Noticias

Exclusive: Peter Sarsgaard (Shattered Glass), Maya Hawke (BBC’s Little Women), and Betty Gabriel (Get Out) have joined Liev Schreiber, Marisa Tomei, and Alex Wolff in the indie dramatic thriller Human Capital, an adaption of Stephen Amidon’s novel which is being helmed by Mark Meyers.

From a screenplay by Oren Moverman, the film centers on the lives of two families, one middle-class and one privileged, as their lives intertwine across the social divide when two of their children suddenly begin a relationship that leads to a tragic accident.

Trudie Styler and Celine Rattray’s Maven Pictures and Bert Marcus Film’s Bert Marcus are producing the pic alongside Moverman for Sight Unseen Pictures, as well as Schrieber and Matthew Stillman under their Illuminated Content banner.

The book was first adapted into the 2013 Italian-language film Il Capitale Umano from director Paolo Virzì and became one of Italy’s highest grossing films.

In today’s film news roundup, Chris McKay is attached to direct “Jonny Quest,” Greg Berlanti is directing a Rock Hudson movie, documentary “The Last Race” gets an early release, and Valeria Golino is honored.

Director Attachments

Chris McKay, director of “The Lego Batman Movie,” is attached to helm a live-action “Jonny Quest” movie for Warner Bros.

Producers are Rideback’s Dan Lin and Jonathan Eirich along with Adrian Askarieh of Prime Universe. Daniel Alter will executive produce.

“Jonny Quest” first appeared as an animated sci-fi series in 1964 through Hanna Barbera. The narrative focused on an 11-year-old boy, his sidekick Hadji, his scientist dad, secret agent Race Bannon, and pet bulldog, Bandit. The show led to several series and TV movies.

Richard Donner, Dwayne Johnson, and Robert Rodriguez have been involved in development of a “Jonny Quest” movie for the past two decades. McKay is also attached to direct the live-action “Nightwing” for Warner Bros.

Tele München Group’s world sales unit, Tm International, has sold its high-end television series “The Name of the Rose,” starring John Turturro, to multiple territories, including the BBC in the U.K., Sky in Germany and Ocs in France.

Additionally it has been acquired by Yle in Finland, Nrk in Norway, Dr in Denmark, Sbs in Australia, Vrt in Belgium, Rtp in Portugal, Ceska TV in Czech Republic, Sky in New Zealand, and Iti in Poland. As previously announced, AMC’s SundanceTV holds the rights for the U.S. and Canada, and Rai will air the show in Italy.

As well as Turturro, the cast of the eight-hour series includes Michael Emerson, Rupert Everett (“Miss Peregrine’s Home for Peculiar Children”), Damian Hardung (“Red Band Society”), Sebastian Koch (“Homeland”), James Cosmo (“Game of Thrones”), Richard Sammel (“Inglourious Basterds”), Fabrizio Bentivoglio (“Human Capital”) and Greta Scarano (“In Treatment”).

The series...

Annecy, France — Denis Do’s semi-autobiographical story, set against the Khmer Rouge’s brutal reign-of-terror, took the top Cristal at the 2018 Annecy Intl. Animation Film Festival.

Nora Twomey’s “The Breadwinner,” a moral co-victor, swept three awards, including two key trophies: the Annecy Audience Award, the statue that really counts for distributors and sales agents, and the festival’s Jury Award.

In other top distinctions, Nienke Deutz “Bloeistraat 11,” fruit of the flowering Flanders school of animation, scooped the top Cristal for a short film at a festival which places a large emphasis on briefer formats.

As for TV, two episodes of Tonko House’s “Pig: The Dam Keeper Poems”: “Yellow Flower” and “Hello Nice to Meet You” snagged the Cristal for top TV series.

This year’s preeminent festival awards validate the two biggest artistic trends noticeable at a vibrant 2018 Annecy meet. An increase in the number of feature...

The adaptation of Umberto Eco’s book has distribution in German-speaking Europe amongst others.

Tele München Group (Tmg) has announced a range of sales on its series The Name Of The Rose, the adaptation of Umberto Eco’s novel about monks investigating a slew of murders.

Deals include German-speaking Europe (Sky), France (Orange), Finland (Yle), Norway (Nrk) and Denmark (DRtv).

Produced by 11 Marzo Film, Palomar and Tele München Group in association with Rai Fiction, the series has a 19-week shoot currently underway in Italy and is set for a world premiere in spring 2019. Tmg’S world sales unit Tm International is handling worldwide distribution.

The adaptation of Umberto Eco’s book has distribution in German-speaking Europe amongst others.

Tele München Group (Tmg) has announced a range of sales on its series The Name Of The Rose, the adaptation of Umberto Eco’s novel about monks investigating a slew of murders.

Deals include German-speaking Europe (Sky), France (Orange), Finland (Yle), Norway (Nrk) and Denmark (DRtv).

Produced by 11 Marzo Film, Palomar and Tele München Group in association with Rai Fiction, the series has a 19-week shoot currently underway in Italy and is set for a world premiere in spring 2019. Tmg’S world sales unit Tm International is handling worldwide distribution.

Golino’s second feature shows the difficult relationship between two brothers.

At the eve of the Efm, Italian world sales company True Colours adds Valeria Golino’s new film Euphoria to its slate.

Produced by Ht Film and Indigo Film, who are partnering again after the success of Sergio Castellitto’s Fortunata, together with Rai Cinema (Fire At Sea, Daughter Of Mine), Euphoria will be distributed in Italy by 01 in 2018.

The film is currently in post-production after finishing its 8 weeks of shooting in December.

Euphoria’s cast includes Riccardo Scamarcio (Them, John Wick 2) and Valerio Mastandrea (Perfect Strangers, The Place) as the two brothers, as well as Un Certain Regard Best Actress Jasmine Trinca (Fortunata, Honey) in a supporting role.

The film tells the story of the difficult relationship between two brothers with opposite characters. It is written by Valeria Golino, Francesca Marciano (Me And You, [link...

Panelists disagree on the possibilities offrered by deals with streaming giants.

Source: Iffr

Reality Check day one.

The European film market is an increasingly challenging environment due to a surplus of content, but is the disruption caused by deep-pocketed SVoD companies such as Netflix and Amazon helping or hindering the industry?

That question regularly entered discussion during the first day of Reality Check, International Film Festival Rotterdam’s new conference exploring the transforming landscape of film distribution.

It’s not news that a surplus of film content is flooding the European market, but the industry continues to be challenged by the sheer number of releases. In France, up to 700 films were released in cinemas in 2017. The number in the UK was close to 900.

“The problem is the volume of films that are being programmed. Does every film belong in the cinema?” asked Bobby Allen, senior vice president of content at arthouse steaming service Mubi, who was hosting...

The Dinner (I Nostri Ragazzi) director Ivano de Matteo Photo: Anne-Katrin Titze

Ivano de Matteo philosophised with me, first at the Film Society of Lincoln Center and then at the Barbetta Open Roads: New Italian Cinema lunch, about justice, ethics, adapting Herman Koch's novel with screenwriting partner Valentina Ferlan, and how a switch in lighting can make a subliminal difference.

Massimo Lauri (Alessandro Gassman):"I wanted to create an aseptic, cold environment."

I threw Vladimir Nabokov's Lolita, Alfred Hitchcock's Rope, a scene from Paolo Virzi's Human Capital (Il Capitale Umano) with Valeria Bruni Tedeschi and the texture of nightmares into the family circle of his film The Dinner (I Nostri Ragazzi).

Alessandro Gassman, Luigi Lo Cascio, Barbora Bobulova, Giovanna Mezzogiorno, Rosabell Laurenti Sellers, and Jacopo Olmi Antinori form a formidable ensemble where each part can shatter the whole.

A man (Adamo Dionisi) completely looses his calm...

40-Love (Terre battue) director Stéphane Demoustier: "Olivier Gourmet has this bulimia about filming. He doesn't know how to stop." Photo: Anne-Katrin Titze

The Sauvage family in 40-Love (Terre Battue), portrayed by Olivier Gourmet, Valeria Bruni Tedeschi and Charles Mérienne build tennis suspense in the tradition of Alfred Hitchcock's Strangers On A Train. Stéphane Demoustier spoke with me about comparing the role of shoes in Paolo Virzì's Human Capital (Il Capitale Umano), working with Jean-Pierre and Luc Dardenne, an equally "danger-free" experience to that Cédric Kahn had with them producing Wild Life (Vie Sauvage) and where the fascination with shopping malls originated.

Demoustier, who also co-wrote the screenplay (in collaboration with Gaëlle Macé), makes poignant choices with his debut feature in what he lays bare and what he leaves to our imagination. The when and how of people's communication is crucial and the mis-matched couple's state of mind...

Human Capital (Il Capitale Umano) director Paolo Virzì in New York Photo: Anne-Katrin Titze

The Academy of Motion Pictures Arts and Sciences yesterday announced the Oscar shortlist for Best Foreign Language Film. Paula van der Oest's Accused (Netherlands); Giorgi Ovashvili's Corn Island (Georgia); Ruben Östlund's Force Majeure (Sweden); Pawel Pawlikowski's Ida (Poland); Andrey Zvyagintsev's Leviathan (Russia); Alberto Arvelo's The Liberator (Venezuela); Zaza Urushadze's Tangerines (Estonia); Abderrahmane Sissako's Timbuktu (Mauritania); and Damian Szifron's Wild Tales (Argentina) are the nine films. Earlier this month, Human Capital (Il Capitale Umano) director Paolo Virzì and I discussed Slavoj Žižek's reading of Kierkegaard, an old theatre in the Como backyard of George Clooney and Giorgio Armani, Sebastião Salgado's Genesis photography exhibition, what's coming up next with Francesca Archibugi, Valeria Bruni Tedeschi, Micaela Ramazzotti and the responsibility of having his film as Italy's Oscar submission.

Fabrizio Bentivoglio as...

Human Capital (Il capitale umano) director Paolo Virzì with Anne-Katrin Titze Photo: Dov Mamann

During the Tribeca Film Festival, I spoke with Human Capital (Il Capitale Umano) director Paolo Virzì and two of his stars, Valeria Bruni Tedeschi and Valeria Golino. Since then his film, which also stars Fabrizio Bentivoglio and Fabrizio Gifuni, has been selected as Italy's Oscar submission for Best Foreign Language Film, following in the footsteps of Paolo Sorrentino's Oscar win for The Great Beauty (La Grande Bellezza).

Valeria Golino as Roberta with Fabrizio Bentivoglio as Dino: "They are all fragile and at the same time they are funny."

This time we discussed what it feels like for him to represent his country and go up against filmmakers such as Dominik Graf, Pawel Pawlikowski, Bertrand Bonello, Ruben Östlund, Damián Szifron, Andrey Zvyagintsev, Jean-Pierre Dardenne and Luc Dardenne. The Como connection to George Clooney, Giorgio Armani and...

AFI Fest 2014 presented by Audi today announced this year’s Jury and Audience Awards for features and short films included in the festivals New Auteur and Shorts programs. The New Auteurs section highlights first and second-time feature film directors and the Shorts selections represent diverse and varied international perspectives. Grand Jury Awards were presented to Self Made (Boreg), which received the New Auteurs Critics’ Award, and to The Tribe (Plemya), which received the Vizio Visionary Special Jury Award. Buffalo Juggalos by Scott Cummings received the Live Action Short Award, and Yearbook by Bernardo Britto received the Animated Short Award. Special Jury Award winners went to GÜEROS and Violet. Red Army, GÜEROS, 10,000 Km and The Midnight Swim received Audience Awards.

Select award-winning films will screen again today at the Chinese 6 Theatres. Admission is available to AFI Fest 2014 pass holders and the general public via the rush line, which begins forming one...

Every year Hollywood gets a curated batch of films from dozens of countries seeking an Academy Award nomination for Best Foreign Language Film. One film per nation is chosen to represent the best of its cinematic production during the previous year. Certainly the chosen film is not always the ideal candidate, but the reasoning behind the selection usually follows two patterns: there are countries that go with the best film even if this is not the most appealing choice and there are countries that go with the most ambitious, industry-friendly, and financially successful work. This year the astonishing number of submissions – a total of 83 – makes for an incredible list of films that range from those that sport festival pedigree of the highest caliber, unknown gems looking for an audience, expensive visual achievements, and obscure art house hopefuls.

This year more than most, there are a great number of films with serious possibilities. There is no unshakable front-runner, but there are numerous favorites. Yet, looking at last year’s 9 shortlisted films and eventual 5 nominees, nothing is written in stone. Critics and audience favorites like “ The Past” (Iran), “Gloria” (Chile), “Heli” (Mexico), and “Wadjda” (Saudi Arabia) were left out to include surprises like “The Missing Picture“ (Cambodia), “An Episode in the Life of an Iron Picker” (Bosnia & Herzegovina) or “The Notebook” (Hungary).

With Awards Season now in full swing and knowing that this is one of the most difficult races to follow, here is a comprehensive list that includes information for each of the 83 submissions. Below each poster you will find the title of the film linked to its page on IMDb Pro followed by the title in the original language; the director’s name also linked to his/her IMDb Page; the language the film is primarily in; the name of the U.S. distributor if there is one; the name of the film’s International Sales Agent (Isa) or Production Company (PC) linked to the film’s page on Cinando; and a link to the film’s trailer (most of them have English subtitles, others are only in the original language, and a few are videos related to the film because a trailer wasn't available). In addition, reviews and interviews with many of these filmmakers will be added regularly.

Before getting into the list, let’s take a look at some of the statistics and patterns among these 83 foreign language features.

Period Dramas/Biopics

Several countries selected films based on the lives of prominent local figures or great period pieces, both showcase the level of films being produced across the globe in terms of production value and scope. Mexico’s “Cantinflas,” Venezuela’s “The Liberator,” Kyrgyzstan “Kurmanjan Datka Queen of the Mountains,” Bolivia’s “Forgotten,” Indonesia’s “Soekarno,” Greece’s “Little England,” Macedonia’s “To the Hilt,” Hong Kong’s “The Golden Era,” Austria’s “The Dark Valley,” Switzerland’s “The Circle,” Bulgaria’s “Bulgarian Rhapsody,” Serbia’s “ See You in Montevideo,” Slovakia’s “A Step Into the Dark” and New Zealand’s “The Dead Lands” are some of the most expensive films ever made in their respective territories. All of them are epic productions that highlight an important historical period using impressive cinematography, a great number of extras, intricate costumes, lavish locations, detailed production design, as well as great battle sequences in several of them. Other more traditional biopics/period pieces on the list include France’s “Saint Laurent,” The Netherlands “ Accused,” Germany’s “Beloved Sisters,” Spain’s “Living Is Easy with Eyes Closed” and the Czech Republic’s “Fair Play”

Masters and Festival Winners

Not surprisingly many of the films on the list come into this race after winning important awards at international festivals. Furthermore, a handful of them are from master filmmakers, masters in the making, or unique new voices. These films include Belgium’s “Two Days, One Night” (Cannes, Telluride, Tiff, Nyff, AFI Fest) by the Dardenne Brothers, Canada’s “Mommy” (Cannes, Telluride, Tiff, AFI Fest) by prodigy Xavier Dolan, Chile’s “To Kill a Man” (Sundance, Rotterdam, Cartagena) by Alejandro Fernandez Almendras, Hungary's "White God" (Cannes) by Kornél Mundruczó, Norway’s “1001 Grams” (Tiff) by Bent Hamer, Poland’s “Ida”(Tiff, Sundance) by Pawel Pawlikowski, Russia’s “Leviathan” (Cannes, Telluride, Tiff, AFI Fest) by Andrey Zvyagintsev, Sweden’s “Force Majeure” (Cannes, Telluride, Tiff) by Ruben Östlund, and Turkey’s “ Winter Sleep” (Cannes, Telluride, Tiff) by Nuri Bilge Ceylan. All of these films have played at renowned international festivals and most have earned important recognition there.

Out of the Box

Whether they are aware of their actual possibilities at a nomination or not, each year a few countries take the risk of sending a film that defies convention despite having more safe choices. But that is not say they are entirely out of the race, films like “The Missing Picture” and “Dogtooth” prove that sometimes there is room for daring and unique filmmaking. With “Rocks in My Pockets” Latvia is the only country to submit an animated film this year. The film is an inventive and colorful look at depression. Then there is the almost-silent and highly poetic Ecuadorian entry “Silence in Dreamland” and Singapore’s musically driven drama “Sayang Disayang.” However, the boldest selection has to be the Philippines’ “Norte, the End of History” by acclaimed auteur Lav Diaz, which runs over four hours and is inspired by Dostoyevsky Crime and Punishment.

Documentaries

Only two countries chose to go with non-fiction entries. One of them is Panama’s “Invasion,” which deals with the aftermath of the U.S. intervention in that country in 1989. This is the Central American nation’s first ever Oscar submission. The other documentary contending is Portugal’s “ What Now? Remind Me,“ a self-portrait by filmmaker Joaquim Pinto exploring his struggles living with HIV. One should note that Portugal is one of the few countries in Western Europe to have never obtained a nomination in the category despite entering films consecutively for several decades.

Lgbt

Films with stories that highlight sexual diversity occasionally make their way into this list. Last year the only Lgbt title submitted was “ Soongava: Dance of the Orchids,” which surprisingly came from Nepal and dealt with the relationship between two young women in the traditional Asian society. This time around two countries selected films with similar themes. Brazil’s festival darling “ The Way He Looks” – a sweet coming-of-age tale- was an audacious choice among the many other films the South American country produces every year. Then there is Switzerland’s “The Circle” about a pioneering gay publication during the 1940s/1950s in Zurich and the real life relationship between two of its prominent members.

Surprising Choices

As it usually happens, some countries go against what the industry expects and decide to send films that weren’t on most people’s radars. Bulgaria for example selected “Bulgarian Rhapsody” by veteran director Ivan Nitchev over Sundance’s “Viktoria” by young female director Maya Vitkova. Similarly, Ukraine overlooked Cannes favorite “The Tribe”- a powerful drama entirely in sign language - and decided to go with “The Guide” by Oles Sanin. Nevertheless, the most shocking decision came from China. Instead of selecting a Chinese-directed film like Berlin’s Golden Bear winner “Black Coal, Thin Ice” or Zhang Yimou’s “Coming Home,” the Chinese selection committee chose “The Nightingale” by French director Philippe Muyl. Despite having a European helmer the film is authentically Chinese in terms of language and story, but it was still an unexpected move from the traditionally patriotic country.

First Timers

The unprecedented number of entries is in part due to the addition of countries submitting for the first time. Besides aforementioned Panama, there are three other debutant nations in the mix. Kosovo- a tiny Balkan state often associated with the rampart war that afflicted the region a few decades ago - is finally showcasing its film production. Their entry titled “Three Windows and a Hanging” is said to be a high quality, affecting drama. Malta - a European island nation near Italy - is often used as astonishing location for big budget studio films. This year, however, “ Simshar,” a great immigration drama will represent the country. Lastly, Mauritania – a prominently Muslim nation in Sub-Saharan Africa – selected Abderrahmane Sissako’s “Timbuktu,”which played in competition at Cannes,as their inaugural submission. Although Sissako has had several successful films at international festivals, this is the first time his country decides to participate.

Female Directors

Out of the 83 films, 14 were directed by women. That’s 17% of all entries. What’s more interesting is the fact that some of these films come from countries that are often seen as traditionally patriarchal societies. 3 Latin American entries were created by female directors: Colombia’s “Mateo,” Costa Rica’s “Red Princesses” and the Dominican Republic’s “Cristo Rey.” 4 from Asia: Hong Kong’s “ The Golden Era,” India’s “Liar’s Dice,” Japan’s “The Light Shines Only There,” and Pakistan’s “Dukhtar.” 2 from the Middle East: Israel’s “Gett: The Trial of Viviane Amsalem” (Co-directed) and Palestine’s “Eyes of a Thief.” Lastly, 5 films from Europe: The Czech Republic’s “Fair Play,” Finland’s “Concrete Night,” Latvia’s “ Rocks in My Pockets,” Malta’s “Simshar” and the Netherlands’ “Accused.”

U.S. Distribution

Another interesting fact is the number of these films that already have U.S. distribution. Several of them have actually already opened theatrically here, and others are set to open early next year. Out 83 films, 24 already have U.S. distribution. That’s 29% of all films. Hopefully that number increases by the end of the season. The films are: Argentina’s “Wild Tales,” Austria’s “The Dark Valley,” Belgium’s “Two Days, One Night,” Brazil’s “The Way He Looks,” Canada’s “Mommy,” Chile’s “To Kill a Man,” France’s “Saint Laurent,” Germany’s “Beloved Sisters,” Hungary’s “White God,” Israel’s “ Gett: The Trial of Viviane Amsalem,” Italy’s “Human Capital,” Latvia’s “Rocks in My Pockets,” Mauritania’s “Timbuktu,” Mexico’s “Cantinflas,” Norway’s “1001 Grams,” The Philippines “Norte, the End of History,” Poland’s “Ida,” Portugal's "What Now? Remind Me," Russia’s “Leviathan,” Spain’s “Living Is Easy with Eyes Closed,” Sweden’s “Force Majeure,” Switzerland’s “The Circle,” Turkey’s “Winter Sleep,” and Venezuela’s “ The Liberator.”

To see which distribution company has each of these films please refer to the list below.

Afghanistan

"A Few Cubic Meters of Love" (چند متر مکعب عشق)

Dir: Jamshid Mahmoudi

Language: Persian

U.S Distribution: None Yet

Isa: Dreamlab Films

Trailer

Argentina

"Wild Tales" (Relatos Salvajes)

Dir: Damián Szifrón

Language: Spanish

U.S Distribution: Sony Pictures Classics

Isa: Film Factory Entertainment

Trailer

Austria

"The Dark Valley" (Das finstere Tal)

Dir: Andreas Prochaska

Language: German

U.S Distribution: Film Movement

Isa: Films Distribution

Trailer

Australia

"Charlie's Country"

Dir: Rolf de Heer

Language: Yolŋu Matha/English

U.S Distribution: None Yet

Isa: Visit Films

Trailer

Azerbaijan

"Nabat"

Dir: Elcin Musaoglu

Language: Azerbaijani

U.S Distribution: None Yet

Isa: Dreamlab Films

Trailer

Bangladesh

"Glow of the Firefly" (Jonakir Alo)

Dir: Khalid Mahmood Mithu

Language: Bengali

U.S Distribution: None Yet

PC: Impress Telefilm

Trailer

Belgium

"Two Days, One Night" (Deux jours, une nuit)

Dir: Jean-Pierre Dardenne & Luc Dardenne

Language: French/Arabic

U.S Distribution: Sundance Selects

Isa: Wild Bunch

Trailer

Bolivia

"Forgotten" (Olvidados)

Dir: Carlos Bolado

Language: Spanish

U.S Distribution: None Yet

PC: Flor de Loto Pictures

Trailer

Bosnia & Herzegovina

"With Mom" (Sa mamom)

Dir: Faruk Loncarevic

Language: Bosnian

U.S Distribution: None Yet

PC: Scca/pro.ba

TraileR

Brazil

"The Way He Looks" (Hoje Eu Quero Voltar Sozinho)

Dir: Daniel Ribeiro

Language: Portuguese

U.S Distribution: Strand Releasing

Isa: Films Boutique Trailer

Bulgaria

"Bulgarian Rhapsody" (българска рапсодия)

Dir: Ivan Nitchev

Language: Bulgarian

U.S Distribution: None Yet

PC: Cinepaz Eood

Trailer

Canada

"Mommy"

Dir: Xavier Dolan

Language: French/English

U.S Distribution: Roadside Attractions

Isa: Seville International

Trailer

Chile

"To Kill a Man" (Matar a un Hombre)

Dir: Alejandro Fernández Almendras

Language: Spanish

U.S Distribution: Film Movement

Isa: Film Factory Entertainment

Trailer

China

"The Nightingale" (夜莺/Le promeneur d'oiseau)

Dir: Philippe Muyl

Language: Mandarin

U.S Distribution: None Yet

Isa: Kinology

Trailer

Colombia

"Mateo"

Dir: Maria Gamboa ♀

Language: Spanish

U.S Distribution: None Yet

Isa: Alpha Violet

Trailer

Costa Rica

"Red Princesses" (Princesas Rojas)

Dir: Laura Astorga ♀

Language: Spanish

U.S Distribution: None Yet

Isa: Latido Films Trailer

Croatia

"Cowboys" (Kauboji)

Dir: Tomislav Mrsic

Language: Croatian

U.S Distribution: None Yet

Isa: Wide

Trailer

Cuba

"Behavior" (Conducta)

Dir: Ernesto Daranas

Language: Spanish

U.S Distribution: None Yet

Isa: Latido Films

Trailer

Czech Republic

"Fair Play"

Dir: Andrea Sedlácková Andrea Sedlácková

Language: Czech

U.S Distribution: None Yet

Isa: IntraMovies

Trailer

Denmark

"Sorrow and Joy" (Sorg og glæde)

Dir: Nils Malmros

Language: Danish

U.S Distribution: None Yet

PC: Nordisk Film Production

Trailer

Dominican Republic

"Cristo Rey"

Dir: Leticia Tonos ♀

Language: Spanish

U.S Distribution: None Yet

Isa: The Little Film Company

Trailer

Ecuador

"Silence in Dreamland" (El Silencio en la Tierra de los Sueños)

Dir: Tito Molina

Language: Spanish

U.S Distribution: None Yet

PC: La Facultad

Trailer

Egypt

"Factory Girl" (فتاة المصنع )

Dir: Mohamed Khan

Language: Arabic

U.S Distribution: None Yet

PC: DayDream Art Production

Trailer

Estonia

"Tangerines" (Mandariinid)

Dir: Zaza Urushadze

Language: Estonian/Russian

U.S Distribution: None Yet

Isa: Cinemavault

Trailer

Ethiopia

"Difret"

Dir: Zeresenay Mehari

Language: Amharic

U.S Distribution: None Yet

Isa: Films Boutique Trailer

Finland

"Concrete Night" (Betoniyö)

Dir: Pirjo Honkasalo ♀

Language: Finnish

U.S Distribution: None Yet

Isa: Film Republic Trailer

France

"Saint Laurent"

Dir: Bertrand Bonello

Language: French

U.S Distribution: Sony Pictures Classics

Isa: Europacorp

Trailer

Georgia

"Corn Island" (სიმინდის კუნძული)

Dir: George Ovashvili

Language: Georgian/Abkhazian/Russian

U.S Distribution: None Yet

Isa: Arizona Productions

Trailer

Germany

"Beloved Sisters" (Die geliebten Schwestern)

Dir: Dominik Graf

Language: German /French

U.S Distribution: Music Box Films

Isa: Global Screen

Trailer

Greece

"Little England" (Μικρά Αγγλία)

Dir: Pantelis Voulgaris

Language: Greek

U.S Distribution: None Yet

PC: Black Orange

Trailer

Hong Kong

"The Golden Era" (黄金时代)

Dir: Ann Hui ♀

Language: Mandarin

U.S Distribution: None Yet

Isa: Edko Films

Trailer

Hungary

"White God" (Fehér isten)

Dir: Kornél Mundruczó

Language: Hungarian/English

U.S Distribution: Magnolia Pictures

Isa: The Match Factory

Trailer

Iceland

"Life in a Fishbowl" (Vonarstræti)

Dir: Baldvin Zophoníasson

Language: None Yet

U.S Distribution: None Yet

Isa: Films Boutique Trailer

India

"Liar's Dice" (लायर्स डाइस)

Dir: Geethu Mohandas ♀

Language: Hindi

U.S Distribution: None Yet

PC: Jar Pictures Trailer

Indonesia

"Soekarno"

Dir: Hanung Bramantyo

Language: Indonesian

U.S Distribution: None Yet

PC: Mvp Pictures

Trailer

Iran

"Today" (امروز )

Dir: Reza Mirkarimi

Language: Persian

U.S Distribution: None Yet

Isa: Dreamlab Films

Trailer

Iraq

"Mardan"

Dir: Batin Ghobadi

Language: Kurdish

U.S Distribution: None Yet

Isa: Versatile Trailer

Ireland

"The Gift" (An Bronntanas)

Dir: Tom Collins

Language: Irish/English

U.S Distribution: None Yet

PC: Rosg/De Facto Films

Trailer

Israel

"Gett: The Trial of Viviane Amsalem" (Gett: Le Procès de Viviane Amsalem)

Dir: Ronit Elkabetz ♀ & Shlomi Elkabetz

Language: Hebrew/French/Arabic

U.S Distribution: Music Box Films

Isa: Films Distribution

Trailer

Italy

"Human Capital" (Il Capitale Umano)

Dir: Paolo Virzì

Language: Italian

U.S Distribution: Film Movement

PC: Indiana Production Company

Trailer

Japan

"The Light Shines Only There" (そこのみにて光輝く)

Dir: Mipo Oh ♀

Language: Japanese

U.S Distribution: None Yet

Isa: Open Sesame

Trailer

Kosovo

"Three Windows and a Hanging" (Tri Dritare dhe një Varje)

Dir: Isa Qosja

Language: Albanian

U.S Distribution: None Yet

PC: CMb Productions

Trailer

Kyrgyzstan

"Kurmanjan Datka Queen of the Mountains" (Курманжан Датка)

Dir: Sadyk Sher-Niyaz

Language: Kirghiz

U.S Distribution: None Yet

PC: Aitysh Film

Trailer

Latvia

"Rocks in My Pockets" (Akmeņi manās kabatās)

Dir: Signe Baumane ♀

Language: Latvian

U.S Distribution: Zeitgeist Films

Isa: New Europe Film Sales

Trailer

Lebanon

"Ghadi" (غدي)

Dir: Amin Dora

Language: Arabic

U.S Distribution: None Yet

Isa: Fortissimo Films

Trailer

Lithuania

"The Gambler" (Lošėjas)

Dir: Ignas Jonynas

Language: Lithuanian

U.S Distribution: None Yet

Isa: Wide

Trailer

Luxembourg

"Never Die Young"

Dir: Pol Cruchten

Language: French

U.S Distribution: None Yet

Isa: EastWest Distribution

Trailer

MacEdonia

"To the Hilt" (До балчак)

Dir: Stole Popov

Language: Macedonian/French/English/ Turkish

U.S Distribution: None Yet

PC: Triangle Film- Skopje

Trailer

Malta

"Simshar"

Dir: Rebecca Cremona ♀

Language: Maltese

U.S Distribution: None Yet

PC: Kukumajsa Productions

Trailer

Mauritania

"Timbuktu"

Dir: Abderrahmane Sissako

Language: French/Arabic/Bambara/English/Songhay/Tamasheq

U.S Distribution: Cohen Media Group

Isa: Le Pacte

Trailer

Mexico

"Cantinflas"

Dir: Sebastian del Amo

Language: Spanish/English

U.S Distribution: Pantelion Films

Isa: 6 Sales

Trailer

Moldova

"The Unsaved" (La Limita de Jos a Cerului)

Dir: Igor Cobileanski

Language: Romanian

U.S Distribution: None Yet

Isa: Insomnia World Sales Trailer

Montenegro

"The Boys from Marx and Engels Street" (Djecaci iz ulice Marksa i Engelsa)

Dir: Nikola Vukcevic

Language: Serbian

U.S Distribution: None Yet

PC: Artikulacija Production

Trailer

Morocco

"The Red Moon" (القمر الأحمر)

Dir: Hassan Benjelloun

Language: Arabic

U.S Distribution: None Yet

PC: Bentaqerla

Trailer

Nepal

"Jhola" (झोला)

Dir: Yadav Kumar Bhattarai

Language: Nepali

U.S Distribution: None Yet

PC: Media for Culture

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The Netherlands

"Accused" (Lucia de B.)

Dir: Paula van der Oest ♀

Language: Dutch

U.S Distribution: None Yet

Isa: Fortissimo Films

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New Zealand

"The Dead Lands"

Dir: Toa Fraser

Language: Maori

U.S Distribution: None Yet

Isa: Xyz Films

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Norway

"1001 Grams" (1001 Gram)

Dir: Bent Hamer

Language: Norwegian/French/ English

U.S Distribution: Kino Lorber

Isa: Les Films du Losange

Trailer

Pakistan

"Dukhtar" (دختر، بیٹی)

Dir: Afia Nathaniel ♀

Language: Urdu

U.S Distribution: None Yet

PC: Zambeel Films

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Palestine

"Eyes of a Thief" (عيون الحراميه)

Dir: Najwa Najjar ♀

Language: Arabic

U.S Distribution: None Yet

PC: Ustura Films Trailer

Panama

"Invasion" (Invasión)

Dir: Abner Benaim

Language: Spanish

U.S Distribution: None Yet

Isa: Apertura Films Trailer

Peru

"The Gospel of the Flesh" (El Evangelio de la Carne)

Dir: Eduardo Mendoza de Echave

Language: Spanish

U.S Distribution: None Yet

PC: La Soga Producciones

Trailer

The Philippines

"Norte, the End of History" (Norte, Hangganan ng Kasaysayan)

Dir: Lav Diaz

Language: Tagalog/English

U.S Distribution: The Cinema Guild

Isa: M-Appeal World Sales

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Poland

"Ida"

Dir: Pawel Pawlikowski

Language: Polish

U.S Distribution: Music Box Films

Isa: Portobello Film Sales

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Portugal

"What Now? Remind Me" (E Agora? Lembra-me)

Dir: Joaquim Pinto

Language: Portuguese

U.S Distribution: The Cinema Guild

PC: C.R.I.M Productions

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Romania

"The Japanese Dog" (Câinele Japonez)

Dir: Tudor Cristian Jurgiu

Language: Romanian/Japanese

U.S Distribution: None Yet

Isa: M-Appeal World Sales

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Russia

"Leviathan" (Левиафан)

Dir: Andrey Zvyagintsev

Language: Russian

U.S Distribution: Sony Pictures Classics

Isa: Pyramide International

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Serbia

"See You in Montevideo" (Montevideo, vidimo se!)

Dir: Dragan Bjelogrlic

Language: Serbian/Spanish/ English

U.S Distribution: None Yet

PC: Intermedia Network

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Singapore

"Sayang Disayang"

Dir: Sanif Olek

Language: Malay/Indonesian

U.S Distribution: None Yet

PC: ReelJuice

Trailer

Slovakia

"A Step Into the Dark" (Krok do tmy)

Dir: Miloslav Luther

Language: Slovak

U.S Distribution: None Yet

PC: Trigon Production Trailer

Slovenia

"Seduce Me" (Zapelji me)

Dir: Marko Santic

Language: Slovenian

U.S Distribution: None Yet

PC: Radio-Television Slovenia

Trailer

South Africa

"Elelwani"

Dir: Ntshaveni Wa Luruli

Language: Venda

U.S Distribution: None Yet

Isa: EastWest FilmDistribution

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South Korea

"Haemoo" (해무)

Dir: Sung Bo Shim

Language: Korean

U.S Distribution: None Yet

Isa: Finecut

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Spain

"Living Is Easy with Eyes Closed" (Vivir es fácil con los ojos cerrados)

Dir: David Trueba

Language: Spanish

U.S Distribution: Outsider Pictures

Isa: 6 Sales

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Sweden

"Force Majeure" (Turist)

Dir: Ruben Östlund

Language: Swedish/English

U.S Distribution: Magnolia Pictures

Isa: Coproduction Office (Paris)

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Switzerland

"The Circle" (Der Kreis)

Dir: Stefan Haupt

Language: Swiss German/ German/ French

U.S Distribution: Wolfe Video

Isa: Wide House

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Taiwan

"Ice Poison" (冰毒)

Dir: Midi Z.

Language: Burmese/Chinese

U.S Distribution: None Yet

Isa: Flash Forward Enterteinment

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Thailand

"The Teacher's Diary" (คิดถึงวิทยา)

Dir: Nithiwat Tharathorn

Language: Thai

U.S Distribution: None Yet

Isa: Gth

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Turkey

"Winter Sleep" (Kis uykusu)

Dir: Nuri Bilge Ceylan

Language: Turkish/English

U.S Distribution: Adopt Films

Isa: Memento Films International

Trailer

Ukraine

"The Guide" (Поводир)

Dir: Oles Sanin

Language: Ukrainian/Russia/English

U.S Distribution: None Yet

PC: Pronto Film

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United Kingdom

"Little Happiness" (Uzun Yol)

Dir: Nihat Seven

Language: Turkish

U.S Distribution: None Yet

Isa: 7&7 Producers' Sales Services

Trailer

Uruguay

"Mr. Kaplan"

Dir: Álvaro Brechner

Language: Spanish

U.S Distribution: None Yet

Isa: Memento Films International

Trailer

Venezuela

"The Liberator" (Libertador)

Dir: Alberto Arvelo

Language: Spanish/English/ French

U.S Distribution: Cohen Media Group

Isa: Mundial

Trailer...

This year’s European Film Awards are officially out of the gates with a not so lean 50 film submissions to select from. The 27th edition collects titles that date back to last year’s Venice and Toronto Int. Film Festivals moving into Sundance-Rotterdam-Berlin and finally Cannes of ’14. Among the 31 European countries represented, we’ve got likes of the Palme d’Or winner Nuri Bilge Ceylan leading the huge pack of contenders including Jonathan Glazer’s Under the Skin and Pawel Pawlikowski’s Ida. Here’s the complete list of 50!:

Alienation

ОТЧУЖДЕНИЕ (Otchujdenie)

Bulgaria

Directed By: Milko Lazarov

Written By: Milko Lazarov, Kitodar Todorov & Georgi Tenev

Produced By: Veselka Kiryakova

Amour Fou

Austria/Luxembourg/Germany

Written & Directed By: Jessica Hausner

Produced By: Martin Gschlacht, Antonin Svoboda, Bruno Wagner, Bady Minck, Alexander Dumreicher-Ivanceanu & Philippe Bober

Beautiful Youth

Hermosa Juventud

Spain/France

Directed By: Jaime Rosales

Written By: Jaime Rosales & Enric Rufas

Produced By: Jaime Rosales,...

Early predictions have emerged for most Academy Award categories. As the studios reveal their hopeful offers to be released in the final months of the year, the speculation increases. But despite all the information available on the centerpiece awards, other more obscure races remain a complete mystery at this point. Among these, the Best Foreign Language Film Oscar is almost certainly the most complex to prognosticate. The lengthy process that precedes the announcement of the final nominees makes for a competition that begins months in advance in nations around the globe.Having the opportunity to submit only one film, each country must carry out its own selection process. Once these decisions have been made, their chosen works will compete to make it to the nine-film shortlist, and eventually into the final five slots. Although this procedure allows for a certain degree of democracy, it also excludes all those other films that were left behind in their homelands. This, in turn, gives us a narrow view of what is being produced abroad.

Therefore, after lots of research and arduous educated guessing to put it together, the list below offers a more insightful look at this race before the actual individual selections are announced. For the sake of time, the amount of films is limited to five per country, but in some cases the choices are scarcer and less films are listed. While trying to speculate is always an uncertain endeavor, the factors taken into account to determine which are some of this year’s most important films in each country and their prospects of being chosen as their representative at the Academy Awards, were varied. Festival exposure, release date, the country’s previous submissions, and even the thematic elements of a few of them were considered to create this piece.

Clearly nothing is definitive at this point, but at the very least, this compilation will provide a sense of what the film industries in these territories are putting out and sharing with the world.

Read More: Oscars 2015 : Best Foreign Language Film Contenders - The Americas

Here is the first part of the list on Europe (Albania -Lithuania)

Albania

Last year the Balkan state had one of its strongest contenders in recent history, Robert Budina’s “Agon,” a powerful drama dealing with the ethnic identity of the region. This time around, there are three films that qualify to be selected. The front-runner is “ Amsterdam Express, ” which has the highest international profile of the three being a co-production between Albania, U.K The Netherlands and Germany. The film explores the sociopolitical situation of the country through the eyes of an Albanian man who immigrates to Dutch territory illegally. Following along are two other dramas, “The Last Wish” (Amaneti) and “Ada.” Having three clearly viable options, it is almost certain that Albania will compete once again this year.

1. "Amsterdam Express" PC: F&Me

2. "The Last Wish" (Amaneti) PC: Media Vision

3. "Ada" PC: Concordia Pictures

Armenia

Having submitted only four times as an independent nation, it is difficult to predict whether Armenia will decide to participate this year. However, they do have a few films that could represent them at the Academy Awards. Even though the country’s film industry is still precarious and struggling, they have their own annual awards and consistently complete feature length works. Since many of them don’t fulfill the quality standards of major festivals, few of their offers ever get passed their border. The most feasible candidate this year is “Tevanik,” a film about the Karabakh war that screened at the Cannes film market and that has also screened theatrically in its home country. Another possible selection is dark comedy “The Romanticists,” which won the Best Screenplay award at the Hayak National Cinema Awards and had some international exposure. Drama “From Two Worlds as a Keepsake, ” could also be a good candidate as it premiered last year at the World Film Festival in Montreal. Less likely are comedy “The Heart in the House ,” a Russian co-production, and Hayak Best Film nominee “Caucho,” which might be a bit too avant-garde to be chosen.

1. "Tevanik" PC: Fish Eye Art

2. "The Romanticists" (Rromantiknery) PC: Aysor-Plus Film Productions

3. "From Two Worlds as a Keepsake" (Yerku ashkharhic i hishatak) PC: National Film Centr of Armenia

4. "The Heart in the House" (Domik v serdtse) PC: Berg Sound

5. "Caucho"

Austria

Since Austrian productions are heavily influenced by the German film industry and often intertwined with it, it is no surprise that the major winner at the German Film Awards was the co-production “The Dark Valley.” But given that the director Andreas Prochaska is Austrian, as well as most of the creative control and resources, the Germans couldn’t claim it as their own. This, and the fact that Sam Riley is in it, make it an ideal, high profile candidate to be Austria’s Oscar submission. Nominated for five awards in the past Austrian Film Awards, “October November” is also a descent candidate. A close third followed is “The Last Dance” the latest film by Houchang Allahyari, whose film “I Love Vienna” represented the country a couple decades ago. Then we have “ Soldier Jane,” which also nominated for Best Film at the National Awards. Lastly, “The Silent Mountain, “ an epic period piece about World War I is not entirely far fetched. Other films that have had positive receptions at festivals such as “Macondo,” or “Amour Fou” will be released closer to the end of the year.

1. "The Dark Valley" (Das Fisntere Tal) Isa: Films Distribution

2. "October November" (Oktober November) Isa: The Match Factory

3. "The Last Dance" (Der letzte Tanz) PC: Allahyari Filmproduktion

4. "Soldier Jane" (Soldate Jeannette) Isa: Premium Films

5. "The Silent Mountain" ( Der Stille Berg) Isa: Premiere Entertainment Group

Azerbaijan

It's always great to see a country like Azerbaijan submitting a film and making an attempt at getting exposure for their filmmakers and industry. Their films rarely make it to the world stage of glamorous festivals, thus they remain mostly obscure and inaccessible outside their homeland. Nevertheless, this year an Azerbaijani film, “Nabat,” could change that as it will screen at the Venice Film festival. This war film has already screened in the country at least at a special event, it is difficult to know if it will qualify this time around. If it does, it is their best bet. Should they decide to save it for next year, the country has another option of mild prestige. “Chameleon,” a small drama set in a remote village, screened last year at Locarno and that alone could help its chances. Lastly, there is “Down by the River,” which was part of the Karlovy Vary Film Festival selection. It will almost certainly be released until past the deadline, but might be a strong contender in the future. Two other dramas, one of epic proportions and a biopic could get in the mix but there is hardly any information available besides the fact that they have been screened in the capital city of Baku.

1. "Nabat" Isa: Dreamlab Films

2. "Chameleon" (Buqälämun) PC: Arizona Productions

3. "Down the River" (Axinla ashagi) PC: Azerbaijanfilm

Belarus

The small ex-Soviet state has been mostly producing documentaries for local viewing. Their output of material that can be successful abroad is minimal, and even when they have been presented with a great opportunity to participate at the Academy Awards, they simply don’t. This was the case of Sergey Loznitsa's “In the Fog” a couple years back, which could have represented them but was not entered. In fact, they have only participated on two occasions, the last one being in 1996. Although it is unlikely they will show interest, the country has a couple of promising choices. Belarus’ best bet would be the international coproduction “ The Role,” a solemn period piece that was nominated for five Nika Awards (the Russian Oscars) and actually won for Best Screenplay. Highly improbable, but given their small number of contenders, the country could also choose to send “BaBu,” an Azerbaijani coproduction about the kidnapping of a businessman’s daughter.

1. "The Role" (Rol) Isa: Reflexion Films

2. "BaBu"

Belgium

With the return to Cannes of the country’s most iconic filmmakers, the Dardenne Brothers, Belgium has an easy decision to make. Starring Oscar-winner Marion Cotillard, “Two Days, One Night” looks like the obvious favorite. Nevertheless, the Dardennes have been overlooked before, as it was the case two years ago when the Belgians decided to send “Bullhead” over the duo’s “The Kid with a Bike.” The only real threat could be “Marina” by Stijn Coninx, who was nominated for an Oscar in this category back in 1992 with “Daens.“ His latest work is a period piece about Rocco Granata’s life, an Italian singer who lived in Belgium in his youth. A more audacious decision, but not entirely impossible, would be to select the beautifully nightmarish “The Strange Color of Your Body’s Tears,” which has had noticeable international presence. Two other titles, “ The Verdict” and “The Treatment” have been well received at home but since they are facing works by revered filmmakers, their chances are slight.

1. "Two Days, One Night" (Deux jours, une nuit) Isa: Wild Bunch

2. "Marina" Isa: Media Luna New Films

3. "The Strange Color of Your Body's Tears" (L'étrange couleur des larmes de ton corps) Isa: Bac Films International

4. "The Verdict" (Het Vonnis) Isa: Media Luna New Films

5. "The Treatment" (De Behandeling) Isa: Be for Films

Bosnia & Herzegovina

The last film by the poster child for Bosnian cinema, Danis Tanovic, managed to make it to the 9-film shortlist last December. This year, the country doesn’t have such a prominent candidate. Based on release date, festival exposure, and language, their safest selection would be the family drama “ With Mom.” Another title that could qualify is “Krivina,” which is technically a 2012 film, but did not premier in Bosnia until late last year. If eligible, it would definitively be a great runner-up. In third place is the incredibly small local film “ Krajina: Life or Death,” and it’s in that position simply because it meets all the minimum requirements to qualify - language included. The last two films mentioned here are longer shots not due to lack of quality, but because of their production details. One, “Bridges of Sarajevo,” is an anthology film created by over a dozen filmmakers from around the world. Even though one of the filmmakers is Bosnian and all sections are in a language other than English, it will be hard to consider it an actual Bosnian film. The other, “For Those Who Can Tell No Tales,” is a Bosnian production directed by Jasmila Zbanic, but the dialogue seems to be mostly in English, which would make it ineligible.

1. "With Mom" (Sa Mamom) PC: Scca/Pro.BA

2. "Krivina" Isa: Princ Films

3. "Krajina: Life and Death" (Ja sam iz Krajine, zemlje kestena) PC: Depo Production

4. "Bridges of Sarajevo" (Les Ponts de Sarajevo) Isa: Indie Sales

5."For Those Who Can Tell No Tales" (Za one koji ne mogu da govore) PC: Mpm

Bulgaria

In recent years the country has decided to send films that have won or have been nominated for their local film awards. This year the winner of the top award for Best Film was “Alienation,” seemingly making it the favorite to be submitted. This might actually not be the case. Premiering at Sundance earlier this year, “Viktoria,” an epic drama about a peculiar mother-daughter relationship, might actually be the frontrunner. The film has been rightfully hailed as the most important Bulgarian film of 2014 as it has been praised at several international festivals. The only concern was its release date, but that has been put to rest since the filmmakers have announced a one-week theatrical run of the film in Sofia this September. This might imply they are seriously considering the possibility of being chosen. Other less likely options are “Roseville,” another Best Film nominee at the local film awards, “Rat Poison,” which won Best Screenplay at those same awards, and the comedy “ Living Legends.” “The Judgement,” another important Bulgarian film that opened the Sofia International Film Festival in March, won’t opened theatrically until after the deadline.

1. "Viktoria" PC: Viktoria Films

2. "Alienation" PC: Red Carpet/ Bnt

3."Roseville" Isa: Wide

4. "Rat Poison" PC: Bulfilm Nfc

5. "Living Legends" PC: Euro Dialogue Productions

Croatia

Dominating last year’s Pula Film Festival with seven Golden Arena awards and presented at other international festivals, the drama “ A Stranger” is by far the most qualified choice. Bobo Jelcic’s film follows a man who returns to his hometown only to attend a funeral, but is forced to deal with several other issues from his past while there. Closely following is complex family drama “Hush…,” which also won several awards at the same festival. Other films that could come into play include “Vis-à-Vis,” a story about a film director and on his actor trying to write a screenplay, crime thriller “Not All About the Money, ”and the comedy “Handymen” by Dalibor Matanic, whose film “Fine Dead Girls” represented Croatia in 2002. It is important to note that three other relevant Croatian films, “The Bridge at the of the World,” "Number 55” and “The Reaper,” will probably be released in the next few months and will be in the running next year.

1. "A Stranger"(Obrana i zastita) Isa: Rendez-vous Pictures

2. "Hush..." (Šuti) PC: Kinorama

3. "Vis-a-Vis" PC: Copycat Production House

4. "Not All About the Money" (Nije sve u lovi) PC: Interfilm

5. "Handymen" (Majstori) PC: Hrvatska Radiotelevizija

Cyprus

As one of the few countries in Europe that has never submitted a film, it is likely they will continue on that path once again. Yet, if they decide otherwise, there is a film that could represent them. Crime drama “Stratos” directed by Cyprus-born Yannis Economides and produced with support from the Cyprus Ministry of Education and Culture could actually be the island nation’s lucky charm. Another Cypriot production, the romantic comedy “ Committed,” would be listed here as a possibility if it wasn’t for the fact that it is entirely in English.

1. "Stratos" (To Mikro Psari) Isa: The Match Factory

Czech Republic

Last year was rough for the Czechs. The ambitious historical courtroom drama “Burning Bush” by acclaimed filmmaker Agnieszka Holland, was disqualified as their submission because it was originally conceived as a TV miniseries. They were forced to select another film “The Don Juans,” which that didn’t do much them. This time around things are looking up with a wide array of films to choose from. Playing at Karlovy Vary recently and opening theatrically just in time to qualify is “Fair Play,” a sports drama about a sprinter attempting to make it to the Olympic Games in 1980. Then there is “Clownwise, ” a quirky dramedy that was nominated for Best Film and won Best Supporting actor at the local Czech Lion Awards. In the third spot is “Hany,” a film conformed of a single continuous shot depicting the madness occurring during a night out in the city. “The Way Out, ” a drama that screened in the Acid sidebar at Cannes, could also be picked based on that notable international exposure. Lastly, “Delight,” another Czech Lion Best Film nominee, could be the surprise selection, but it will probably prove to be a tad too abstract for voters.

1. "Fair Play" Isa: Intramovies

2. "Clownwise" (Klauni) Isa: Latido

3. "Hany" PC: Barletta

4. "The Way Out" (Cesta Ven) Isa: Premium Films

5. "Delight" (Rozkos) PC: Cineart TV Prague

Denmark

These days Denmark is a powerhouse in this category. After almost tasting glory once again with Vinterberg’s “The Hunt, ” the Danish will return to seek their third consecutive nomination. In order to continue their great streak, they need to choose wisely. “Someone in Love,” about a musician in crisis, has garnered praise from critics internationally, and will seem like the obvious choice. On the other hand, there is the mystery flick “ The Keeper of Lost Causes,” which opened in Denmark late last yearand was nominated for 4 Bodil Awards. Then there is “Sorrow and Joy” another powerful drama from Nils Malmros, whose film “Barbara” represented Denmark in 1992. Unique coming-of-age tale ”Speed Walking” could also be a contender. On the final slot there is the romantic drama “The Miracle,” a film that did well at the Montreal World Film Festival, unlikely but not impossible. Whichever it is, it will certainly be something to watch out for throughout the race.

1. "Someone You Love" (En du elsker) Isa: TrustNordisk

2. "The Keeper of Lost Causes" (Kvinden i buret) Isa: TrustNordisk

3. "Sorrow and Joy" (Sorg og glæde) PC: Nordisk Film Production

4. "Speed Walking" (Kapgang) PC: Nordisk Film Production

5. "The Miracle" (Miraklet) PC: Film i Vast

Estonia

This Baltic country’s film industry has increasingly become more consistent at delivering interesting films. Winning awards across festivals, their absolute frontrunner is “Tangerines, ” a Georgian coproduction about a Estonian man caught up in the middle of a war. Its biggest competition is the black and white historical film “In the Crosswind,” “which is a viable choice given that it deals with a painful episode in the region's history: the mass deportation of Baltic people to Siberia by Russia. Though it looks beautifully done, its particular visual aesthetic might seem to unconventional to some voters. It is still really possible they decide to send it regardless. Finally there is “ Kertu” a romantic drama about an unlikely relationship.

1. "Tangerines" (Mandariinid) Isa: Cinemavault

2. "In the Crosswind" (Risttuules) PC: Allfilm

3. "Kertu, Love is Blind" (Kertu) Isa: Paul Thiltges Distribution Sarl

Finland

Despite the countries long filmmaking tradition, the Finnish have only been nominated once for Aki Kaurismäki's “The Man Without a Past” in 2002. Fortunately for them, they have several great eligible films that will make for a difficult decision. Black and white philosophical drama “ Concrete Night” from Pirjo Honkasalo earned 6 Jussi Awards, given by Finland’s film professionals. Such overwhelming recognition will make it hard to ignore despite the serious competition. The film also had a great festival run. Right behind it are two films by prolific Dome Karukoski, who has represented his country at the Oscar previously. The first one is “The Grump,” a comedy based on the character created by Tuomas Kyro. It will screen at Tiff and will open locally just in time to qualify. Karukoski’s other film “Heart of a Lion,” tells a more serious story about a Neo-Nazi who reconsiders his views after falling in love. Either one of them could be picked as a way to honor the consistently great work this filmmaker puts out. Yet another interesting possibility is “Korso,” about a young man with big basketball dreams. The film was partially produced by the same company that created last year’s Oscar nominated short “Do I Have to Take Care of Everything?” There are several other plausible films, but from all those, the one that seems to have the best prospects is the historical comedy “August Fools.”

1. "Concrete Night" (Betoniyö) Isa: Film Republic

2. "The Grump" (Mielensäpahoittaja) Isa: The Yellow Affair

3. "Heart of a Lion" (Leijonasydän) Isa: The Yellow Affair

4. "Korso" PC: Bufo/Tuffi Films

5. "August Fools" (Mieletön elokuu) Isa: Insomnia World Sales

France

Narrowing down France’s possible selection to five titles is by far one of the must uncertain and difficult tasks. The French film industry releases a vast number of films every year in a variety of genres and sizes. This gives them endless possibilities. Yet, there are some indicators that provide insight to what they might end up choosing. First off, the Cesar Awards. This year’s big winner was Guillaume Gallienne's “Me, Myself and Mum, ” which is a delightfully funny film that shines with originality. It was released last November and could definitely be their selected entry. On the other hand, they could choose to honor legendary filmmaker Alain Resnais- who past away earlier this year - by submitting his last film “Life of Riley.” The film received mixed reactions, but won the Fipresci Prize and the Alfred Bauer Award in Berlin. If they want to go with some fresh young talent, there is Cannes Directors' Fortnight Winner “Love at First Sight, ” the debut feature by Thomas Cailley. Another award winner that qualifies is Katell Quillévéré’s “Suzanne” about a woman that loses it all for the love a deviant man. Last but not least, Mathieu Amalric’s latest directorial effort “The Blue Room” could be a surprise player given the actor’s prestige and talent both in front and behind the camera. It is still up in the air.

1. "Me, Myself and Mum" (Les Garçons et Guillaume, à table!) Isa: Gaumont

2. "Life of Riley" (Aimer, boire et chanter) PC: F Comme Film

3. "Love at First Sight" (Les Conbattants) PC: Nord-Ouest Productions

4. "Suzanne" Isa: Films Distribution

5. "The Blue Room" (La Chambre Bleue) Isa: Alfama Films

Georgia

Impressively on the rise, the Georgian film industry keeps on delivering great works that often make waves across international festivals. Last year’s submission “In Bloom,” was a great success and managed to get U.S. distribution for a small theatrical release. On this occasion, they have three films that have done well internationally. Out of the batch, the most successful has been Levan Koguashvili’s “Blind Dates, ” a charming story of a unique quest for love. A second strong competitor is “Brides,” a drama that screened both at the Berlinale and Tribeca this year. Then, just fresh from winning at Karlovy Vary, there is “Corn Island,” a poetic vision of life from the perspective of rural Georgia. It appears like all three titles will release at home in time to qualify. If that’s the case, Georgia has a tough decision to make

1. "Blind Dates" (Shemtkhveviti paemnebi) Isa: Films Boutique

2. "Brides" (Patardzlebi) Isa: Rezo

3. "Corn Island" (Simindis kundzuli) PC: Arizona Productions

Germany

After releasing a 15-film shortlist, Germany’s prospects look clearer. There are several titles on the list that won’t merit a nomination, but the prominent film that remain will make for a competitive final selection. Winning two prizes in Berlin, “Stations of the Cross,” a look at fundamentalist Catholicism, sounds like a front-runner. However, its subject matter might play against it. Feo Aladag’s latest film “Inbetween Worlds,” about a German soldier in Afghanistan, seems to be a powerful drama on the vein of Susanne Bier’s “In a Better World.” On the third slot is “West,” a moving film about a woman and her son escaping socialist East Germany to discover the other side also has its darkness. Then there is “Beloved Sisters,” a costume drama that seems like a safer choice. It might be too familiar to be selected, but not at all improbable. Lastly, “Home from Home,” which won several national awards. It'ss possible, but its narrative style and extensive running time (225 min.) might make it a much more harder sell.

1. "Stations of the Cross" (Kreuzweg) Isa: Beta Cinema

2. "Inbetween Worlds" (Zwischen Welten) Isa: The Match Factory

3. "West" (Westen) Isa: Picture Tree International

4. "Beloved Sisters" (Die geliebten Schwestern) PC: Bavaria Film

5. "Home from Home - Chronicle of a Vision" (Die andere Heimat - Chronik einer Sehnsucht) Isa: Arri Worldsales

Greece

Even though it not an absolute rule, the Greeks tend to select the Hellenic Awards Best Film winner as their submission. Taking that into account, the clear favorite and almost certain choice is “Little England,” a period piece that won big locally. It’s biggest flaw; however, is the lack of international exposure. If for some reason they wanted to make a bold move and reward an impressive festival run, then Alexandros Avranas’s marvelously perverse “Miss Violence” would be ideal. Another great festival darling is Elina Psikou‘s feature debut “The Eternal Return of Antonis Paraskevas,” a sardonic exploration on fame and identity. On the fourth spot, there is “ The Enemy Within,” a tense crime drama about a family in the aftermath of a home invasion. The film was also honored at the Hellenic Awards. Finally, “Standing Aside, Watching,” about corruption, sexism, and intimidation in a small village, could also be a great entry. Un Certain Regard film “Xenia” by Panos H. Koutras, won’t open in Greece until October, but will be a possible option next year.

1. "Little England" (Mikra Anglia) PC: Black Orange

2."Miss Violence" Isa: Elle Driver

3."The Eternal Return of Antonis Paraskevas" (I Aionia Epistrofi tou Antoni Paraskeva) Isa: M-Appeal World Sales

4."The Enemy Within" (O Ehthros Mou) Isa: Patra Spanou

5. "Standing Aside, Watching" (Na kathesai kai na koitas) Isa: Patra Spanou

Hungary

Hungary’s last submission “The Notebook” managed to make it into the highly competitive 9-film shortlist. This year they have even brighter hopes with a slate of titles that have done very well around the world. Un Certain Regard winner “White God” is undoubtedly the one to beat. It is a rare occasion for the country to win such a high profile prize, thus making it almost impossible to ignore. Nevertheless, if that is not enough to convince the selection committee, “Free Fall” the latest film György Pálfi - whose films “ Hukkie” and “Taxidermia” have represented Hungary in the past - would be the next best choice. It also won several awards recently at Karlovy Vary, which could be of help. Less likely is Virág Zomborácz‘s “Afterlife” another drama that screened at the renowned Czech festival. Other possible titles include Lgbt romantic drama “Land of Storms, “ which screened in Berlin, and dark “ “Heavenly Shift,” which descent international presence.

1. "White God" (Fehér isten) Isa: The Match Factory

2. "Free Fall" (Szabadesés) PC: Jiff Project

3. "Afterlife" (Utóélet) Isa: Hungarian National Film Fund

4. "Land of Storms" (Viharsarok) Isa: M-Appeal World Sales

5. "Heavenly Shift" (Isteni müszak) Isa: Hungarian National Film Fund

Iceland

This small Scandinavian nation seems to have a very easy decision to make. The film “Life in a Fishbowl” has been dubbed by local critics as “the best Icelandic” film ever made” and it has also been an absolute box-office hit in its homeland. The multi-narrative film is by far the most likely to be submitted. However, its closest competitor is Ragnar Bragason‘s “ Metalhead,” a drama about a girl coping with her brother’s death. It was released late last year and won several Edda Awards. With far less possibilities given the two frontrunners is the dramedy “Paris of the North, ” which screened at Karlovy Vary, and comedy “ The Grandad,” which lacks exposure and buzz.

1. "Life in a Fishbowl" (Vonarstræti) Isa: Films Boutique

2. "Metalhead" (Málmhaus) Isa: Picture Tree International

3. "Paris of the North" (París Norðursins) PC: Arizona Productions

4. "The Grandad" (Afinn) PC: Thorsson Productions

Ireland

Since most of country’s releases are in English rather than in the Irish language, most years the country doesn’t have any candidates for this category. Ireland has only submitted to films for consideration as foreign language films. It is unlikely they’ll enter the race this year, but if it manages to be released in time, Irish director Johnny O'Reilly‘s Russian-language film “Moscow Never Sleeps” could be their selected candidate. The film was produced with the help of the Irish Film Funs, a fact that could help claim it as an Irish production. Another film in the Irish language, “An Bronntanas” (The Gift), would be a great choice, but it seems to be originally envisioned for TV as a five part miniseries. It’s hard to know if it will manage to qualify.

1. "Moscow Never Sleeps" (Москва никогда не спит) PC: Snapshot Films

Italy

Returning as current champion, Italy - which is the most successful nation ever in this category – has two main contenders and a couple other minor players. At the top of the list is “Human Capital,” which beat out “The Great Beauty” at the local David di Donatello Awards. Added to that, the film has won almost every award at home and several others abroad. It would be shocking to see the film be ignored. The biggest threat to its flawless run is Cannes Competition film “The Wonders.” It received mixed reviews but the Cannes pedigree could play a big role. Local success “The Mafia Only Kills in Summer” is less likely to have a chance. However, it also received tons of praise at home, so it shouldn’t be entirely disqualified. “Misunderstood,” by Asia Argento, played in the Un Certain Regard section but faces tough competition. Rounding up these five possibilities is “Those Happy Years, ” a personal film by Daniele Luchetti, which received very positive reviews internationally.

1. "Human Capital" (Il capitale umano) PC: Indiana Production Company

2. "The Wonders" (Le meraviglie) Isa: The Match Factory

3. "The Mafia Only Kills in Summer" (La mafia uccide solo d'estate) Isa: Rai Com

4. "Misunderstood" (Incompresa) Isa: Other Angle Pictures

5. "Those Happy Years" (Anni felici) Isa: Celluloid Dreams/Nightmares

Kosovo

The surprise submission could come from the recently independent, war-torn Balkan state. They have a promising feature film by Isa Qosja's “Three Windows and a Hanging,” which has been called “the best film from Kosovo to date.” Dealing with the forced silence and shame rape victims experience in a small village ruled by patriarchal norms, the film seems to be a perfect candidate to be their first submission. It recently premiered at the Sarajevo Film Festival, so its biggest challenge would be qualifying based on its unknown release date at home.

1. "Three Windows and a Hanging"

Latvia

Unfortunately for Latvia, their possibilities are extremely limited this year. There are only two films that seem as possible candidates. One is the slasher horror film “The Man in the Orange Jacket.” It sports a great production value and might be an interesting offer, but it is hard to see it get far in the race. Nonetheless, it is still their best chance. The other film "Escaping Riga" is a documentary on historical figures Sergei Eisenstein and Sir Isaiah Berlin. Given its subject matter it wouldn’t be surprising if they chose to with this. Hopefully next year their output gives them more to pick from.

1. "The Man in the Orange Jacket" (M.O.Zh.) Isa: Wide

2. "Escaping Riga" PC: Mistrus Media

Lithuania

Opposite to its Baltic neighbor mentioned above, Lithuania has several notable films that could represent them. After winning the top prizes at the Lithuanian Silver Crane’ awards, “The Gambler” became the clear favorite. However, it is important to mention that despite having narrative features to choose from, Lithuania decided to send a small documentary to represent them last year. This curious fact could play in favor of “ Cenotaphs,” a doc focusing on the search for the remains of dead soldiers from World War II. The film won Best Documentary and was nominated in other categories at the local awards. Then there are three other Silver Crane nominated films. Coming-of-age flick “ Non-Present Time,” family drama “Santa,” and crime thriller “Name in the Dark.” The winner of several of these awards, “The Excursionist” was released too early last year to be considered this time around. Local financial success “Redirected” is mostly in English, thus ineligible.

1. "The Gambler" (Losejas) Isa: Wide

2. "Cenotaph" (Kenotafas) PC: Studio Uljana Kim

3. "Non-Present Time" (Nesamasis laikas) PC: Just a Moment

4. "Santa" PC: Artbox

5. "Name in the Dark" (Vardas tamsoje) PC: Fralita Films...

Rome -- Paolo Virzi's The Human Capital (Il capitale umano) won the David di Donatello Award for best film, while Paolo Sorrentino won best director for his work on Oscar winner The Great Beauty (La grande belezza). The Human Capital and The Great Beauty dominated the nominations, with 19 and 18, respectively, and both left the show highly decorated. Photos: Cannes: THR's Photo Portfolio With Cate Blanchett, Channing Tatum, Kristen Stewart But it was 79-year-old diva Sophia Loren who stole the show. As in Cannes, she was honored for her work in The Human Voice (La voce umana), a short

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Rome – Paolo Virzi’s The Human Capital (Il capitale umano) continued its romp through the first phase of Italian film award season, garnering multiple nominations for both the Nastri d’Argento (Silver Ribbons) awards and Italy’s version of the Golden Globes. The film already totaled 19 nominations for the David di Donatello honors, one more than Paolo Sorrentino’s Oscar winner The Great Beauty (La grande bellezza). The title is a delecate drama about two families whose fates become intertwined through a cyclist hit on a road before Christmas. Now, added to its award nomination totals are eight nominations -- more than any other

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Valeria Bruni Tedeschi and Valeria Golino at the Tribeca Film Festival for Paolo Virzì's Human Capital (Il Capitale Umano) Photo: Anne-Katrin Titze

In my conversation with Paolo Virzì on his dynamic exploration of guilt and innocence in Human Capital (Il Capitale Umano), he described the relationship between Carla (Valeria Bruni Tedeschi) and her successful husband Giovanni (Fabrizio Gifuni) as "completely desperate and unhappy." Valeria Golino plays pregnant Roberta, married to Dino (Fabrizio Bentivoglio). They have their own kind of disenchantment which Virzì says, "comes really from a true observation of the reality of our middle class."

Valeria Golino as Roberta: "I have the identity and she [Carla] has the good life."

Human Capital is a tale of people trapped in the wheels of money, prestige and unfulfilled longings, disguised as a thriller. Some create the wheels, some spin them and others run in them. Two families are tied together by...

Paolo Virzi on Human Capital: "Money knows no borders."

When I spoke with Paolo Virzì the day before the Tribeca Film Festival Us premiere of his film Human Capital (Il Capitale Umano) we discussed Alexander Payne with a touch of Como, George Clooney's clothes in The Descendants, François Truffaut's La Peau Douce, guilt, his choice of music from Amy Winehouse to Vivaldi and the impact a sweet and sour Frank Sinatra Christmas rendition can have.

Valeria Bruni Tedeschi as Carla and Valeria Golino as Roberta give brilliant performances entangled in the web of what is perhaps the most revolting selection of male characters in a film I have seen at least this year. Fabrizio Gifuni and Fabrizio Bentivoglio play two of the men in their lives.

Human Capital director Paolo Virzì with Anne-Katrin Titze on globalization: "We seem like each other more than before." Photo: Will Carrington

On...

By the looks of it, the Tribeca Film Festival might finally be growing out of their awkward teenage phase and moving into a new era where the nab more than just Sundance and SXSW festival rejects. Artistic Director Frederic Boyer has managed to nab some noteworthy American indie projects such as Lou Howe’s Gabriel (see pic above), Keith Miller’s Five Star, Adam Rapp’s Loitering with Intent, and Tristan Patterson’s Electric Slide.

On the docu front, we’ve got the latest from the likes of notable documentarians Marshall Curry and Jessica Yu. Think Ewan McGregor’s Long Way Round meets child solider movie for Curry’s awesomely titled Point and Shoot — where the Libyan rebel army take hold of Curry’s subject. Yu moves from water shortage in Last Call at the Oasis (read our review) to the biggest pandemic of all; Misconception looks at the consequences...

The 13th Tribeca Film Festival has announced half its slate for next month’s New York celebration, which runs April 16-27. Culled from more than 6,000 submissions, Tribeca 2014 includes 55 world premieres, 37 first-time filmmakers, and 22 female directors. “Variously inspired by individual interests and experience and driven by an intense sensibility of style, the array of new filmmaking voices in this year’s competition is especially impressive and I think memorable,” said Frederic Boyer, Tribeca’s artistic director. “The range of American subcultures and international genres represented here are both eclectic and wide reaching.”

On April 17, Gabriel will open the World Narrative competition,...

Tribeca Film Festival top brass have announced (4) the World Narrative and Documentary Competition film selections and Viewpoints titles, comprising 47 of the 89 features that will screen at the festival over April 16-27.

The World Narrative Feature Competition will open with the world premiere of Lou Howe’s Gabriel starring Rory Culkin, while the corresponding documentary category kicks off with the world premiere of Frédéric Tcheng’s Dior And I (pictured).

Viewpoints opens with the world premiere of Onur Tukel’s Summer Of Blood and the section includes the North American premiere of Diao Yinan’s Berlin Golden Bear winner Black Coal, Thin Ice as well as the Us premiere of David Mackenzie’s Starred Up.

All three sections will commence on April 17. As previously announced, the 2014 Tribeca Film Festival will open with documentary Time Is Illmatic a day earlier.

Overall the festival will screen features from 32 countries including 55 world premieres, six international premieres, 12 North American...