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Le bleu des villes

  • 1999
  • 1h 41min
CALIFICACIÓN DE IMDb
6.4/10
256
TU CALIFICACIÓN
Le bleu des villes (1999)
SatireComedyDramaMusic

Agrega una trama en tu idiomaSolange is unhappy. She's a meter maid in Tours, working in the rain, subject to verbal abuse from those she cites. Her husband Patrick is consumed by the work of finishing their new house: ... Leer todoSolange is unhappy. She's a meter maid in Tours, working in the rain, subject to verbal abuse from those she cites. Her husband Patrick is consumed by the work of finishing their new house: carpet, tile, faucets. He's also a hothead, subjecting Sonange to tantrums. While she's of... Leer todoSolange is unhappy. She's a meter maid in Tours, working in the rain, subject to verbal abuse from those she cites. Her husband Patrick is consumed by the work of finishing their new house: carpet, tile, faucets. He's also a hothead, subjecting Sonange to tantrums. While she's often quiet and withdrawn, she longs to be a singer. When by chance she meets Mylène, an acc... Leer todo

  • Dirección
    • Stéphane Brizé
  • Guionistas
    • Stéphane Brizé
    • Florence Vignon
  • Elenco
    • Florence Vignon
    • Mathilde Seigner
    • Antoine Chappey
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.4/10
    256
    TU CALIFICACIÓN
    • Dirección
      • Stéphane Brizé
    • Guionistas
      • Stéphane Brizé
      • Florence Vignon
    • Elenco
      • Florence Vignon
      • Mathilde Seigner
      • Antoine Chappey
    • 3Opiniones de los usuarios
    • 4Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 2 premios ganados y 3 nominaciones en total

    Fotos5

    Ver el cartel
    Ver el cartel
    Ver el cartel
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    Ver el cartel

    Elenco principal31

    Editar
    Florence Vignon
    • Solange Rouault
    Mathilde Seigner
    Mathilde Seigner
    • Mylène
    Antoine Chappey
    • Patrick Rouault
    Philippe Duquesne
    Philippe Duquesne
    • Jean-Paul
    Clotilde Mollet
    • Corinne
    Jenny Alpha
    • Jocelyne
    Liliane Rovère
    Liliane Rovère
    • La mère de Solange
    François Gamard
    • Le père de Solange
    Jacques Boudet
    Jacques Boudet
    • Le chef de secteur
    Alice Isner
    • La grand-mère de Solange
    Dominique Besnehard
    Dominique Besnehard
    • Producteur de Disques
    Vincent Jaspard
    • Le syndicaliste
    Pierre-Yves Chapalain
    • Le responsable des espaces verts
    Marc Bonnel
    • Le Maire
    Aurélien Cabat
    • Dragueur Boite de Nuit
    Mickaël Calle
    • Chanteur karaoke
    Elisabeth Catroux
    • Automobiliste agressive
    Thomas Chabrol
    Thomas Chabrol
    • Dragueur fête Mylene
    • Dirección
      • Stéphane Brizé
    • Guionistas
      • Stéphane Brizé
      • Florence Vignon
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios3

    6.4256
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    Opiniones destacadas

    10sleepsev

    Vignon gives a superb, terrific performance

    If I were a judge of an award, I would vote for Florence Vignon to get the Best Actress award. She gives a superb, terrific performance in this film. The expression on her face and her eyes convey very well the complicated feelings and emotions of her troubled character, Solange. By her acting, one can feel what Solange feels. One can understand her reasons, her impulses, her changing, and her heart. One can sympathize with Solange, and some might even be able to identify with this character. Vignon really made Solange come alive.

    Apart from the acting, there are many other good things about this movie. One is that this heartfelt movie has given some audience the badly-needed encouragement and inspiration to pursue their dream and helped them to restore hope in life. Moreover, though this film focuses on the unreasonably unhappy feelings of a married woman, I find that I have experienced many same feelings, many same moments as this character. The feelings experienced by Solange are really universal. What this character feels is not only reserved for married women, but is also felt by many people no matter whether they are man or woman, married or single, western or oriental, simple people or great philosophers, living in the present or living thousands of years ago. For some people, it is very easy to identify with Solange because sometimes you can feel very unhappy, feel very bored with your life and you don't know exactly why. You don't know for sure which person or which thing is the real cause of your unhappiness. Things around you seem to go smoothly. People close to you are still nice to you. But you know deep inside you are unhappy. You don't know for sure if changing your job or your lifestyle will make your life better or worse. You just know that now you are a living dead and you don't want to go on living like this. For some of you who have ever asked yourself , `Are there more to life than this?', `If I pursue my dream, will it turn out to be just an illusion?', you will find Solange as your kindred spirit. For some of you who have ever hoped someone else will help you change your life, this film might give you a good lesson.

    Another thing that I like is that there are no real villains in this movie. Every main character shows both their good and bad sides. Every character here deserves sympathy though they have their own weaknesses and stupidity.

    One of the most memorable scenes in this movie is a scene at the car park when Solange let out her long-suppressed anger and frustration. This scene is as powerful and deserves applauding as another car park scene in `Fried Green Tomatoes.' While the audience cannot release their pressure directly like this in real life, Vignon and Kathy Bates help us release it indirectly.

    But my most favourite scene is the scene when Solange sit alone in the park. I feel connected to her the most in this scene, though I think it is too short. I wish this scene could be much longer, or could be inserted repeatedly into the story. I understand that scenes like this-character doing nothing-are not necessary at all in the narrative process. Scenes like this have no effect on the story, and including them will make those mainstream audience crying dull or bore and lessen the box office receipts. But for me, scenes like this are the ones that have the greatest emotional impact. I love this film very much, but I think I could have loved it more if it dared to discard `story' and gives higher priority to feelings and emotions of characters. (But if any director do as I wish, it's highly likely he will have great trouble seeking financial support for his next film.)

    Eventually, I think Solange made the right decision at the end.
    6johnpierrepatrick

    Meter maid blues

    First feature film from Stéphane Brizé, 'Hometown blue' is the tale of a meter maid, which suddenly realizes that her routine life make her blue. And this blue of the title relates as much to her blues than to her uniform. Human tale of an average person, the movie contains also a knack of irony and satire. Acting is quite good with a special mention to Florence Vignon.

    The triggering factor in her case is the meeting with a childhood friend that became a celebrity as weather woman. But it could be anything, as this meeting role is to remind her her dreamed life. In that, this movie is quite universal and everybody can relates to her. Reflection on banality and the difficulty to change, the movie is however missing something, too busy with the absolute necessity to sound right.

    If it doesn't hang totally together, it is not bad either and even shows promises for a first movie - Stéphane Brizé proved in his next movies, he is one director to follow.
    searchanddestroy-1

    Early Stéphane Brizé effort

    This amazing little light hearted film did not predict at all the following dramas from Stéphane Brizé: MADEMOISELLE CHAMBON, LA LOI DU MARCHE, EN GUERRE.... And all of those films are absolutely awesome. This one, LE BLEU DES VILLES is not at all my cup of tea, but II don't know why, it is full of charm, this young woman so engrossing. It is a pure delight to watch this French movie, a character picture in which so many people could recognize themselves. There is some bitterness though, it is not entirely a stupid comedy. If not I would have never made it. I just found it today that it was a Stéphane Brizé's film.

    Más como esto

    Fuera de temporada
    6.4
    Fuera de temporada
    En guerre
    7.0
    En guerre
    Quelques heures de printemps
    6.9
    Quelques heures de printemps
    Un autre monde
    7.0
    Un autre monde
    Je ne suis pas là pour être aimé
    7.1
    Je ne suis pas là pour être aimé
    Entre adultes
    4.7
    Entre adultes
    Une vie
    6.4
    Une vie
    Mademoiselle Chambon
    6.9
    Mademoiselle Chambon
    La loi du marché
    6.8
    La loi du marché

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      First film of Alice Isner, debuting at age 98. First full-length picture of Stéphane Brizé.
    • Conexiones
      Features Lung joi tin aai (1989)
    • Bandas sonoras
      Mamy Blue
      Music by Hubert Giraud

      French lyrics by Hubert Giraud

      English lyrics by Phil Trim

      Performed by Florence Vignon

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 8 de diciembre de 1999 (Francia)
    • País de origen
      • Francia
    • Idioma
      • Francés
    • También se conoce como
      • El azul de las ciudades
    • Locaciones de filmación
      • Restaurant Jean Bardet, París, Francia
    • Productoras
      • Canal+
      • Centre national du cinéma et de l'image animée (CNC)
      • Cofimage 9
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • FRF 14,370,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 41 minutos
    • Color
      • Color
    • Mezcla de sonido
      • DTS

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