Alta Velocidad

The trick that Sylvester Stallone's character (Joe Tanto) performs with the three coins is reminiscent of a trick real-life Formula One driver, Juan Manuel Fangio of Argentina used to perform. The four-wheel drift enthusiast did it to test himself.

Joe and Jimmy could not have taken the race cars from the party as easily as they did. CART cars do not have onboard starters, so they can't be started simply from the cockpit. You would need a crew member with a starter motor at the back of the car to fire the engine. Most "racing cars" at shows and parties like this are usually dummy display models, without "real" engines or other heavy, and expensive, mechanical components. Moreover, if the cars actually had been authentic (and somehow could have been started), they likely would have had virtually no fuel aboard; most city fire departments have strict regulations on this for a show or display car, especially inside a hotel.

In the original version of the film when Memo Heguy's (de la Fuente) car wrecks and is thrown upside down in the river, Joe Tanto (Stallone) jumped into the river with Jimmy Bly (Pardue) to save him. Beau Brandenburg (Schweiger) was not involved in this scene at all originally. But director Renny Harlin thought that it made the Beau Brandenburg character look totally heartless. So Stallone rewrote the scene taking his character Joe Tanto out of it completely. He instead put his character in the pits the entire time. The scene was partly reshot in a similar location in California, instead of returning to Germany where the original scene was filmed. Stallone wrote that the Brandenburg character turns his car around and helps save Memo from drowning. Parts of the original scene featuring Joe Tanto, were for the most part not reshot. Digital Effects company Pixel Magic digitally erased Tanto out of the scene. Aside from this scene, other scenes involving Beau Brandenburg were rewritten during filming to make his character more likable and misunderstood. Some of these scenes include the ending of the film and a scene where Brandenburg denies a female fan a kiss.

Featured in Siskel & Ebert & the Movies: Driven/The Golden Bowl/61*/One Night at McCool's/The Luzhin Defence (2001)