Marie y Alexia deciden pasar un fin de semana tranquilo en la casa de vacaciones familiar de Alexia. En la noche de su llegada, esta escapada se convierte en pesadilla.Marie y Alexia deciden pasar un fin de semana tranquilo en la casa de vacaciones familiar de Alexia. En la noche de su llegada, esta escapada se convierte en pesadilla.Marie y Alexia deciden pasar un fin de semana tranquilo en la casa de vacaciones familiar de Alexia. En la noche de su llegada, esta escapada se convierte en pesadilla.
- Premios
- 6 premios ganados y 9 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opinión destacada
Oh my god. Without a doubt I have not been affected by a movie this much since watching the original Texas Chainsaw Massacre when I was well under age and the movie was certainly more than dodgy. I couldn't sleep after watching that and was very uneasy, multiplied a gazillion times by the imagination of a kid. This certainly had a similar affect on me, it scared me and horrified me, it even surprised me more than any other movie has of late.
If you have any preconception about foreign cinema being weaker to Hollywood then you have hardly spent enough time watching foreign cinema and too much time engrossed in poor romantic flicks with Clooney et al. You really need to get out and grab some of that Japanese, Spanish and French cinema action. It's easily had and there's a lot to it, far better movies...anyway, I find myself digressing again.
From the outset this movie pitches itself as a hard horror, it isn't going to pull any punches and it's going to show you like it is, harrowing and horrific. That said, the story then turns to a slower pace and you find that it's mixing the suspenseful thriller in with the moments of full on horror, and it's done so well. Too well in fact, and watching the psychotic at work is sometimes shocking.
It rides a fine line between schlock horror and suspense horror, it manages to combine the two without falling into a complete gore flick. It is gory mind you, very gory. I was eating a couple of biscuits during the movie and I stopped until it was finished, even then I wasn't sure.
That's where this movies strength lies, it really pushes the boundaries of between those two types of movies but keeps its feet firmly in the suspense, and tension area. The film is exceedingly tense, and it's raised slowly to begin with, but creeps up at every set piece, and it's not long before the shocking and surprising final set piece is upon you. That in itself is terrifying, and as it unfolded on me I was stunned.
Part of me thinks that this movie could have done much better without all the horror, but I'm not sure that the film would have carried on the tension and suspense alone, it's the very presence of the horror that adds to and heightens the pressure.
A very stylish, tense film, truly a suspense-thriller-horror to be proud of from the French. Please Hollywood, don't remake it.
If you have any preconception about foreign cinema being weaker to Hollywood then you have hardly spent enough time watching foreign cinema and too much time engrossed in poor romantic flicks with Clooney et al. You really need to get out and grab some of that Japanese, Spanish and French cinema action. It's easily had and there's a lot to it, far better movies...anyway, I find myself digressing again.
From the outset this movie pitches itself as a hard horror, it isn't going to pull any punches and it's going to show you like it is, harrowing and horrific. That said, the story then turns to a slower pace and you find that it's mixing the suspenseful thriller in with the moments of full on horror, and it's done so well. Too well in fact, and watching the psychotic at work is sometimes shocking.
It rides a fine line between schlock horror and suspense horror, it manages to combine the two without falling into a complete gore flick. It is gory mind you, very gory. I was eating a couple of biscuits during the movie and I stopped until it was finished, even then I wasn't sure.
That's where this movies strength lies, it really pushes the boundaries of between those two types of movies but keeps its feet firmly in the suspense, and tension area. The film is exceedingly tense, and it's raised slowly to begin with, but creeps up at every set piece, and it's not long before the shocking and surprising final set piece is upon you. That in itself is terrifying, and as it unfolded on me I was stunned.
Part of me thinks that this movie could have done much better without all the horror, but I'm not sure that the film would have carried on the tension and suspense alone, it's the very presence of the horror that adds to and heightens the pressure.
A very stylish, tense film, truly a suspense-thriller-horror to be proud of from the French. Please Hollywood, don't remake it.
- PyrolyticCarbon
- 2 may 2005
- Enlace permanente
Argumento
¿Sabías que…?
- TriviaThe camera used during the car-attack scene got so much fake blood on it during shooting that when it was being used on another film later on fake blood oozed from it during the focusing of a shot.
- ErroresThe killer takes the ax out of the gas station clerk, so he had to have flipped him over to do so. So it makes sense why the clerk is on his back in a later scene.
- Versiones alternativasLions Gate was originally going to release the film uncut with an NC-17 rating theatrically but theaters were not too happy with the idea so Lion Gate cut about 2 minutes for the US theatrical release to secure a "R" rating. The changes were:
- Alex's father is graphically decapitated with a bookcase, his headless neck spraying blood. In the R-rated version, the initial killing is implicit rather than explicit, and later, during a flashback, his killing is gone.
- The scene of the killer applying a concrete saw to the stomach of the man driving the car was edited shorter
- When Alex's mother has her throat slashed, the scene is edited short; most of the arterial spurting, as the killer pulls back her head, is gone. The shot of her severed hand also is removed, leaving no indication of what exactly happened to her.
- The scene where Marie strikes the killer's face in with the barbed wire post is shortened and less explicit; Marie hits the killer fewer times, and there are fewer details of the killer's wounds shown.
- Bandas sonorasA2
extrait from Célébration
(François-Eudes Chanfrault)
Recorded, Performed and Mixed by François-Eudes Chanfrault
(P) 2002 MK2 Music
Editions: 2002 Ciné Nada Music
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Detalles
Taquilla
- Presupuesto
- EUR 2,200,000 (estimado)
- Total en EE. UU. y Canadá
- USD 3,681,066
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,897,705
- 12 jun 2005
- Total a nivel mundial
- USD 6,291,958
- Tiempo de ejecución1 hora 31 minutos
- Color
- Mezcla de sonido
- DTS
- Dolby Digital EX(original version)
- Relación de aspecto
- 2.35 : 1
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