craving a more substantial narrative to accompany the erotic exploits on screen.

This was the first (and probably the last) title from "notorious" XXX producer Marc Dorcel that I watched. Actually, my only reason to check this was the involvement of Jean Rollin as a scriptwriter. Some sources say he also helped Dorcel to direct this, but I am not so sure. The fact is that the only thing resembling the cinema of Rollin is the presence of a beautiful castle.

Being produced in the 90s, the film had to be shot on video and that is one of the problems. The video technology at the period was still very poor and, despite the above average budget for a "movie" of the genre, the image is ugly. It looks like a soap opera, not like a real movie. Dorcel is known for producing "porno-chic", but there is nothing very "chic" here, except for the aforementioned castle.

The "plot" is more "developed" than usual, but it is still far from being minimally solid. I wonder what motivated Rollin to put his name in such a project, but I am glad this is the only porn video he was involved with.

What about the actings? Well, in the 70s and 80s, the genre counted with real actresses, people who many times entered porn after failing in achieving a career in mainstream cinema. However, after the video "revolution", actresses were replaced by models and any vestige of acting skills vanished. That is the case of Draghixa, the protagonist of "Le Parfum de Mathilde". The poor girl can't even breath in a convincing way. However, the award for worst "actress" has to go to the gorgeous Erika Bella. She constantly looks at the camera (?) doing "sexy" expressions, but looks just ridiculous. And her all-girl scene with Simona Valli is a good example of how unconvincing lesbian action is in these productions. Just giving a real kiss in another woman seems much more difficult than engaging in sodomy for these girls!

The music, composed by Dorcel himself, is better than the library medíocre pieces typically used in the genre, but the feeling of soap opera is never surpassed.

As a final note, there is no perfum in the plot, so the title is nonsense. Not even a symbolic meaning can be attributed to it.

In short, for a porn video, this is a classic, but for a real movie, it is a catastrophe.