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Una editora de prensa rosa y su fotógrafo intentan abrirse camino en el mundo del periodismo de famosos.Una editora de prensa rosa y su fotógrafo intentan abrirse camino en el mundo del periodismo de famosos.Una editora de prensa rosa y su fotógrafo intentan abrirse camino en el mundo del periodismo de famosos.
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The endless previews for the show got me interested. And I found it interesting that I was interested because when a network advertises the crap out of a show, I'm easily bored. I thought I would give the show a chance because FX always seems to give us racy, dramatic, unique shows. And I wanted to see Courtney Cox as a bitchy, lost editor in a hot red dress. I'll admit it.
The pilot was a little rocky, but most pilots are. I try to never judge a television show by the first episode because it takes time to develop the story lines and characters. This show could easily find a groove if it wanted to.
Courtney was fitting in her roll. She's got the tough, commanding demeanor about her. But it still seems as though she hasn't completely found the character. But maybe that's how it is supposed to be right now in the show. I think her character has many places to go in time.
I found that the real star was Josh Stewart who plays a failing actor who finds himself sucked into the world of a "celebrity". Stewart is that smirky, doomed, lovable rebel that Jason Dohring recently made a career out of on "Veronica Mars." As I mentioned before, the show is on FX, so obviously there is a lot of sex. A lot. I think this is one of the weaknesses of the show. The softcore porn distracts from the plot and the sweet camera shots that are accompanied by great music. I doubt that will go away.
The show has a message. We live in a messed up world. We are all awful. But has the world become so despicable that there is no humanity left? I have hope for this show but it could easily suck. I'll give it a few more chances, though.
The pilot was a little rocky, but most pilots are. I try to never judge a television show by the first episode because it takes time to develop the story lines and characters. This show could easily find a groove if it wanted to.
Courtney was fitting in her roll. She's got the tough, commanding demeanor about her. But it still seems as though she hasn't completely found the character. But maybe that's how it is supposed to be right now in the show. I think her character has many places to go in time.
I found that the real star was Josh Stewart who plays a failing actor who finds himself sucked into the world of a "celebrity". Stewart is that smirky, doomed, lovable rebel that Jason Dohring recently made a career out of on "Veronica Mars." As I mentioned before, the show is on FX, so obviously there is a lot of sex. A lot. I think this is one of the weaknesses of the show. The softcore porn distracts from the plot and the sweet camera shots that are accompanied by great music. I doubt that will go away.
The show has a message. We live in a messed up world. We are all awful. But has the world become so despicable that there is no humanity left? I have hope for this show but it could easily suck. I'll give it a few more chances, though.
Wow, an excellent cast and an original, gritty hardcore plot...kept me on the edge of my seat the entire time. Up there with Dexter and Breaking Bad. Very upset that it was canceled. Courtney Cox was great and her side-kick photographer is brilliant. The special effects and the way they present the story is unique and very well done. Great, great acting! Good job Courtney! Why on earth would something like this be taken off the air. One of the best shows I have seen in a long time. I was not going to watch it as the cover was pretty lame, but what lay inside the watch it now on Netflix was a treasure. They should bring something like this back or something similar to it. It uncovers the world we live in today and the lengths we will go to to expose people and their private lives.
that being said, Courteney Cox excels here. After the disappointment of cancellation of "Friends" (she was the talented one on the show) seems she has finally parlayed this into a career.
This is a good story: sleazy tabloids, celebrity back-stabbing; but it is presented with class, and without utter contempt for the audience (This is a MAJOR feat in television today). There are some parallels to true celebrity stories, but they are carefully disguised.
This series proves the difference between a true actor (Cox) and a celebrity, such as Paris Hilton, who could not act her way out of a paper bag. An actor worth their salt has likability and believability to a general audience. We rarely see this in film, and almost NEVER on television.
Courteney Cox, kudos to you for this show. I have not seen a series worth watching on TV since 1990. Highly recommended. 8/10.
This is a good story: sleazy tabloids, celebrity back-stabbing; but it is presented with class, and without utter contempt for the audience (This is a MAJOR feat in television today). There are some parallels to true celebrity stories, but they are carefully disguised.
This series proves the difference between a true actor (Cox) and a celebrity, such as Paris Hilton, who could not act her way out of a paper bag. An actor worth their salt has likability and believability to a general audience. We rarely see this in film, and almost NEVER on television.
Courteney Cox, kudos to you for this show. I have not seen a series worth watching on TV since 1990. Highly recommended. 8/10.
Network: FX; Genre: Drama; Content Rating: TV-MA (for strong language, simulated sex, drug use and violence); Available: DVD; Perspective: Contemporary (star range: 1 - 4);
Seasons Reviewed: 2 seasons
Lucy Spiller (Courteney Cox-Arquette) is the ruthless producer of the salacious tabloid DirtNow Magazine who uses her schizophrenic best-friend photographer Don Konkey (an absolutely phenomenal Ian Hart) and fresh-faced, wide-eyed freshman reporter just waiting to be ruined by the industry Willa (Alexandra Breckenridge) to sneak into the lives of Hollywood's rich and famous to get the story. One of those celebrities is Holt McLaren (Josh Stewart) who like many of the celebrities makes a deal with Lucy to be her source if certain information is kept under wraps.
The latest and best series produced by the Arquettes (it's a hell of a lot better than "Daisy Does America") and created by Matthew Carnahan ("Fastlane"), "Dirt" is TV's first attempt at taking a bite out of the paparazzi - and I can't think of a target more full of potential and deserving of satire. Despite this, "Dirt" falters under the kind of shallow sleaze, manipulation and sensationalism that it should be satirizing.
For the show's many faults, the last thing going wrong here are the performances. The show gives us the opportunity to see a leaner, meaner Courteney Cox and frankly I'd rather watch Lucy Spiller over Monica Geller any day. This is what Cox does best and it is a blast watching her slink through this role like a Siamese cat. But it gets better. Ian Hart's performance, as a the schizophrenic Don who will do anything (even sacrifice his own fingers) to get the shot for Lucy, is one of those performances that makes the entire show worth watching. Just to see him. It's a one-of-a-kind character, the sympathetic paparazzo, whose schizophrenia opens up the show to some surreal visual moments involving talking cats, talking corpses and a showdown between two Dons. This is Emmy worthy stuff and the relationship between Don and Lucy is kind of sweet.
Maybe Carnahan and the Arquettes are to angry at the paparazzi and it's clouding the teleplays. "Dirt" is an nasty, unpleasant show that many times, despite such fine performances form the leads, is a hard hour to get through. It's ugly/sleazy like "Nip/Tuck" seasons 4 and 5, not fun/sleazy like "Nip/Tuck" seasons 1 and 2. If you know what I mean.
What really grinds my gears about the show is the "ripped from the headlines" vibe it pushes on us in which it takes actual celebrities and scandals and simply re-creating the events. The would-be satire is as transparent and amateurishly thrown together as anything I've ever seen. "Dirt" characters stand in for Paris Hilton and Britney Spears. Remember when Britney locked her kids in the car? Remember when David Hasselhof got drunk and ate steak off the floor? And remember about 5 years ago when Madonna and Britney Spears lip-locked at the VMAs? Yeah, real timely "Dirt". So in addition to being years after "South Park" has covered the respective celebrity ground, "Dirt" add no next-level insight. In the hands of someone else, someone like Ryan Murphy, "Dirt" could have made one wild & crazy dark comedy. "Nip/Tuck" at it's worst is still a challenge.
The show can't quite achieve the ambitious feat it is trying to pull off. And there in lies my love/hate for it. It goes for the celebrity culture jugular, but does so in such a shallow way that it can't quite articulate it's point and falls flat time and again. It tries to take us into the world of the paparazzi, showing us just how sleazy they are but is unable to keep from rising up from that sleaze itself to get to that necessary pedestal where it can look down upon it condescendingly. Which is what we need.
The characters do what they are supposed to do, no they are not likable and they aren't supposed to be - but you've still got to give me some reason to stick with them. This anti-hero stuff is right up FXs ally which makes it all the more disappointing (and a little perplexing) to watch "Dirt" break the network's roll of high quality output.
* * / 4
Seasons Reviewed: 2 seasons
Lucy Spiller (Courteney Cox-Arquette) is the ruthless producer of the salacious tabloid DirtNow Magazine who uses her schizophrenic best-friend photographer Don Konkey (an absolutely phenomenal Ian Hart) and fresh-faced, wide-eyed freshman reporter just waiting to be ruined by the industry Willa (Alexandra Breckenridge) to sneak into the lives of Hollywood's rich and famous to get the story. One of those celebrities is Holt McLaren (Josh Stewart) who like many of the celebrities makes a deal with Lucy to be her source if certain information is kept under wraps.
The latest and best series produced by the Arquettes (it's a hell of a lot better than "Daisy Does America") and created by Matthew Carnahan ("Fastlane"), "Dirt" is TV's first attempt at taking a bite out of the paparazzi - and I can't think of a target more full of potential and deserving of satire. Despite this, "Dirt" falters under the kind of shallow sleaze, manipulation and sensationalism that it should be satirizing.
For the show's many faults, the last thing going wrong here are the performances. The show gives us the opportunity to see a leaner, meaner Courteney Cox and frankly I'd rather watch Lucy Spiller over Monica Geller any day. This is what Cox does best and it is a blast watching her slink through this role like a Siamese cat. But it gets better. Ian Hart's performance, as a the schizophrenic Don who will do anything (even sacrifice his own fingers) to get the shot for Lucy, is one of those performances that makes the entire show worth watching. Just to see him. It's a one-of-a-kind character, the sympathetic paparazzo, whose schizophrenia opens up the show to some surreal visual moments involving talking cats, talking corpses and a showdown between two Dons. This is Emmy worthy stuff and the relationship between Don and Lucy is kind of sweet.
Maybe Carnahan and the Arquettes are to angry at the paparazzi and it's clouding the teleplays. "Dirt" is an nasty, unpleasant show that many times, despite such fine performances form the leads, is a hard hour to get through. It's ugly/sleazy like "Nip/Tuck" seasons 4 and 5, not fun/sleazy like "Nip/Tuck" seasons 1 and 2. If you know what I mean.
What really grinds my gears about the show is the "ripped from the headlines" vibe it pushes on us in which it takes actual celebrities and scandals and simply re-creating the events. The would-be satire is as transparent and amateurishly thrown together as anything I've ever seen. "Dirt" characters stand in for Paris Hilton and Britney Spears. Remember when Britney locked her kids in the car? Remember when David Hasselhof got drunk and ate steak off the floor? And remember about 5 years ago when Madonna and Britney Spears lip-locked at the VMAs? Yeah, real timely "Dirt". So in addition to being years after "South Park" has covered the respective celebrity ground, "Dirt" add no next-level insight. In the hands of someone else, someone like Ryan Murphy, "Dirt" could have made one wild & crazy dark comedy. "Nip/Tuck" at it's worst is still a challenge.
The show can't quite achieve the ambitious feat it is trying to pull off. And there in lies my love/hate for it. It goes for the celebrity culture jugular, but does so in such a shallow way that it can't quite articulate it's point and falls flat time and again. It tries to take us into the world of the paparazzi, showing us just how sleazy they are but is unable to keep from rising up from that sleaze itself to get to that necessary pedestal where it can look down upon it condescendingly. Which is what we need.
The characters do what they are supposed to do, no they are not likable and they aren't supposed to be - but you've still got to give me some reason to stick with them. This anti-hero stuff is right up FXs ally which makes it all the more disappointing (and a little perplexing) to watch "Dirt" break the network's roll of high quality output.
* * / 4
Watched this again recently and it still holds up very well, especially the first season, not so much the second. I was never a fan of Courteney Cox but she's perfect in this role as a ruthless magazine editor, very charismatic and beautiful too, as is Laura Allen as the conflicted and compromised star.
What saves it from being just a guilty pleasure is the stylish directing, often witty writing, and the production's overall willingness to take risks -- a schizophrenic photographer as a main character is one of many such risks that pays off.
What saves it from being just a guilty pleasure is the stylish directing, often witty writing, and the production's overall willingness to take risks -- a schizophrenic photographer as a main character is one of many such risks that pays off.
¿Sabías que…?
- TriviaOne of two shows that FX greenlighted in 2007 with female lead characters, trying to shake its public reputation as a "male network". The other show was Los Riches (2007).
- ConexionesReferenced in Séries express: Episode #1.7 (2008)
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