CALIFICACIÓN DE IMDb
5.6/10
78 k
TU CALIFICACIÓN
Dos policías ven cómo se desmorona su vida personal y profesional al reabrir la investigación del asesinato de Elizabeth Short, "la Dalia negra".Dos policías ven cómo se desmorona su vida personal y profesional al reabrir la investigación del asesinato de Elizabeth Short, "la Dalia negra".Dos policías ven cómo se desmorona su vida personal y profesional al reabrir la investigación del asesinato de Elizabeth Short, "la Dalia negra".
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 4 premios ganados y 16 nominaciones en total
Angus MacInnes
- Capt. John Tierney
- (as Angus MacInnis)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opinión destacada
Have you ever been with a master storyteller who is hot? I mean in person. Its an absolutely captivating thing, watching the craft of captivating you. Its a worthy experience, even when the story isn't good. In fact, its even better when they story isn't good. You might wonder for a while why such a talented teller would choose the material she has, but will fade as you fall under spell of the storyteller, undistracted by the story. It you are lucky, she'll be a hand dancer and you will simply allow your soul to move with the undermusic.
dePalma never bothers me when he chooses bad actors, stories and such. Its just not relevant to what he has to offer, and in fact sometimes I'm thankful that the story itself doesn't get in the way. "Mission to Mars" was rewarmed tacos, but the fact that it was served by a metaphoric, genuine Spanish grandmother from her own hands was all that mattered.
About 22 minutes into this there is a wonderful crane shot, probably done without artificial assistance, beginning five minutes which is the heart of the overly complex story. It sets up two apparently unrelated threads in the story that interweave from this point. It is of the front of a building where later there will be a shooting, moves up and over the building to look at a vacant lot behind where we see a woman making a gruesome discovery. She runs to the street alongside the building where we see the car of our two cops coming to park in front and engage in a shooting. We move in front of the car to a bicyclist, who plays no role in the story. He brings us to a couple walking down the sidewalk approaching the front of the building where they will encounter our cops. We come down to street height and listen in on their conversation.
Its masterful. Even if you think everything that follows is a mess, its a glorious mess made glorious by our setting of the knitting needles.
This, my friends, is what noir is about these days: establishing an eye of god who both is us and who perturbs nature to suit conventions of coincidence in storytelling.
But there's another joy here too. The story no surprise features a film within the film. Its the whole story, there, with elements of that internal film overlapping the main story in three or four significant ways. The star of this inner film, who also is our bisected victim is a character played by Mia Kirshner. She's so much more alive and real than anyone else in the main story, I can only assume it was deliberate and a truly thrilling risk. If you follow film, you'll know her very similar and hugely complex role in "Exotica," a landmark film.
Two major experiences in a film! Of course its worth watching!
Ted's Evaluation -- 3 of 3: Worth watching.
dePalma never bothers me when he chooses bad actors, stories and such. Its just not relevant to what he has to offer, and in fact sometimes I'm thankful that the story itself doesn't get in the way. "Mission to Mars" was rewarmed tacos, but the fact that it was served by a metaphoric, genuine Spanish grandmother from her own hands was all that mattered.
About 22 minutes into this there is a wonderful crane shot, probably done without artificial assistance, beginning five minutes which is the heart of the overly complex story. It sets up two apparently unrelated threads in the story that interweave from this point. It is of the front of a building where later there will be a shooting, moves up and over the building to look at a vacant lot behind where we see a woman making a gruesome discovery. She runs to the street alongside the building where we see the car of our two cops coming to park in front and engage in a shooting. We move in front of the car to a bicyclist, who plays no role in the story. He brings us to a couple walking down the sidewalk approaching the front of the building where they will encounter our cops. We come down to street height and listen in on their conversation.
Its masterful. Even if you think everything that follows is a mess, its a glorious mess made glorious by our setting of the knitting needles.
This, my friends, is what noir is about these days: establishing an eye of god who both is us and who perturbs nature to suit conventions of coincidence in storytelling.
But there's another joy here too. The story no surprise features a film within the film. Its the whole story, there, with elements of that internal film overlapping the main story in three or four significant ways. The star of this inner film, who also is our bisected victim is a character played by Mia Kirshner. She's so much more alive and real than anyone else in the main story, I can only assume it was deliberate and a truly thrilling risk. If you follow film, you'll know her very similar and hugely complex role in "Exotica," a landmark film.
Two major experiences in a film! Of course its worth watching!
Ted's Evaluation -- 3 of 3: Worth watching.
- tedg
- 19 abr 2007
- Enlace permanente
Argumento
¿Sabías que…?
- TriviaWhen Dwight "Bucky" Bleichert goes searching through some photographs, you can see a real autopsy photo of Elizabeth Short.
- ErroresCharacters who knew Elizabeth Short refer to her as 'Betty' constantly. Though Elizabeth Short was known during her childhood as Betty in her hometown, she used the name 'Beth' not Betty throughout her stay in Los Angeles.
- Citas
Emmet Linscott: What kind of name is Bleichert? Dutch?
Ofcr. Dwight "Bucky" Bleichert: German.
Emmet Linscott: Ah, a great people, the Germans. Hitler was a bit excessive. But mark my words that someday we'll regret not joining forces with him to fight the Reds.
- Bandas sonorasIn the Mood
Written by Joe Garland (as Joseph C. Garland)
Used by Permission of Shapiro Bernstein & Co. Inc. (ASCAP)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- The Black Dahlia
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 50,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 22,545,080
- Fin de semana de estreno en EE. UU. y Canadá
- USD 10,005,895
- 17 sep 2006
- Total a nivel mundial
- USD 49,332,692
- Tiempo de ejecución2 horas 1 minuto
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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Principales brechas de datos
By what name was La Dalia Negra (2006) officially released in India in Hindi?
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