Mark y Henry crearán una fuerte relación de confianza luego de empezar a conversar al encontrarse en un autobús. Sin embargo, ninguno es quien parece ser, ambos cargan con secretos que pudie... Leer todoMark y Henry crearán una fuerte relación de confianza luego de empezar a conversar al encontrarse en un autobús. Sin embargo, ninguno es quien parece ser, ambos cargan con secretos que pudiesen hundirlos.Mark y Henry crearán una fuerte relación de confianza luego de empezar a conversar al encontrarse en un autobús. Sin embargo, ninguno es quien parece ser, ambos cargan con secretos que pudiesen hundirlos.
- Dirección
- Guionistas
- Elenco
- Premios
- 14 premios ganados y 18 nominaciones en total
- Dirección
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- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
As "The Stranger " (2022 release from Australia; 116 min) opens, we are introduced to Paul and Henry, 2 strangers who strike up a conversation on an overnight bus drive (think Greyhound). They gain each other's trust, and at Paul's invite, Henry joins him for an unspecified job Paul must do for Mark. "No violence!. Pleads Henry, and he agrees to join us. At this point we are 10 minutes into the movie.
Couple of comments: this is the second feature from Australian actor-turned-director Thomas Wright. Almost from the get-go I found something very David Lynch-like about this movie. Yes, nominally it's about a long ago disappearance, likely murder, of a young man. But it's the journey along the way that really matters in this film. I had the hardest time figuring out what was really going on for a long time. BEWARE: it is imperative that you turn on the English subtitles to fully grasp what is happening. I made the mistake of starting without the subtitles and within 10 minutes realized I was missing half the dialogue, if not more. I restarted the movie with subtitles and that turned out to be a life saver. The movie is mysterious all the way up to the end, and I absolutely loved it. The only "star" that I recognized was Joel Edgerton (as Mark), and he was superb. I fully recognize that this movie is not for everyone, as there is not a lot of "action". Instead it's a mystery that reveals itself, layer upon psychological layer.
"The Stranger" premiered at this year's Cannes Film Festival to critical acclaim. Still it bypassed US theaters altogether, and it started streaming on Netflix not long ago. Netflix suggested it to me based on my viewing habits. Good move Netflix. If you are in the mood for a dark psychological crime drama from Down Under, I'd readily suggest you check this out and draw your own conclusion.
Couple of comments: this is the second feature from Australian actor-turned-director Thomas Wright. Almost from the get-go I found something very David Lynch-like about this movie. Yes, nominally it's about a long ago disappearance, likely murder, of a young man. But it's the journey along the way that really matters in this film. I had the hardest time figuring out what was really going on for a long time. BEWARE: it is imperative that you turn on the English subtitles to fully grasp what is happening. I made the mistake of starting without the subtitles and within 10 minutes realized I was missing half the dialogue, if not more. I restarted the movie with subtitles and that turned out to be a life saver. The movie is mysterious all the way up to the end, and I absolutely loved it. The only "star" that I recognized was Joel Edgerton (as Mark), and he was superb. I fully recognize that this movie is not for everyone, as there is not a lot of "action". Instead it's a mystery that reveals itself, layer upon psychological layer.
"The Stranger" premiered at this year's Cannes Film Festival to critical acclaim. Still it bypassed US theaters altogether, and it started streaming on Netflix not long ago. Netflix suggested it to me based on my viewing habits. Good move Netflix. If you are in the mood for a dark psychological crime drama from Down Under, I'd readily suggest you check this out and draw your own conclusion.
A very beautiful film with a strong atmosphere and a measured rhythm, where a policeman infiltrates a community of thugs to track down a child killer. Joel Edgerton is this policeman, who lives in permanent stress, illustrated with his scenes of his family life, that is to say with his son, of whom he has the custody from time to time. But undercover cop and father life are not easy. The one he tracks is Sean Harris, in a subtle interpretation, to draw a character on which it is hard to have a psychological grip. The plot and the script work perfectly the subject: during the whole film, we wonder if he is the killer wanted for these murders of children. The last quarter will give us the explanations.
Thomas M. Wright signs a film that has its own rhythm, its dense climates (settings, photography, music), far from any narrative and technical hysteria. He takes his time to film the sequences over time.
The film is carried by its two main actors, in interpretations all in subtlety, by small touches, their characters always remaining mysterious, and maintaining the interest of the spectator and the curiosity for the continuation. The spectator is constantly wondering how the story will evolve. The work of Joel Edgerton and Sean Harris makes us perceive a constant tension. Their characters seem always ready to cross the limit, and provoke a permanent tension on the whole film.
Superb exercise of style.
Thomas M. Wright signs a film that has its own rhythm, its dense climates (settings, photography, music), far from any narrative and technical hysteria. He takes his time to film the sequences over time.
The film is carried by its two main actors, in interpretations all in subtlety, by small touches, their characters always remaining mysterious, and maintaining the interest of the spectator and the curiosity for the continuation. The spectator is constantly wondering how the story will evolve. The work of Joel Edgerton and Sean Harris makes us perceive a constant tension. Their characters seem always ready to cross the limit, and provoke a permanent tension on the whole film.
Superb exercise of style.
Australian crime dramas have always kept me on edge despite their knack for the implication of violence rather than actually showing it on the big screen. Wright's peculiar style of narration, unraveling the story in a somewhat unconventional style, actually amplifies the impact the story leaves on the audience.
As for the score and cinematography, a better job couldn't have been possibly done as the atmospheric style totally suits the storyline.
Even though Joel Edgerton delivers an acceptable performance as a character living a dual life, one must admit that it is Sean Harris who carries the whole movie with his nuanced yet powerhouse delivery.
One tiny bit of criticism: I am sure they could have come up with a much better and more intriguing title than "The Stranger".
As for the score and cinematography, a better job couldn't have been possibly done as the atmospheric style totally suits the storyline.
Even though Joel Edgerton delivers an acceptable performance as a character living a dual life, one must admit that it is Sean Harris who carries the whole movie with his nuanced yet powerhouse delivery.
One tiny bit of criticism: I am sure they could have come up with a much better and more intriguing title than "The Stranger".
The trailer and IMDB synopsis for this film tell you very little.
I went in knowing only that, and that made the experience fantastic. What an exciting and creepy story.
I read a few reviews here, and saw that they spoil a lot. It's up to you, but my advice is: don't read the reviews, and go see the film. I'll only tell you this: it's not a family film or a comedy. But for the rest, any adult viewer has nothing to worry about, and odds are that you'll find this film interesting.
It's a calm film, but not slow paced. Looks good, great acting. It's worth it going in with only what the trailer showed you. It's based on a true story.
I went in knowing only that, and that made the experience fantastic. What an exciting and creepy story.
I read a few reviews here, and saw that they spoil a lot. It's up to you, but my advice is: don't read the reviews, and go see the film. I'll only tell you this: it's not a family film or a comedy. But for the rest, any adult viewer has nothing to worry about, and odds are that you'll find this film interesting.
It's a calm film, but not slow paced. Looks good, great acting. It's worth it going in with only what the trailer showed you. It's based on a true story.
I was around 90 minutes into the 'The Stranger' when I finally clicked that I had listened to a podcast about this story back in 2017. It had captivated me back then and it was captivating me again now in movie form. If you are the type that doesn't usually enjoy true stories don't be put off. This one is a doozy.
I wouldn't say it's the most polished film I've seen. The dialogue can be very hard to pick up (partly because of strong Australian accents and partly because of mumbled speech). I actually ended up having to watch it with the Netflix subtitles on, but that was no big deal. I also would've liked some writing at the end of the film to explain what exactly ended up happening in the aftermath.
Weaknesses aside though, the story is strong enough to carry it. I think if I had to pick between the film and the podcast to hear this story I would go with the podcast, simply because you get every single little detail. But make no mistake, this works well as a film and is worth your time. 8/10.
I wouldn't say it's the most polished film I've seen. The dialogue can be very hard to pick up (partly because of strong Australian accents and partly because of mumbled speech). I actually ended up having to watch it with the Netflix subtitles on, but that was no big deal. I also would've liked some writing at the end of the film to explain what exactly ended up happening in the aftermath.
Weaknesses aside though, the story is strong enough to carry it. I think if I had to pick between the film and the podcast to hear this story I would go with the podcast, simply because you get every single little detail. But make no mistake, this works well as a film and is worth your time. 8/10.
¿Sabías que…?
- TriviaProducer Rachel Gardner said in April 2020 that "this is a challenging time for our industry, particularly for crew, but we are gearing up to move straight into production on 'The Unknown Man', which will be shooting in and around Adelaide, as soon as is practicable". 'The Unknown Man' was the working title of this film.
- Bandas sonorasTrojan Blue
Written by Iva Davies (as Ivor Davies)
Administered by Kobalt Music Publishing Australia Pty Ltd
Performed by Icehouse
Under exclusive license from Diva Records
Licensed courtesy of Universal Music Australia Pty Ltd
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Detalles
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- The Stranger
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Taquilla
- Total a nivel mundial
- USD 149,441
- Tiempo de ejecución1 hora 57 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39:1
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