El hijo de un mafioso es testigo de un asesinato, lo que obliga a él y a su padre a escapar por un camino de redención y venganza.El hijo de un mafioso es testigo de un asesinato, lo que obliga a él y a su padre a escapar por un camino de redención y venganza.El hijo de un mafioso es testigo de un asesinato, lo que obliga a él y a su padre a escapar por un camino de redención y venganza.
- Ganó 1 premio Óscar
- 23 premios ganados y 82 nominaciones en total
Stephen P. Dunn
- Finn McGovern's Henchman
- (as Stephen Dunn)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opinión destacada
I loved so much about this movie...the time taken to develop the characters, the attention to detail, the superb performances, the stunning lighting and cinematography, the wonderful soundtrack...
It has a combined intensity and lightness of touch that won't work for anyone who wants the typical fast-paced action flick. If we lived in Elizabethan days, I'd say this movie's a bit like a Shakespearean tragedy. But since we don't, let's say it's more like a Drama-Suspense movie.
The plot is simple, but the story is complex. The movie is intelligent in the way relationships and issues are explored. Much of the story is shown rather than told, which I find makes it more subtle and moving - and which also works well for a story based on a comic book (or graphic novel). At times I felt I was actually there in the 1930s, part of this story - there was such a realistic yet dream-like quality in the style of its telling.
I don't often prefer movies to the books they were based upon, but in this case I do. (Though I did enjoy the book too.) I've bought the DVD, which is great because it has some wonderful deleted scenes and insightful commentary.
(I also took my little cousin, who's a little younger than the boy in the movie, to see it after I saw it for the first time, because he has issues at home and I wanted to use this as a way of starting a discussion on father-son issues with him. He loved it - and the discussion.)
It has a combined intensity and lightness of touch that won't work for anyone who wants the typical fast-paced action flick. If we lived in Elizabethan days, I'd say this movie's a bit like a Shakespearean tragedy. But since we don't, let's say it's more like a Drama-Suspense movie.
The plot is simple, but the story is complex. The movie is intelligent in the way relationships and issues are explored. Much of the story is shown rather than told, which I find makes it more subtle and moving - and which also works well for a story based on a comic book (or graphic novel). At times I felt I was actually there in the 1930s, part of this story - there was such a realistic yet dream-like quality in the style of its telling.
I don't often prefer movies to the books they were based upon, but in this case I do. (Though I did enjoy the book too.) I've bought the DVD, which is great because it has some wonderful deleted scenes and insightful commentary.
(I also took my little cousin, who's a little younger than the boy in the movie, to see it after I saw it for the first time, because he has issues at home and I wanted to use this as a way of starting a discussion on father-son issues with him. He loved it - and the discussion.)
- archienina99
- 1 mar 2005
- Enlace permanente
Argumento
¿Sabías que…?
- TriviaFor the bank robberies sequence, Tyler Hoechlin (Michael Sullivan, Jr.) had to learn to drive, something he was only too happy to do. Hoechlin mastered it all easily, but, just to be on the safe side, a stunt driver was sitting in the back, with his own set of driving controls.
- ErroresIn that era, gentlemen removed their hats indoors, particularly in places like diners. Even not-so gentlemen. To not do so would have attracted attention.
- Citas
Michael Sullivan, Jr.: So when do I get my share of the money?
Michael Sullivan: Well... how much do you want?
Michael Sullivan, Jr.: Two hundred dollars.
Michael Sullivan: Okay. Deal.
[Michael Jr. stops eating and thinks for awhile]
Michael Sullivan, Jr.: Could I have had more?
Michael Sullivan: You'll never know.
- Créditos curiososThanks to all at the Donmar Warehouse Theatre, London
- ConexionesFeatured in The Making of 'Road to Perdition' (2002)
- Bandas sonorasWhose Honey Are You?
Music by J. Fred Coots (as Fred J. Coots)
Lyrics by Haven Gillespie
Performed by Ruth Etting
Courtesy of Take Two Records
Selecciones populares
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Road to Perdition
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 80,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 104,454,762
- Fin de semana de estreno en EE. UU. y Canadá
- USD 22,079,481
- 14 jul 2002
- Total a nivel mundial
- USD 181,001,478
- Tiempo de ejecución1 hora 57 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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What is the streaming release date of Camino a la perdición (2002) in India?
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