A menudo ausente por motivos de trabajo, el padre es incapaz de comprender la intensidad del amor de su hijo. Irónicamente, este ferviente amor y admiración por su padre y su familia crea un... Leer todoA menudo ausente por motivos de trabajo, el padre es incapaz de comprender la intensidad del amor de su hijo. Irónicamente, este ferviente amor y admiración por su padre y su familia crea un conflicto entre padre e hijo.A menudo ausente por motivos de trabajo, el padre es incapaz de comprender la intensidad del amor de su hijo. Irónicamente, este ferviente amor y admiración por su padre y su familia crea un conflicto entre padre e hijo.
- Dirección
- Guionistas
- Elenco
- Premios
- 37 premios ganados y 59 nominaciones en total
- Asrar ul Haque
- (as Babloo Prithiveeraj)
Opiniones destacadas
Sandeep Reddy Vanga's promise to showcase genuine violence in cinema was effectively fulfilled. In an era dominated by high-budget action films and contrived flashbacks, Vanga dared to create a world where everything is heightened to the maximum, making the violence seem normal and the behavior even more unsettling. One particularly striking scene involves Ranbir, who, after discovering a mole, compels the individual to lick his shoe as a bizarre demonstration of love. It's a level of intensity reminiscent of something Quentin Tarantino might appreciate.
Addressing the question of logic, it's acknowledged that the film, like many others, is inherently illogical. Drawing parallels with films like Vikram, KGF, and Bahubali, it's recognized that crafting a movie with absolute logical coherence is a formidable challenge.
However, the film does have its drawbacks. The character arcs of certain individuals, such as the mother, sister, and villain, felt underdeveloped. The hero's revenge arc could have benefited from more nuanced writing, and Rashmika's character, while an improvement from Vanga's previous works, still warranted additional depth.
In summary, while I wouldn't classify it as a masterpiece, the film has its merits, particularly in exploring the dynamics of father-son and husband-wife relationships alongside the intense action sequences. It's a unique cinematic experience that some may appreciate for its visceral yet somewhat polarizing elements.
Excellent BGM, magnificient cinematography and out of the world acting by Ranbir (what a brilliant actor he is!) fell short to save the movie ridden with lack of depth and emotion in the storyline. The loosely written plotlines and characters severely dilapitated Ranbir's character as well because the other characters were so underdeveloped. Lack of motive in even the central character resulted in a lack of conviction in the whole story to such a level that after taking in so much of grandly choreographed violence, one is left scratching head wondering everything happened for what exactly! Emotion got translated i nto only one sided shouting and the viewer is left alone to experience an exhausting and frantic TV debate show where only the TV anchor gets to shout.
Severe formula plotpoints and scenes , some of which are inspired from Godfather,OldBoy(2003), The man from Nowhere (2010) Rajneeti and even Kabir Singh were put together in such a way that one is left doubting whether the director wanted to copy from his own previous success just because it worked earlier. But it didn't result in anything like Kabir Singh because everything was so incoherent. The brilliant opening of the movie, by the director's own obcession of using pointless violence (or might be a desperate attempt to cover up the flaws in storyline) got reduced into one and only point- who can shout the loudest! Or thats what a predatory animal is supposed to do- a non-human who shouldn't be part of humane society but gets occassionally breaded by our society. It emanates an excruciatingly agonizing world around it; unable to love, empathize, dialogue & sense of integrity but is just filled with suffocating anger & treachery.
Basically people want drugs over ghee is such a true analogy. Sad but truth.. There is only violence and bad story in animal which you can't even ask your family to watch.
I am against any boycotting but Indian cinema needs to come out of the 'break the skull with hammer' approach. In fact bollywood is now not able to make their own script or movies so no they are copying South Indian movies.
Jawan was good movie but what was there in Tiger3(total waste).
We need good movies with stories, acting, songs...
RK has really nailed it this time. This performance can be surely counted as one of his very best in terms of quality of acting. As much as I want to say the same thing for Rashmika, the element of common sense is simply not allowing me. Firstly, the quality of acting displayed by her is disappointing compared to her previous performances. And further I am still not able to understand why someone like her accepted the movie after reading the script.(may be due to RK). The character she plays feels like a clown in the movie.
The adult scenes in the movie were forcefully forced into the script and felt very unnatural. The first half of the movie is the most striking and impressive aspect, but sadly it starts to lose momentum every minute in the second half. Unnecessary and untimely placement of songs further declines the experience. The movie deviates from its original plot & theme several times which can be frustrating. Another frustrating part is that several dialogues in English and punjabi language are said so fast that 90% of audience fails to digest them. Lack of twists and turns makes it boring at times. Boby deols screen time is not more than 25 minutes, and that too without a single dialouge, which is again disappointing and surprising because the trailer of the movie makes him look like one of the leads.
But all things said, we cannot deny the fact that it is something very fresh and unique, which the audience will love. One of the most aesthetically appealing & enjoyable movie from Bollywood in long time. The message it delivers between a father and son is very beautiful and climax makes up for all the faults it has.
Purely a theatre movie will not be that satisfying if witnessed on mobile or laptop.
¿Sabías que…?
- TriviaSandeep Reddy Vanga chose to retain the Punjabi song "Arjan Vailly" in its original language in the dubbed versions, feeling it was very original and impossible to interpret.
- ErroresVarun Malhotra, big industrialist of the country gets was killed in a meeting still his wife reet is unaware of such incident or breaking news.
- Citas
Ranvijay Singh: When I went seeking evil, I couldn't find any evil. When I looked within, there was no one more evil than me.
- Créditos curiososIn the post-credits scene, Asrar, Abid and Abrar's other younger brother, Aziz, a professional assassin in Istanbul, learns that Vijay was responsible for killing Asrar and Abrar. After successfully undergoing a plastic surgery to become Vijay's doppelganger Aziz, along with Abid, sets out to exact vengeance on Vijay and his family.
- Versiones alternativasThe Indian theatrical version was certified A (adults only) after some cuts were made. While the modifications suggested by the Examining Committee were waived off based on the filmmaker/applicant's justifications and submissions, a number of verbal cuts were made to the audio as well as the subtitles. The only visual cuts made were to an intimate scene, where the closeup shots were removed.
- ConexionesReferenced in Unstoppable with NBK: Wildest Episode (2023)
- Bandas sonorasArjan Vailly (Hindi)
Music by Manan Bhardwaj
Lyrics by Bhupinder Babbal
Performed by Bhupinder Babbal
Additional Vocals by Sandeep Brar
Backing Vocals by Anirudh Loomba, Paras Kamboj, Charanjeet Sharma, Amandeep Singh Giran, R.D. Singh, Vicky Jass, Gagan Gags Sharma, Kunal Shandilya, Gaurav Verma
Selecciones populares
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 15,004,482
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,524,534
- 3 dic 2023
- Total a nivel mundial
- USD 92,850,083
- Tiempo de ejecución3 horas 24 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1