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6.7/10
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Agrega una trama en tu idiomaA little orphan girl catches the attention of a kind man named Mr. Warbucks, who wants to adopt her, but the cruel, strict orphanage owner has a scheme to keep Annie - and her reward money.A little orphan girl catches the attention of a kind man named Mr. Warbucks, who wants to adopt her, but the cruel, strict orphanage owner has a scheme to keep Annie - and her reward money.A little orphan girl catches the attention of a kind man named Mr. Warbucks, who wants to adopt her, but the cruel, strict orphanage owner has a scheme to keep Annie - and her reward money.
- Dirección
- Guionistas
- Elenco
- Ganó 2 premios Primetime Emmy
- 9 premios ganados y 24 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The 1982 movie version of Annie was one of my favorite movies as a child. I have heard people criticize it many times calling it an overblown turkey, I do admit at times it does seem that way when I watch it now, especially since I am 22 years old now, but there is no comparison to this new TV version, while the 82 version may have been overblown, this new version is just plain dull and lifeless, I know they were trying to tone it down, but that doesn't mean you have to take all the personality out of it, this movie has neither wit nor humor. Aileen Quinn had spunk and energy, and a better singing voice than the Annie in this movie, when I saw her as a child I wanted to be just like her, the girl in this version didn't do anything for me. The other orphans in this movie are like cardboard cutouts they have absolutely no personality, you couldn't tell the difference between Molly and Pepper. The Hard Knock Life number which I absolutely love in the 82 version, is just flat out boring here, they just scrub the floor for 3 minutes while singing it. There is absolutely no character development in this version. Victor Garber is probably a fine actor but he is given nothing to work with in his role as Daddy Warbucks. I prefer Albert Finney in the 82 version. Warbucks meets Annie sings NYC with her and then wants to adopt her after 3 minutes. You never feel any bond between them. What is this movie trying to say? that when you first meet someone the way to form a bond is to perform a musical number together, and then they will want to adopt you immediately? I mean there should be some realism. Kathy Bates as Hannigan is okay, but cannot be compared to Carol Burnett who was hilarious in the 82 version, I don't think her performance was over the top at all. Alan Cummings was wonderful with what little he had to do, but I definitely like Tim Curry and Bernadette Peters better, they were sleazier and more villainous. The ending in this version was downright awful, they had Miss Hannigan pretending to be Annie's mother, instead of Lily. I mean they made the Annie and Grace into idiots in this movie, like they wouldn't be able to recognize her. Then they had Lily bring the cops in, like anyone would be that stupid, besides that FDR shows up with the cops, like he had nothing else to do, it was the most ridiculous thing I've ever seen!
I heard great things about this version but was very disappointed. Definitely stick with the 1982 movie version.
I heard great things about this version but was very disappointed. Definitely stick with the 1982 movie version.
The story is presented well thanks to superb acting, especially from the convincing Alan Cumming as 'Rooster' Hannigan. (You'd never think it seeing him in the film, but he's actually got a strong Scottish accent).
The songs are well-choreographed and the orchestration is marvellous. The ultimate song is one left from the 1982 version: 'N.Y.C.' where all the atmosphere is captured in one shot.
The only real fault is that Kathy Bates isn't very gin-soaked or ahteable even as Miss Hannigan.
This film was made for TV, and yet you wouldn't think it. Granted some of the sets have a studio feel to them, in particular the mansion, you forget about this as the dancing and story sweep away your imagination.
The best advice I can give you on watching this film is to not, as I have done here, continuously compare and contrast this to the 1982 version, as this will deter you from enjoying the full effect of a movie that captures the Broadway atmosphere.
All who value a good musical with fantastic orchestration are gonna like this movie!
The songs are well-choreographed and the orchestration is marvellous. The ultimate song is one left from the 1982 version: 'N.Y.C.' where all the atmosphere is captured in one shot.
The only real fault is that Kathy Bates isn't very gin-soaked or ahteable even as Miss Hannigan.
This film was made for TV, and yet you wouldn't think it. Granted some of the sets have a studio feel to them, in particular the mansion, you forget about this as the dancing and story sweep away your imagination.
The best advice I can give you on watching this film is to not, as I have done here, continuously compare and contrast this to the 1982 version, as this will deter you from enjoying the full effect of a movie that captures the Broadway atmosphere.
All who value a good musical with fantastic orchestration are gonna like this movie!
This one is a tough one to call when comparing to the 1982 version, however it is still very good in it's own right and is probably the *closest* transition from stage to screen this show will ever receive.
When comparing this to the 1982 theatrical version, it's easy to be a little disappointed. Kathy Bates puts in a good bid as Miss Hannigan, but it's impossible to tell whether the character is nicer or meaner than Carol Burnett's version. While Bates version seems nicer all around, she does not turn over a new leaf at the end nor does she oppose the murder of poor Annie.
Some notable omissions from this version include no Punjab or Asp, Rooster's "Cock-a-doodle-doo", the Hannigan-Warbucks "Sign" number, Annie's curls, and the emphasis on "Tomorrow".
Overall, it is an enjoyable watch, however if you are looking to see the very best version, I'd recommend the 1982 classic.
When comparing this to the 1982 theatrical version, it's easy to be a little disappointed. Kathy Bates puts in a good bid as Miss Hannigan, but it's impossible to tell whether the character is nicer or meaner than Carol Burnett's version. While Bates version seems nicer all around, she does not turn over a new leaf at the end nor does she oppose the murder of poor Annie.
Some notable omissions from this version include no Punjab or Asp, Rooster's "Cock-a-doodle-doo", the Hannigan-Warbucks "Sign" number, Annie's curls, and the emphasis on "Tomorrow".
Overall, it is an enjoyable watch, however if you are looking to see the very best version, I'd recommend the 1982 classic.
This adaption of "Annie" is an excellent piece of film making. The casting,
direction, writing, choreography all come together in perfect balance to entertain people of all ages.
My only wish is that budget and time constraints would have allowed for the
entire original story and score to remain in tact. The Hooverville / "We'd Like to Thank You Mr. Hoover" sequence in the original stage musical was perfect in
showing the effects of the depression, as well as giving us the introduction to Sandy. I only hope that future TV musicals allow the time for the full production, much like the 1993 version of "Gypsy" starring Bette Midler.
I've noticed that some people have commented about the multi-racial casting
and how secretary Grace would never have been a black woman. Historically,
this is most likely correct, but again let's keep in mind that this is musical theatre and for people to just start singing with invisible musicians isn't very realistic either. I'm glad to see that Audra MacDonald was cast because she has the
perfect acting skills, personality and voice to play Grace. Even though many of these stories are traditionally "white", the ability to cast multi-ethnic roles only enriches the piece and is completely appropriate in our modern society.
direction, writing, choreography all come together in perfect balance to entertain people of all ages.
My only wish is that budget and time constraints would have allowed for the
entire original story and score to remain in tact. The Hooverville / "We'd Like to Thank You Mr. Hoover" sequence in the original stage musical was perfect in
showing the effects of the depression, as well as giving us the introduction to Sandy. I only hope that future TV musicals allow the time for the full production, much like the 1993 version of "Gypsy" starring Bette Midler.
I've noticed that some people have commented about the multi-racial casting
and how secretary Grace would never have been a black woman. Historically,
this is most likely correct, but again let's keep in mind that this is musical theatre and for people to just start singing with invisible musicians isn't very realistic either. I'm glad to see that Audra MacDonald was cast because she has the
perfect acting skills, personality and voice to play Grace. Even though many of these stories are traditionally "white", the ability to cast multi-ethnic roles only enriches the piece and is completely appropriate in our modern society.
A lot of the reviews are saying that this tv version of Annie was a remake of the 1982 film of the same name. This is simply not true. This version of Annie is a remake of the stage musical. If you have ever seen the stage musical you will realize that it is extremely different than the 1982 film.
That being said, those who have fallen in love with the earlier film will most likely not like this version. Those who are true to the stage musical will probably enjoy it. Falling in the latter category, I like this version better.
To me, Alicia Morton was superior to Aileen Quinn in every way, but most noticeably voice quality. Alicia has a great voice for the part. And I personally wasn't bothered by the fact that she had straight hair as opposed to curly. The rest of the orphans did great too.
Kathy Bates was also a standout. As much as I love Carol Burnett, I thought Kathy Bates did a fantastic job as Ms. Hannigan and Alan Cumming was a nice surprise as Rooster.
One last thing to remember is that since this was for tv, their budget was a lot smaller than a feature film. Taking that into consideration, I think Rob Marshall did a commendable job updating the play Annie for a new generation to view.
That being said, those who have fallen in love with the earlier film will most likely not like this version. Those who are true to the stage musical will probably enjoy it. Falling in the latter category, I like this version better.
To me, Alicia Morton was superior to Aileen Quinn in every way, but most noticeably voice quality. Alicia has a great voice for the part. And I personally wasn't bothered by the fact that she had straight hair as opposed to curly. The rest of the orphans did great too.
Kathy Bates was also a standout. As much as I love Carol Burnett, I thought Kathy Bates did a fantastic job as Ms. Hannigan and Alan Cumming was a nice surprise as Rooster.
One last thing to remember is that since this was for tv, their budget was a lot smaller than a feature film. Taking that into consideration, I think Rob Marshall did a commendable job updating the play Annie for a new generation to view.
¿Sabías que…?
- TriviaAndrea McArdle, who plays the "Star-to-Be" in the "NYC" Broadway musical number, played Annie in the original Broadway stage production of "Annie". That production opened at the Alvin Theatre in April 1977, played for 2,377 performances, and won the 1977 Tony Awards for Best Musical and Best Book of a Musical.
- ErroresThe location of McGillicutty's Tavern moves. As the truck drives away with Annie in the laundry, it shows the tavern as being down the road to the right of the orphanage, whereas at the end of "Easy Street" when Rooster, Miss Hannigan, and Lily dance down the road and into the tavern, it is to the left of the orphanage.
- Citas
Lily: Oliver Warbucks... the millionaire?
Miss Hannigan: No, the billionaire, you dumb hotel.
- Créditos curiososWhile Ernie Sabella and Vic Polizos are both in the opening titles of the film, they are NOT in the end credits.
- ConexionesFeatured in The 52nd Annual Primetime Emmy Awards (2000)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Энни
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- Tiempo de ejecución1 hora 30 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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By what name was Annie (1999) officially released in Canada in English?
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