CALIFICACIÓN DE IMDb
6.5/10
106 k
TU CALIFICACIÓN
Un moribundo magnate inmobiliario quiere transferir su conciencia a un cuerpo más joven y sano, pero se da cuenta de que ni la operación y la compañía que la ofrece son lo que parecen.Un moribundo magnate inmobiliario quiere transferir su conciencia a un cuerpo más joven y sano, pero se da cuenta de que ni la operación y la compañía que la ofrece son lo que parecen.Un moribundo magnate inmobiliario quiere transferir su conciencia a un cuerpo más joven y sano, pero se da cuenta de que ni la operación y la compañía que la ofrece son lo que parecen.
Sandra Ellis Lafferty
- Phyllis Jensen
- (as Sandra Laugherty)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opinión destacada
I would actually give this title a nine if I myself were being biased, and I can be because it's a rarity that I make it to the movies anymore. I get pretty excited when I see something that I actually care about and this was quite entertaining for me..most movies are relevant to in different ways, so take that for what it's worth. I'm a movie lover. I saw this film with the hopeful intention of walking away with a little bit of a Born Identity kind of feel, something considered to be at least surface entertainment and I was not disappointed and that is an understatement. The action and story opener with Ben Kingsley as the main protagonist was well executed, as was the claustrophobia inducing transformation into Ryan Reynolds. One of the things I was actually worried about from the preview wasn't even about the content of the film but more how under the radar that I felt it would be in the public eye. Ryan Reynolds is not by any means a bad actor and that's his problem, with something so serious and Sci-Fi oriented we're almost reluctant to even approach his ability to draw you in. We see his films and usually know what to expect because he's so likable. Ever since Waiting he's been hard to avoid, but nothing about his roles offer anything compelling and that's not really his fault. I respect his quest for versatility..I really enjoy his role in this movie, actually..the things that are great about this movie really sparkle.. I have to say the best part about this for me would have to be the directing and the Music..my God, they really pulled of some wonderful suspense...some moments made my skin crawl..they utilize an almost Hans Zimmer technique likened to Joker's theme song in the Dark Knight but it doesn't feel rehashed. It's a thoughtful cerebral thriller with the fat trimmed away, it doesn't linger in too many places..the pacing was great. There was not a boring moment and in fact most of it had me cheering, mentally. I even like the ending, thought it was beautiful. The only thing that bothered me was the closing shot of the film, it was so simplistic that it was almost like man...dude, you could have had a classic on your hands, most may not take it to that level but I promise that it's at least likable to anybody. I loved this movie, it had great potential and totally delivered the goods. Every punch, every nuance counted and reminded me that the action genre still has the chance to break some ground.
- justinrodriguez58
- 14 jul 2015
- Enlace permanente
Argumento
¿Sabías que…?
- TriviaThe New Orleans house was used as the house in Entrevista con el vampiro (1994). It also once was owned by Nicolas Cage and the foyer chandelier hangs in the house.
- Errores(at around 1h 25 mins) When Damian crashes Martin's SUV into the car in front, the airbags of the SUV (as seen from a long distance shot) clearly inflate. On the next shot from inside the car, Damian is still driving with no airbags inflated.
- ConexionesFeatured in MsMojo: Top 10 Greatest Body Swap Movies (2023)
- Bandas sonorasBig 1
Performed by Young Fellaz Brass Band
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Self/less
- Locaciones de filmación
- Ballast Key, Florida, Estados Unidos(final scene on the island)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 26,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 12,279,691
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,403,460
- 12 jul 2015
- Total a nivel mundial
- USD 31,807,156
- Tiempo de ejecución1 hora 57 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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