CALIFICACIÓN DE IMDb
6.3/10
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Godzilla viaja alrededor del mundo luchando contra viejos enemigos, y contra una nueva amenaza, la criatura llamada Monster X. Un proyecto que celebra los 50 años de Godzilla.Godzilla viaja alrededor del mundo luchando contra viejos enemigos, y contra una nueva amenaza, la criatura llamada Monster X. Un proyecto que celebra los 50 años de Godzilla.Godzilla viaja alrededor del mundo luchando contra viejos enemigos, y contra una nueva amenaza, la criatura llamada Monster X. Un proyecto que celebra los 50 años de Godzilla.
- Premios
- 3 nominaciones en total
Opinión destacada
I attended the world premiere of GODZILLA: FINAL WARS in Hollywood tonight, and I must say the experience was incredibly exciting. The film itself, however, was indeed a "mixed bag" of greatness and mediocrity, and I left Grauman's Chinese Theater a bit conflicted.
I found the film's much anticipated title sequence to be too rushed and erratic, much like the film itself. The titles were not easy to read as they literally flashed on and off of the screen on top of distracting clips from classic Godzilla films.
The film's script was as confusing and scattered. The film started with a good, deliberate pace but quickly degenerated into an orgy of images and scenes spliced together in such quick succession, as one person I talked to put it, it was like you were channel surfing between several sci-fi and kaiju films playing at the same time.
The special effects were at times spectacular and beautiful...at other times they looked as if they had been executed in a rather hasty fashion. Some notable effects sequences: the Earth Defense Force's battle with Ebirah, Rodan's attack on New York, Godzilla's battle with Kumonga in New Guinea. Deserving special recognition is Zilla's daytime attack and night time fight with Godzilla in Sydney, Australia. Zilla's CGI was very well executed. There were a handful of effects shots that were not totally bad, but could have used some fine tuning. Manda attacking Atragon could have used some more work, for example.
Keith Emerson's electronic and pulsating music must be the most unique ever heard in a Godzilla film, but well done and intriguing.
As mentioned earlier, the pace of the film is so fast and erratic, it is hard to keep up with. Without giving away specifics, this must be one of the most out-of-control, if not THE most out-of-control script in the series.
It will take me a few days to figure out my true feelings about this film, but I imagine, with its high points and its flaws, this will be one of the most controversial films in the series among fans.
I found the film's much anticipated title sequence to be too rushed and erratic, much like the film itself. The titles were not easy to read as they literally flashed on and off of the screen on top of distracting clips from classic Godzilla films.
The film's script was as confusing and scattered. The film started with a good, deliberate pace but quickly degenerated into an orgy of images and scenes spliced together in such quick succession, as one person I talked to put it, it was like you were channel surfing between several sci-fi and kaiju films playing at the same time.
The special effects were at times spectacular and beautiful...at other times they looked as if they had been executed in a rather hasty fashion. Some notable effects sequences: the Earth Defense Force's battle with Ebirah, Rodan's attack on New York, Godzilla's battle with Kumonga in New Guinea. Deserving special recognition is Zilla's daytime attack and night time fight with Godzilla in Sydney, Australia. Zilla's CGI was very well executed. There were a handful of effects shots that were not totally bad, but could have used some fine tuning. Manda attacking Atragon could have used some more work, for example.
Keith Emerson's electronic and pulsating music must be the most unique ever heard in a Godzilla film, but well done and intriguing.
As mentioned earlier, the pace of the film is so fast and erratic, it is hard to keep up with. Without giving away specifics, this must be one of the most out-of-control, if not THE most out-of-control script in the series.
It will take me a few days to figure out my true feelings about this film, but I imagine, with its high points and its flaws, this will be one of the most controversial films in the series among fans.
- ehomenick
- 29 nov 2004
- Enlace permanente
Argumento
¿Sabías que…?
- TriviaThis 28th Godzilla film marked the final use of Toho's Big Pool water tank, which was used for the water scenes for all Tôhô special effects-related films since Yo bombardeé Pearl Harbor (1960), for which it was constructed. The Big Pool was 88 meters wide and 72 meters long. It was given one final performance when it was last used for this film on September 7th and was demolished on October 13th. Toho's decision to destroy the pool was due to "progress of special-effects technology such as CG, and a large-scale reconstruction plan of the studio." This was considered by many to be the end of an era.
- ErroresThe New York cop's mouth and speech are badly mismatched. This is because actor Mick Preston used the F-word repeatedly during filming and was later required to dub over his original dialog with less-offensive language. Viewers can still see him mouthing the F-word in certain shots.
- Citas
The Controller of Planet X: [after Godzilla defeats 'Zilla'] I knew that tuna-eating monster was useless!
- Créditos curiososAfter Godzilla and his son wade off into the sea with a final roar, the title monster's name appears on screen one last time. The ending credits themselves play over various scenes from the movie, including some that were deleted or removed from the finished cut. These include Mothra flying back to her home island, Hedorah the smog monster with some brief city destruction, more lead up to Ozaki making his way too Douglas Gordan, a fight between Kazama and Kumasaka in the news room, a new shot of King Caesar running, and several different shots of Godzilla. The credits fade to black with the sound of the original Godzilla roar signaling the end.
- Versiones alternativasThough the film is already filled with references to past Godzilla movies, the German dub adds a new one by referring to the monster Gigan with the code-name "Monster Zero", as a nod to the film La invasión de los astromonstruos (1965) in which King Ghidorah had that designation.
- ConexionesFeatured in Cinemassacre's Monster Madness: Godzilla 1998 (2008)
- Bandas sonorasWe're All to Blame
Performed by Sum 41
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Final Wars of Godzilla
- Locaciones de filmación
- Broken Hill, New South Wales, Australia(Arizona scenes)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 19,500,000 (estimado)
- Total a nivel mundial
- USD 9,167,302
- Tiempo de ejecución2 horas 5 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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What is the French language plot outline for Godzilla: Final Wars (2004)?
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