La casa de las conejitas

Let me just say that I'm 19, a guy, and straight, and DAMN was I having a great time watching The House Bunny. To sum it up, THB is basically an Adam Sandler movie for girls, with Anna Faris breathing life into an otherwise flat movie with her uncanny comic ability and unbeatable charm. In short, she makes the movie watchable, and in some moments, likable and entertaining.

I see this film as one that most will easily dismiss without a second look, and I really discourage you from doing that. Anna Faris alone deserves your attention in this movie, as she is brilliant. I even heard a few people in my theater say that she could get a Golden Globe nomination for Best Actress in a Comedy. I honestly wouldn't be surprised. She's lovable, adorable, intelligently stupid, and of course, roll on the floor hilarious. She's the reason the Scary Movie series is so much 'better' than the other movies in that series (Date, Superhero, Epic Movies), and her charm and charisma carries over here.

In addition to Faris, the strength of the film is the supporting cast (except Hugh Hefner, who gets a pass for simply being Hugh Hefner). The funny thing is, most of the performers aren't even actors. I'm not going to lie and say Rumer Willis is brilliant, because she's not, but she's funny and is good looking enough to surprise us. Katharine McPhee doesn't get enough screen time, but she does do a great job with what she's given. The last of the 'non-actors' is the frontman for The All American Rejects, Tyson Ritter, who is tolerable in a bit part.

Now, unsurprisingly, the best supporters are Kat Dennings and the WONDERFUL Emma Stone (Jules from Superbad). Stone is so likable and adorable that she's the best character in the movie after Faris. Colin Hanks is...well, I for one was surprised that he did this movie, but he was an asset nonetheless.

I'll go ahead and get my complaints out now. First and foremost, whoever edited this movie is absolutely terrible. Whether it be changing hairstyles, continuity errors, or bad cuts, the editing is noticeably bad, especially towards the end. I also didn't like the direction the script took in the end, as it turned the film into a parody of itself (which was weird considering the entire film was a parody of stupid girls and stupid men), and displayed several out of character moments. The jokes were a tad lame and predictable outside of Faris's character (there was NOTHING bad about her), but it was okay. There were some smart jokes that actually took some time to get.

The final plus for this movie is that it is LOADED with cameos. Since you know who the production company is, you already know the group that will be appearing, plus a surprise appearance from 2 NFL quarterbacks (one retired QB, and one current) in the beginning. All in all, The House Bunny is surprisingly funny, all because of Anna Faris and Emma Stone, both of whom have very bright futures ahead of them. Faris is definitely one of the funniest ladies alive.

I went with my mother and my nine-year-old niece to see "The House Bunny" in the early morning in a relatively empty theater where there were only women. Of course it won't be the most memorable movie I've seen, but for late August, it's not all that bad.

Comedienne Anna Faris is perfectly cast as a carefree, big-haired and hare-brained Playboy bunny who after celebrating her 27th birthday (that's 59 in bunny years) at the Playboy Mansion, where she has lived much of her life, gets kicked out of there by yours truly, Hugh Hefner. With nowhere to turn, she looks at a sorority house that seems to resemble her previous house, only not as big. There, she accepts the job of a house mother to seven social misfits who make up the sorority Zeta Alpha Zeta. They need 23 more pledges before they are totally ousted as a campus sorority by the beautiful but snooty Pi Alphu Mu sorority.

Do the clichés sound familiar? Yes, they do. It seems like the creators of this movie grew up on "Revenge of the Nerds," one of my all-time favorite movies and the granddaddy of all jocks vs. nerds and losers who become winner comedies. So they decided to make a "Nerds" comedy a generation later with a feminist perspective. Faris's character, appropriately named Shelly Darlingson, first takes on all the wallflowers and makes them like her with flashy clothes, heavy makeup, costume jewelry, and platform shoes. At first, it is successful and boys fall for them. Soon enough, they see Shelly as frivolous and teach her to have brains as well as beauty. This leads Shelly to a forced, clumsy conversation with the man of her dreams (Colin Hanks, son of Tom Hanks). At the end of the movie, everyone wins except for the Pi Alpha Mu sorority.

There is a fine cast. Anna Faris perks everything up in what could have been a total lamebrainer. Her appearance and high voice get laughs, but when she does a dead-on "Exorcist" voice by saying everyone's names in order to remember them, that is the real deal. Colin Hanks and fellow Hollywood Offspring Rumer Willis, daughter of Demi Moore (and looks a lot like her) and Bruce Willis, provide able support. Katharine McPhee, the American Idol Runner Up of 2006, is made first ugly, then beautiful, as one of the sorority members. Listen for an "Idol" reference in which Faris tells Hanks she listens to Paula and Randy and that Simon is mean. The rest of the cast is amiable as well. We tend to know more about Shelly and the misfit sorority than the snobby girls or the hunky boys. Small parts by Beverly D'Angelo as a snide veteran house mother and Christoper McDonald as the prissy dean are provided nicely as well.

Now I would not put this on a must see list, but it is okay for a lazy day. As they dump out leftover movies for the summer, I would rather see this than a truly terrible one I was made to see with a friend - "Stepbrothers," where Will Ferrell and John C. Reilly did nothing but scream their heads off and I was so exhausted the night before that I fell asleep and could barely stay awake. For "The House Bunny," I was awake the whole time through.

"The House Bunny" has a funny concept and what looks like a "Legally Blonde" form of execution. If Anna Faris, most commonly known as the one portraying/making fun of the Neve Campbell "Scream" role in the "Scary Movies" was ever going to become the next big female comedienne the time would be now. She showed she was willing to make fun of herself in those movies but I still wonder if she can play a sincere, actual human being rather than a character meant to be the punch line most of the time. "Bunny" was written by "Blonde" screenwriters Karen McCullah Lutz and Kirsten Smith so that could be good news but a lot of the weight of this movie is going to rest on the shoulders of it star. Reese Witherspoon made that movie what it was and the big question here is, can Faris do the same?

She plays Shelley, a ditzy playboy bunny with big dreams of becoming the next centerfold who instead is tossed out on her ass by Hugh after her 27th birthday. Shelley went from the orphanage to the mansion so she never quite got the fill gist of the outside world. Now homeless and with very few survival skills, she has no idea what to do next. Just through happenstance, she encounters something that looks like a mini Playboy mansion but is in fact the best college sorority on campus. They decline her for house mother but she finds a home with the Zeta sorority, a group of misfit girls, led by Natalie (Emma Stone), who seriously need to improve their image and attract new members in order to stop the college from closing their house. Enter Shelley to give the girls make-overs.

This movie made me laugh out loud twice. One involved the manhole cover joke in the trailer, and the other was a really good jab at Bob Saget. The rest of the movie is likable and has a nice message but really can't seem to wring that many laughs out of a good premise. It's a parody against the bimbo ideology, first having Shelley turn the girls into mindless, skimpy-looking prostitutes only to realize later that you also have to have substance too. Sometimes it gets a few chuckles and other times it comes off looking embarrassingly sitcom-ish, like when Shelley tries to look brainy to impress a guy by wearing very thick glasses that make her dizzy, but overall the script isn't as smart or funny as "Legally Blonde" and that hurts its chances. The movie also treats some of the secondary characters in really bad taste, like a girl whose such a misfit she actually talks like Frankenstein and walks like Igor, and I was confused by some others, like a girl who supposedly is bad with boys and yet is pregnant.

I was also confused by the mental abilities of the main character. At times she seems dumber than dirt and at other times she seems almost profound. That she works regardless of this has less to do with the script and more to do with Anna Faris. I don't think this will be the star-making role I thought it would be for her but she gives Shelley a very sweet, genial nature and she is willing to throw herself into silly situations with an innocent and goofy charm. Emma Stone is also pretty funny in this movie, dialing up the dorky meter to about an 8. I feel bad for Colin Hanks though. This kid just doesn't seem to be getting many chances to shine, and here he's wasted as the romantic lead in a movie that's pretty low on the romance.

"The House Bunny" begins, middles, and ends like most college movies do, just unfortunately its not funny or clever enough to distract from the generic plotting. Most of the secondary characters are also wasted as well but maybe, it will put Anna Faris on some people's radars. She is a very funny comic actress and with the right script, its possible she could be the next big thing.

Brains do not need to be engaged for this movie. But it does produce a few wonderful - and hilarious - surprises that make it a very enjoyable 90 minutes.

One is Anna Farris, who does a great twist on the archetypal dizzy blonde beloved of Hollywood since time immemorial.

But the real kickers are the jarring one-liners that pepper an otherwise sweet and predictable film. Several reduced this viewer to paroxysms of laughter, tears rolling down cheeks, beverage spurting across the room.

These moments, when they arrive, are so unexpected that the effect is one of firmly-flicked kipper on unprotected jowl. And none are in the "gross-out" style that one might have expected in a film of this genre.

Very bunny indeed.

If you want to see a cute, feel-good movie that doesn't require a lot of thought and will leave you with a smile on your face, this is the movie to see. You'll laugh out loud at much of the humor, and you'll fall in love with Anna Faris. It's just silly fun. Anna Farris plays a ditsy blond who gets kicked out of the Playboy Mansion (Hugh Hefner is a good sport in this movie!), ends up homeless, and ends up as a house mother for a sorority of "loser" girls (smart girls who don't know how to attract boys). The sorority is about to lose its charter because they can't get enough pledges, and of course Faris saves the day for the sorority by teaching the girls how to be popular, and, along the way, she learns a few lessons herself. You'll enjoy knowing that her love interest is played by Colin Hanks, son of Tom Hanks, and that some of the people in the Playboy mansion and at the party at the mansion are played by themselves. Also, Rumer Willis, daughter of Bruce Willis and Demi Moore and Katherine McPhee from American Idol are girls in the sorority. I thoroughly enjoyed this light movie.