Noticias

Writer-director-producer Eddie Arya and actor Jamie Vergan are shooting their second feature, The System, and plan to collaborate on a further two films.

In The System, Vergan plays Martin McMillan, a family man who.s suddenly made redundant after 15 years of loyal service to the same company. After losing his home, car and savings, Martin faces yet another challenge, an incident that will change his life.

The cast includes Nikki Waterhouse as Martin.s wife, Yasemine B.Plows as their daughter and Biman Wimalaratne as a call centre operator who is Martin.s only real friend.

.It.s not based on a true story but on what is happening in our economy as companies go broke or make people redundant,. Arya tells If. .Most of us can relate in some way to what happens in the film..

Vergan played the lead in the writer-director.s first film, The Navigator, a...

For their 4th annual edition, the Minneapolis Underground Film Festival is pulling out all the stops, spotlighting great local and international filmmaking talent over the course of three days, Dec. 2-4, on two screens at the Minneapolis College of Art & Design (McAd).

The fest opens with an ambitious Minneapolis-based move: Tyler Jensen’s 30 Films 30 Days. Working with hundreds of local participants, Jensen and his team completed a short film a day over the course of one month and this feature compiles all of them into one package. Plus, also screening on the same night is the groovy grindhouse horror flick The Disco Exorcist by Richard Griffin.

Over the course of the next two full days and nights, two of the best highlights of this year’s Muff include Usama Alshaibi‘s masterful mix of sex and religion Profane, Stuart Simpson‘s retro-sleazetastic monster flick El Monstro Del Mar!, neither of which are to be missed!

What’s brand new, big and British? Why, it’s the first annual London Underground Film Festival, which will run at the infamous Horse Hospital underground screening room on Dec. 4-10.

Seven full days and nights is an exceptionally aggressive schedule for a first time out, but it’s even more impressive once you dig into the variety of films and programs being offered, including lectures, installations and live performances mixed in with feature length films and short film programs.

To help out with such an ambitious project, the London Underground has asked a couple of festival big guns to help them out. First, underground film historian and Program Director of Australia’s Revelation Perth International Film Festival Jack Sargeant has curated a full day of films for Sunday, Dec., all of which have played at Revelation under his watch.

The films Sargeant has picked are Kevin Barker’s The Family Jams,...

The Atlanta Underground Film Festival wrapped up its 7th successful year back on Aug. 29 and has given out awards to 13 feature films and 14 shorts.

Several of the winners are films that have been featured here on Bad Lit, either with a review or having been embedded on the site for your viewing pleasure. First, repeat Auff winner Chris Hansen won the Best Director award for his second feature film Endings, a film that finds three disparate strangers spending their last day on Earth together.

Loretta Hintz‘s outrageous lesbian farm fantasy The Sheep and the Ranch Hand took home the 2010 Auff The Wall award. Also, the recently embedded The Shave by Sean Christensen, a haunting memoir, won the Best Experimental Short award. And, lastly, I was very happy to see that animator Victoria Cook, whom I’ve written about in the past, took home the Best Short Short award for her Devil Town.

Tucson and Phoenix: Prepare to be rocked, shocked and defiled. Blasting its way into its third — and biggest — year on Sept. 18-25, the Arizona Underground Film Festival is a cacophonous concoction of angry transsexuals, bumbling hit men, slacker superheroes, living dolls, aliens, dead hookers, adventure-seeking blondes and other crazies.

This year the fest is screening 30 feature films, some of which are making their U.S. and even world debuts. The opening night film is the U.S. premiere of the German hit man comedy Snowman’s Land, directed by Tomasz Thomson,while closing the fest is the controversial and violent A Serbian Film by Srdjan Spasojevic, which you have to be over-18 to get into.

Don’t worry, there’s plenty of homebrewed films as well, such as Dead Hooker in a Trunk by Jen Soska & Sylvia Soska; Nude Nuns With Big Guns by Joseph Guzman; 1,001 Ways to Enjoy the...

The 7th annual Atlanta Underground Film Festival is like having four different fests crammed into an exhaustive three days on Aug. 27-29. It’s an outrageous underground fest, an animation festival, a documentary fest and a horror movie festival: The culmination of a month of fests run by Atlanta’s Festival League. There’s tons of short films, documentaries, features and more.

There’s lots of great stuff to recommend, too. On the last night of the fest, there will be a screening of Chris Hansen‘s second feature film, Endings, which tells the touching story of three people spending their last day on Earth together. The film was reviewed on Bad Lit a few months ago. On the short film front, there’s Loretta Hintz‘s wild lesbian bestiality (sort of) tale, The Sheep and the Ranch Hand and two films by the perpetually awesome Neil Ira Needleman, Meeskit...