CALIFICACIÓN DE IMDb
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TU CALIFICACIÓN
Una colección de eventos clave marcan la vida de Bruno Díaz en su viaje de principiante a caballero de la noche.Una colección de eventos clave marcan la vida de Bruno Díaz en su viaje de principiante a caballero de la noche.Una colección de eventos clave marcan la vida de Bruno Díaz en su viaje de principiante a caballero de la noche.
- Premios
- 1 premio ganado y 2 nominaciones en total
Kevin Conroy
- Batman
- (voz)
- …
Jason Marsden
- Cop
- (voz)
- …
Scott Menville
- B-Devil
- (voz)
- …
Corey Padnos
- Porkchop
- (voz)
Crystal Scales
- Meesh
- (voz)
Alanna Ubach
- Dander
- (voz)
Hynden Walch
- Woman
- (voz)
- …
Corey Burton
- The Russian
- (voz)
- …
Jim Meskimen
- Gordon
- (voz)
- …
Rob Paulsen
- Maroni
- (voz)
- …
Andrea Romano
- Dispatcher
- (voz)
- …
Will Friedle
- Anton
- (voz)
- …
Brian George
- O'Fallon
- (voz)
- …
Opiniones destacadas
Batman: Gotham Knight is an anthology of six Batman stories with a Japanese Anime style.
It has been influenced by Batman Begins and The Dark Knight with the cartoon opting for a darker tone.
The first story are a group of skater kids recalling stories of their encounters with Batman, which all differ.
The last is Batman taking on Deadshot hoping to put his own past to rest.
Given the nature of six short stories it does zip along well before anyone gets bored.
However it comes across as a minor piece. This would had been evident if anyone watched The Dark Knight which was released in the same year.
It has been influenced by Batman Begins and The Dark Knight with the cartoon opting for a darker tone.
The first story are a group of skater kids recalling stories of their encounters with Batman, which all differ.
The last is Batman taking on Deadshot hoping to put his own past to rest.
Given the nature of six short stories it does zip along well before anyone gets bored.
However it comes across as a minor piece. This would had been evident if anyone watched The Dark Knight which was released in the same year.
I've never been a fan of anime, and this film didn't really do anything to change my mind. This is a collection of short stories much in the same vein as the Animatrix meant to somewhat bridge the gap between Batman Begins and the Dark Knight.
Each story focuses on one particular aspect of Batman and his mythos. Through the eyes of some kids we so how his presence in Gotham is to many an urban legend. We also see how he learned to deal with pain, we see a sample of the development that goes behind some of his toys, we see the police's attitude towards him and of course we get to see some good old fashion Batman ass kickery. Collectively all these stories are pretty well written and I liked how they managed with the use of subtle details and references to link one story from the next to help bring it a little higher than your typical anthology.
But as I've said I'm not a fan of anime. I find anime directors to be exceptional at conveying mood and atmosphere through the use of brilliant backgrounds and well plotted storyboards, but outside of the science fiction realm of the Batsuit and the monsters I find there character designs lacking in originality. When Batman takes off his mask Bruce Wayne has a remarkable resemblance to almost every other anime character we've ever seen. This can't be said for all anime artists, we do get some variety here and regardless of the style it's always interesting to see different artists' takes on the same character. Another issue I found across the board which I think more than anything detracted from my enjoyment of this and most others of the style is the lack of emotion that goes into the character acting. We're treated to good voice actors here, specifically the return of Kevin Conroy as Batman but the solid performances of the voices are lost behind faces completely devoid of emotion. The heads remains dead during the lion's share of all dialog while the mouth moves up and down (sometimes not even that)until the voice is done delivering the lines. This is no exaggeration either, there is no movement of the eyes or brows or even enough variation on mouth shapes to imply any emotion at all, if they're not throwing a punch the characters are relentlessly static. As an animator myself I may be more critical to such things and I'm not trying to tell of anime creators, I know it has legions of fans, but I won't be joining the ranks personally until they evolve beyond some of these problems.
In the end this is still worth seeing if you're a Batman fan, and despite my ranting against the anime style I did really enjoy seeing the different interpretations of the Batsuit and batmobile along with a couple other elements that carried across the stories.
Each story focuses on one particular aspect of Batman and his mythos. Through the eyes of some kids we so how his presence in Gotham is to many an urban legend. We also see how he learned to deal with pain, we see a sample of the development that goes behind some of his toys, we see the police's attitude towards him and of course we get to see some good old fashion Batman ass kickery. Collectively all these stories are pretty well written and I liked how they managed with the use of subtle details and references to link one story from the next to help bring it a little higher than your typical anthology.
But as I've said I'm not a fan of anime. I find anime directors to be exceptional at conveying mood and atmosphere through the use of brilliant backgrounds and well plotted storyboards, but outside of the science fiction realm of the Batsuit and the monsters I find there character designs lacking in originality. When Batman takes off his mask Bruce Wayne has a remarkable resemblance to almost every other anime character we've ever seen. This can't be said for all anime artists, we do get some variety here and regardless of the style it's always interesting to see different artists' takes on the same character. Another issue I found across the board which I think more than anything detracted from my enjoyment of this and most others of the style is the lack of emotion that goes into the character acting. We're treated to good voice actors here, specifically the return of Kevin Conroy as Batman but the solid performances of the voices are lost behind faces completely devoid of emotion. The heads remains dead during the lion's share of all dialog while the mouth moves up and down (sometimes not even that)until the voice is done delivering the lines. This is no exaggeration either, there is no movement of the eyes or brows or even enough variation on mouth shapes to imply any emotion at all, if they're not throwing a punch the characters are relentlessly static. As an animator myself I may be more critical to such things and I'm not trying to tell of anime creators, I know it has legions of fans, but I won't be joining the ranks personally until they evolve beyond some of these problems.
In the end this is still worth seeing if you're a Batman fan, and despite my ranting against the anime style I did really enjoy seeing the different interpretations of the Batsuit and batmobile along with a couple other elements that carried across the stories.
This is a collection of 6 animated Batman stories (in Anime style) aimed to fill the gap between Nolan's Batman Begins and The Dark Knight. Each story is directed by different people but unlike Animatrix (WB's first animated filler compilation, done for the Matrix series), the look and feel of every episode is too similar to actually distinguish. The mood is more dark, violent and brooding than any other screen Batman interpretations. The first episode starts of relatively lightweight and is the most humorous. The stories then get edgier and darker. The whole compilation makes for an enjoyable viewing as Batman deals with the wild imagination of kids, spiritual healing, Hinduism!, Scarecrow, Killer Croc, and a hit-man called Deadshot. But for me, the real joy of watching Gotham Knights is listening to the definitive Batman/Bruce Wayne voice that is Kevin Conroy, who has been the voice of Batman in every animated form from 1990 to 2006 (I think). Here, he is the voice of several variations of Batman and is pure joy to listen to. I have to admit though that a couple of Bruce Wayne animated interpretations don't really fit with his voice but Conroy's voice acting more than makes up for it. The animation is great but not anywhere near as radical as Animatrix or recent Anime films. The action scenes are quite thrilling. Also, very worthy of mention is the exhilarating soundtrack, particularly in the Scarecrow episode. All in all, this is a great addition to the Batman animated collections.
Batman: Gotham Knight is an anthology of shorts that are different from the original WB animated series in that it's not in the usual twenty-minute animated form (1/2 hour for commercials). It's more like a collection of comic books from Batman strung together without any real association aside from it being different interpretations from the Japanese directors. A similar mode went with the Animatrix years ago, in that it's partly a weird and intriguing exploration of the world created, and partly as a cash tie-in for the upcoming new movie (in this case, of course, Dark Knight).
All of the directors, to greater or lessor degrees, have a specific vision to share with us Batman fans, and at best it's a real visual 'trip'; things move past with lightning speed, but so we can see a lot of "things" happening, and every so often, like 'Working Through Pain', the animators don't kid us anymore and show Bruce Wayne going through kung-fu training with a spiritual twist (I chuckled at seeing Bruce as now being an Asian). For the most part, however, the shorts don't have a lot going on in terms of real substance- how can they with such short amounts of time. The first, 'Have I Got a Story for You', relies on Rashomon storytelling from a bunch of skater kids on Batman; this one has some of the most creative twists on just the design of the dark knight. Then there's maybe my favorite of the whole lot, 'In Darkness Dwells', which showcases the Scarecrow and, briefly, Killer Croc (apparently a fan favorite), and has a firm handle on its very dark atmosphere and the harsh story of Crane and the bums.
Other stories like 'Dead-Shot', 'Field-Test', and especially 'Crossfire', are enjoyable on the shallowest levels, and there is only bits and piece of a story going on (Crossfire relies also on a big mob shootout to make up for a paper-thin narrative). While it's great to hear Kevin Conroy back to voice Wayne/Batman, and to see some of the twists the animators take and the distinct styles coming through with a handle on making it fierce and graphic (it'll probably get a TV-14 when finally broadcast), it doesn't come close to the dimensions found in the original 90s animated series. It's a wonderful, absorbing garnish of sorts.
All of the directors, to greater or lessor degrees, have a specific vision to share with us Batman fans, and at best it's a real visual 'trip'; things move past with lightning speed, but so we can see a lot of "things" happening, and every so often, like 'Working Through Pain', the animators don't kid us anymore and show Bruce Wayne going through kung-fu training with a spiritual twist (I chuckled at seeing Bruce as now being an Asian). For the most part, however, the shorts don't have a lot going on in terms of real substance- how can they with such short amounts of time. The first, 'Have I Got a Story for You', relies on Rashomon storytelling from a bunch of skater kids on Batman; this one has some of the most creative twists on just the design of the dark knight. Then there's maybe my favorite of the whole lot, 'In Darkness Dwells', which showcases the Scarecrow and, briefly, Killer Croc (apparently a fan favorite), and has a firm handle on its very dark atmosphere and the harsh story of Crane and the bums.
Other stories like 'Dead-Shot', 'Field-Test', and especially 'Crossfire', are enjoyable on the shallowest levels, and there is only bits and piece of a story going on (Crossfire relies also on a big mob shootout to make up for a paper-thin narrative). While it's great to hear Kevin Conroy back to voice Wayne/Batman, and to see some of the twists the animators take and the distinct styles coming through with a handle on making it fierce and graphic (it'll probably get a TV-14 when finally broadcast), it doesn't come close to the dimensions found in the original 90s animated series. It's a wonderful, absorbing garnish of sorts.
Just before the release of the masterpiece, The Dark Knight, Warner Brothers decided to follow the success of what they did with the AniMatrix, releasing a DVD of short Anime films. I was disappointed by AniMatrix, which was marketed essential viewing before seeing the second two Matrix films. They were a damp squib and only one of the shorts had anything to do with the main films. But luckily I quite enjoyed Batman Gotham Knight.
Batman Gotham Knight is six short film, around 12 minutes long, telling different stories about the Dark Knight. One includes a very interesting one about some skater teenagers saying they saw Batman, and came up with three very different versions of what Batman is. That short was good, and that was the weakest one as well. Other stories include Batman fighting against the Russian and Italian Mafia who are in the middle of a gang war, fighting the sewers against Scarecrow and Killer Croc, testing a new bit of equipment, a flashback story set in India and stopping Deadshot killing Lt. Gordon. My personal favourites out of the shorts are Working Through Pain and Deadshot, both telling good stories, and wonderfully action packed.
Batman Gotham Knight was marketed as a number of shorts set in-different the events of Batman Begins and The Dark Knight. To me it felt more Christopher Nolan's films were more an influence then directly linked. Another influence must have been the great 90s animated series, with Kevin Conroy reprising his role as Bruce Wayne/Batman. The direction and the art is so wonderful to, I love anime and I like it when American and Japanese ideas are combined together. The storytelling and action is excellent. There are detailed character designs, like in Working Through Pain you got a real scene of India and young Bruce Wayne looked and fought like Bruce Lee. There are top writers and directors working on the shorts, including David S. Goyer, the writer of Batman Begins and the Dark Knight. Like the Nolan Batmans, the shorts try to shot a dark, more unpleasant Gotham, in a realistic city. There is corruption, and crime from low level thugs to organised crime leaders. Batman here is a symbol of hope and change for the city. The storytellers also try to take a more grounded view of the villains, even trying to make Killer Croc a little more believable (i.e. not a mutated crocodile).
Unlike the AniMatrix, the stories are interlinked in some way, making the shorts as a whole stronger, more like a good TV series. They are recurring themes like the gang war.
If I had to complain, I would have like to have seen more. I would have liked the shorts to have been longer, like 20 to 30 minutes. I think this level of animation and storytelling could, and should work as a excellent TV series, with a more adult audience because of the themes and violence.
Worth watching if you can get it at a good price.
Batman Gotham Knight is six short film, around 12 minutes long, telling different stories about the Dark Knight. One includes a very interesting one about some skater teenagers saying they saw Batman, and came up with three very different versions of what Batman is. That short was good, and that was the weakest one as well. Other stories include Batman fighting against the Russian and Italian Mafia who are in the middle of a gang war, fighting the sewers against Scarecrow and Killer Croc, testing a new bit of equipment, a flashback story set in India and stopping Deadshot killing Lt. Gordon. My personal favourites out of the shorts are Working Through Pain and Deadshot, both telling good stories, and wonderfully action packed.
Batman Gotham Knight was marketed as a number of shorts set in-different the events of Batman Begins and The Dark Knight. To me it felt more Christopher Nolan's films were more an influence then directly linked. Another influence must have been the great 90s animated series, with Kevin Conroy reprising his role as Bruce Wayne/Batman. The direction and the art is so wonderful to, I love anime and I like it when American and Japanese ideas are combined together. The storytelling and action is excellent. There are detailed character designs, like in Working Through Pain you got a real scene of India and young Bruce Wayne looked and fought like Bruce Lee. There are top writers and directors working on the shorts, including David S. Goyer, the writer of Batman Begins and the Dark Knight. Like the Nolan Batmans, the shorts try to shot a dark, more unpleasant Gotham, in a realistic city. There is corruption, and crime from low level thugs to organised crime leaders. Batman here is a symbol of hope and change for the city. The storytellers also try to take a more grounded view of the villains, even trying to make Killer Croc a little more believable (i.e. not a mutated crocodile).
Unlike the AniMatrix, the stories are interlinked in some way, making the shorts as a whole stronger, more like a good TV series. They are recurring themes like the gang war.
If I had to complain, I would have like to have seen more. I would have liked the shorts to have been longer, like 20 to 30 minutes. I think this level of animation and storytelling could, and should work as a excellent TV series, with a more adult audience because of the themes and violence.
Worth watching if you can get it at a good price.
¿Sabías que…?
- TriviaOn the DVD commentary, Kevin Conroy admits that he had never read about the Dark Knight until he originally auditioned for the part back in 1991 on Batman: La serie animada (1992). When he was told the back-story of murdered parents and a quest for revenge, Conroy, who was a trained Shakespearean actor, thought they were telling him the story of Hamlet.
- ErroresDuring the 'Field Test' segment, it is explained that the 'shield' has a highly sensitive sound detector that detects a gunshot and triggers activation of the device. As a bullet travels considerably faster then the sound wave from the gunshot that fired it, this device would be useless.
- ConexionesFeatured in A Mirror for the Bat (2008)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Batman: Gotham Knight
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 3,500,000 (estimado)
- Tiempo de ejecución1 hora 15 minutos
- Color
- Relación de aspecto
- 1.78 : 1
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