Durante la era de la Segunda Guerra Mundial, una joven, Wang Jiazhi, se ve envuelta en un peligroso juego de intrigas emocionales con una poderosa figura política, el Sr. Yee.Durante la era de la Segunda Guerra Mundial, una joven, Wang Jiazhi, se ve envuelta en un peligroso juego de intrigas emocionales con una poderosa figura política, el Sr. Yee.Durante la era de la Segunda Guerra Mundial, una joven, Wang Jiazhi, se ve envuelta en un peligroso juego de intrigas emocionales con una poderosa figura política, el Sr. Yee.
- Dirección
- Guionistas
- Elenco
- Nominada a2premios BAFTA
- 28 premios ganados y 56 nominaciones en total
Tony Leung Chiu-wai
- Mr. Yee
- (as Tony Chiu Wai Leung)
Chung-Hua Tou
- Old Wu
- (as Tsung-Hua Tuo)
Zhi-Ying Zhu
- Lai Shu Jin
- (as Chih-ying Chu)
Lawrence Ko
- Liang Jun Sheng
- (as Ko Yu-Luen)
Ka-Lok Chin
- Tsao
- (as Kar Lok Chin)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opinión destacada
I had been hyping myself up a great deal for Lust, Caution ever since I first heard of the project, so I'm glad to say that it did not disappoint. The film was a beautifully executed "espionage thriller," if you want to go with how it's being marketed to a broad audience. Steeped in the historically and culturally turbulent period of the second Sino-Japanese War, one must applaud Ang Lee for the dizzying array of minutiae he oversaw as director.
Because of the nature of the film's protagonist Wang Jiazhi (played by a newcomer named Tang Wei - not shabby for your first feature) as an agent working under a second identity to ensnare a dangerous collaborationist (Tony Leung), all the scenes where Wang masquerades as the bourgeois Ms. Mai are fraught with a psychological tension, doubling with the political agenda at stake as well as her womanhood. She portrays both roles with heartbreaking deftness; a great casting choice if there ever was one. While not as physically alluring as some of her competitors for the role - Chinese language actresses including Zhou Xun and Shu Qi - I don't think anyone else could have pulled it off like Tang. She convincingly transforms herself from a naive college girl to coy seductress...and back again.
The film struck quite a few personal nerves on my part too. While mainstream cinema should be, you know, self-sustaining or whatever you want to call it, there's really a lot to this movie that gets lost in subtitling to an extent, but also just in context and culture. Etiquette at the mah-jongg table; the omnipresent yet understated background of wartime occupation; political interests in the Chinese Civil War era; the weight of regional identity in dialects and interpersonal relationships. Tang Wei spoke Mandarin, Cantonese, and Shanghainese. My only thought is: What a hottie.
The sex scenes are...something else. As echoed by most critics, they serve the story perfectly in capturing the urgency that Tang and Leung have in their precarious affair. There's a lot of violence in them, and it is through these carnal and savage acts that Tony Leung's Mr. Yee character is established as a very dangerous man. I won't spoil too much but there were several times when it became too difficult to watch.
There were quite a few moments that made my heart flutter and eyes wobble. I'll just leave it at that.
Because of the nature of the film's protagonist Wang Jiazhi (played by a newcomer named Tang Wei - not shabby for your first feature) as an agent working under a second identity to ensnare a dangerous collaborationist (Tony Leung), all the scenes where Wang masquerades as the bourgeois Ms. Mai are fraught with a psychological tension, doubling with the political agenda at stake as well as her womanhood. She portrays both roles with heartbreaking deftness; a great casting choice if there ever was one. While not as physically alluring as some of her competitors for the role - Chinese language actresses including Zhou Xun and Shu Qi - I don't think anyone else could have pulled it off like Tang. She convincingly transforms herself from a naive college girl to coy seductress...and back again.
The film struck quite a few personal nerves on my part too. While mainstream cinema should be, you know, self-sustaining or whatever you want to call it, there's really a lot to this movie that gets lost in subtitling to an extent, but also just in context and culture. Etiquette at the mah-jongg table; the omnipresent yet understated background of wartime occupation; political interests in the Chinese Civil War era; the weight of regional identity in dialects and interpersonal relationships. Tang Wei spoke Mandarin, Cantonese, and Shanghainese. My only thought is: What a hottie.
The sex scenes are...something else. As echoed by most critics, they serve the story perfectly in capturing the urgency that Tang and Leung have in their precarious affair. There's a lot of violence in them, and it is through these carnal and savage acts that Tony Leung's Mr. Yee character is established as a very dangerous man. I won't spoil too much but there were several times when it became too difficult to watch.
There were quite a few moments that made my heart flutter and eyes wobble. I'll just leave it at that.
- disco_barrio
- 7 oct 2007
- Enlace permanente
Argumento
¿Sabías que…?
- TriviaDirector Ang Lee made Tony Leung Chiu-wai study the performances of Marlon Brando in Último tango en París (1972), Humphrey Bogart in La muerte en un beso (1950) and Richard Burton in Equus (1977), to give him a sense of wounded masculinity, which Lee felt was right for the character of Mr. Yee.
- ErroresIn the café scene where Mak Tai Tai is calling her comrades the ringer heard through the phone both times is a modern ringer, which wasn't used until the 1970s/early 1980s.
- Citas
Wong Chia Chi: I'm afraid I have no gift for you.
Mr. Yee: Your presence itself is a gift.
- Versiones alternativasAn R-Rated version was made for the home video market for sale in places that doesn't carry NC-17 films (e.g. supermarkets). The run-time of the R-rated version is only ~30 seconds less but features ~70 seconds of alternative footage to soften the rating.
- Bandas sonorasKlavierstücke Op. 118 No. 2 Intermezzo
Composed by Johannes Brahms
Performed by Alain Planès
(p) 2007 Decca Label Group
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Lust, Caution
- Locaciones de filmación
- Ipoh, Perak, Malaysia(students on the tram: Jalan Chung On Siew)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 15,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 4,604,982
- Fin de semana de estreno en EE. UU. y Canadá
- USD 63,918
- 30 sep 2007
- Total a nivel mundial
- USD 67,091,915
- Tiempo de ejecución2 horas 37 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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