CALIFICACIÓN DE IMDb
6.8/10
2.6 k
TU CALIFICACIÓN
Un grupo de teatro italiano se instala en París para representar una obra de Pirandello.Un grupo de teatro italiano se instala en París para representar una obra de Pirandello.Un grupo de teatro italiano se instala en París para representar una obra de Pirandello.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados y 3 nominaciones en total
Valeria Cavalli
- Ines
- (as Valéria Cavalli)
Opinión destacada
This is an interesting, yet at times boring movie. It is not boring necessarily because you get bored while watching, but it's because you don't get attached to any of the characters for a long time. There are two stories going on. They are intertwined. The story of the play that we don't understand much about, except seeing the possible alterego of our main woman character and also of course there is the story of these six individuals, three men and three women. They are all in search of something literally or symbolically.
While watching this film, you might pause, have some dinner, go back, continue. The phone rings, you forget about it, start watching again, and fall asleep. The next morning, you wake up, decide to watch, you think of looking it up at IMDb and you just do that. Throughout the film, there is a huge amount of feeling going back and forth, but we all (together with the director, the movie cast and the crew) watch it all happen as if it's not even happening. In a way, the movie is too French-cool, which also makes it unique. This attachment I am talking about, because of its non-existence, you might just end up finishing the film in three days, but maybe the more crucial thing is that no matter what, you do wanna go back and see what's haunting you. You can't let go. In a way, that's exactly what the main character feels. She can't let go either. There is something calm about her, something serene. We are not impressed at first, but slowly she becomes a goddess of determination and genuineness. Yet, there is something that triggers her mind and it steals her peace.
Luckily as time goes on, we observe her internal-peace-movement. In this sense, this movie is either very successful and it gave me the exact feeling, or maybe I am overly empathetic : )
It did take me 3 days to watch, with numerous interruptions of daily life, and I even stopped watching now and started writing this review.
Yes, I do not know the ending yet. Do watch it, if you are someone who does a lot of thinking about the complexities of interpersonal relationships (especially about romantic ones), but make sure you are patient, interested, and ready to think.
While watching this film, you might pause, have some dinner, go back, continue. The phone rings, you forget about it, start watching again, and fall asleep. The next morning, you wake up, decide to watch, you think of looking it up at IMDb and you just do that. Throughout the film, there is a huge amount of feeling going back and forth, but we all (together with the director, the movie cast and the crew) watch it all happen as if it's not even happening. In a way, the movie is too French-cool, which also makes it unique. This attachment I am talking about, because of its non-existence, you might just end up finishing the film in three days, but maybe the more crucial thing is that no matter what, you do wanna go back and see what's haunting you. You can't let go. In a way, that's exactly what the main character feels. She can't let go either. There is something calm about her, something serene. We are not impressed at first, but slowly she becomes a goddess of determination and genuineness. Yet, there is something that triggers her mind and it steals her peace.
Luckily as time goes on, we observe her internal-peace-movement. In this sense, this movie is either very successful and it gave me the exact feeling, or maybe I am overly empathetic : )
It did take me 3 days to watch, with numerous interruptions of daily life, and I even stopped watching now and started writing this review.
Yes, I do not know the ending yet. Do watch it, if you are someone who does a lot of thinking about the complexities of interpersonal relationships (especially about romantic ones), but make sure you are patient, interested, and ready to think.
- seeb
- 16 abr 2005
- Enlace permanente
Argumento
¿Sabías que…?
- TriviaSergio Castellitto dubbed himself in the french version, while Jeanne Balibar dubbed herself in the italian's.
- ErroresA child and a bicycle in the background disappears between shots in the park.
- Citas
Cammille B.: I really should calm down. I knew this would happen. It was coming. I should have said no, not a chance, not Paris. Even three years later, I can't.
- Versiones alternativasRivette's original 220 minute cut called Va Savoir+ premiered on 24 April 2002 and ran for seven weeks at only one theater, the Cinéma du Pantheon in Paris, selling a total of 1,734 tickets. Rivette said that Va Savoir+ was a completely different film than Va Savoir, the major difference being lengthy scenes of the actors performing Pirandello's "Come tu mi vuoi" instead of just rehearsals. The director stated that in the longer version, Pirandello's play is "another character" in the film.
- ConexionesFeatured in Tempus fugit, manet amor: Jacques Rivette à propos de Va savoir (2008)
Selecciones populares
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Who Knows?
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 907,323
- Fin de semana de estreno en EE. UU. y Canadá
- USD 43,010
- 30 sep 2001
- Total a nivel mundial
- USD 2,039,644
- Tiempo de ejecución2 horas 34 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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Principales brechas de datos
By what name was Quien sabe... (2001) officially released in Canada in English?
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