New Delhi, Aug 21: The forthcoming sci-fi action entertainer "Riddick" will not be the last in "The Chronicles of Riddick" series. Hollywood actor Vin Diesel has reportedly revealed that there will be two more parts to it.
Diesel has committed over a decade to keep the series alive - "The Chronicles of Riddick: Into Pitch Black" (2000), "The Chronicles of Riddick" (2004) and now "Riddick", which releases Sep 6.
He recently confessed that there will be two more parts to the series, and the work on the fourth "Riddick" script has already begun. It will be underway to be filmed sometime early next year, said a source.
Diesel.
Diesel has committed over a decade to keep the series alive - "The Chronicles of Riddick: Into Pitch Black" (2000), "The Chronicles of Riddick" (2004) and now "Riddick", which releases Sep 6.
He recently confessed that there will be two more parts to the series, and the work on the fourth "Riddick" script has already begun. It will be underway to be filmed sometime early next year, said a source.
Diesel.
- 21/8/2013
- de Abhijeet Sen
- RealBollywood.com
And no, it isn’t Michael Bay.
I look at Vin Diesel as being somewhat akin to Sylvester Stallone, in that he started out his career with well-regarded work in a few (in terms relative to his later work) “serious projects,” only to make a severe and conscious decision to assemble a dossier littered with meathead machine-gun flicks, with the occasional half-baked family comedy thrown in as chump bait.
Like Stallone, Terrell Owens, and the latter-day Orson Welles, Vin Diesel is quite strictly a paycheck player: a highly visible, somewhat bankable figure who will sell a baseline number of tickets (or DVDs) no matter how shitty the project, but who, at best, pays only lip service to the notion of a quality finished product. And it’s the baseline, not necessarily the bottom line, that keeps the lights in the Redbox lit.
At first blush, Diesel’s latest announced project,...
I look at Vin Diesel as being somewhat akin to Sylvester Stallone, in that he started out his career with well-regarded work in a few (in terms relative to his later work) “serious projects,” only to make a severe and conscious decision to assemble a dossier littered with meathead machine-gun flicks, with the occasional half-baked family comedy thrown in as chump bait.
Like Stallone, Terrell Owens, and the latter-day Orson Welles, Vin Diesel is quite strictly a paycheck player: a highly visible, somewhat bankable figure who will sell a baseline number of tickets (or DVDs) no matter how shitty the project, but who, at best, pays only lip service to the notion of a quality finished product. And it’s the baseline, not necessarily the bottom line, that keeps the lights in the Redbox lit.
At first blush, Diesel’s latest announced project,...
- 24/5/2012
- de Josh Converse
- Boomtron
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