Aceptación de las diferencias entre robot y humano. La humana Aline lucha contra el alcoholismo, teniendo la conciencia de un compañero muerto. El androide Carlos no puede reconstruir la fam... Leer todoAceptación de las diferencias entre robot y humano. La humana Aline lucha contra el alcoholismo, teniendo la conciencia de un compañero muerto. El androide Carlos no puede reconstruir la familia rota que dejó su tocayo.Aceptación de las diferencias entre robot y humano. La humana Aline lucha contra el alcoholismo, teniendo la conciencia de un compañero muerto. El androide Carlos no puede reconstruir la familia rota que dejó su tocayo.
- Dirección
- Guionistas
- Elenco
- Premios
- 8 premios ganados y 7 nominaciones en total
Marthe Keller
- Beryl
- (voz)
Geneviève Doang
- Jun Chow
- (voz)
- …
Thomas Roditi
- Lem
- (voz)
Thierry Jahn
- Vlasek
- (voz)
- …
Serge Faliu
- Faux M. Chow
- (voz)
- …
Eilias Changuel
- Gilbert
- (voz)
- (as Elias Changueul)
- …
Bárbara Del Sol
- Mme Viger
- (voz)
- …
Nathalie Karsenty
- Jeanine
- (voz)
- …
Usul
- Professeur
- (voz)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The world building really elevated this movie. It felt like there was a tv season's worth of material compressed into a 1.5 hour movie, but it worked, and it worked wonderfully. The world world was well thought-out, everything fit together well.
It's about a private investigator and her robot partner investigating the disappearance of a college student. As we learn more about the case, we also learn about the world this story is set in. This movie is like a perfect showcase for "show, don't tell". There's very little exposition, if any.
It's one of the best sci-fi movies I've watched recently, animated or otherwise. Highly recommended.
It's about a private investigator and her robot partner investigating the disappearance of a college student. As we learn more about the case, we also learn about the world this story is set in. This movie is like a perfect showcase for "show, don't tell". There's very little exposition, if any.
It's one of the best sci-fi movies I've watched recently, animated or otherwise. Highly recommended.
Its a cyberpunk noir about a detective hired to track down a missing student from a prestigious tech university. Set in a future where humans have spread across the solar system, some people are a cyborg or synthetic or just augmented and computers are fleshy biocreatures with a single eye. Robots, synthetic humans, holograms and AI are just part of daily life. People can even upload and backup their personalities into robots when they die, sort of like digital immortality.
In this futuristic cyberpunk thriller with parts of detective noir, the rich have settled on the neighboring planet.
If youre familiar with Blade Runner or Ghost in the Shell, theres not much here that will surprise you. The scifi concepts feel a bit dated like the T-1000, but the animation looks great, the action is fun and the plot is decent though nothing groundbreaking, love the aesthetics/world building.
Should have been a miniseries!
In this futuristic cyberpunk thriller with parts of detective noir, the rich have settled on the neighboring planet.
If youre familiar with Blade Runner or Ghost in the Shell, theres not much here that will surprise you. The scifi concepts feel a bit dated like the T-1000, but the animation looks great, the action is fun and the plot is decent though nothing groundbreaking, love the aesthetics/world building.
Should have been a miniseries!
Good animation, excellent worldbuilding, interesting characters, exciting action sequences and an intriguing plot. What else could we hope for? A good ending, instead of this rushed convoluted mess, that makes the entirety of the characters actions in the movie completely inconsequential. I'm not kidding. Everything our protagonists do, every mystery they uncover, is ultimately pointless. I understand what the filmmakers where going for and perhaps it could've worked in a longer format, but less than 90 minutes wasn't enough time to properly stick the landing. I don't regret watching Mars Express, because 90% of it was awesome. But that ending is such a letdown I'll never watch it again and I can't recommend it to others.
Extremely derivative work but in a good way. It reminded me of The Matrix, Terminator, I, Robot, Fifth Element, Blade Runner, Scavengers Reign, Minority Report, Chinatown, Ghost in the Shell and other cyberpunk animes. And these are just a few I didn't even write down.
But the fact that it is derivative it doesn't matter that much. It's just a very interesting and kinetic animation about robots and robot A. I., all part of a big conspiracy conducted by a cool duo formed of a woman and her partner, Carlos, a human in the body of a robot. I can say I was just absorbed by the story and animation. It's not something new but it's just something I enjoy.
But the fact that it is derivative it doesn't matter that much. It's just a very interesting and kinetic animation about robots and robot A. I., all part of a big conspiracy conducted by a cool duo formed of a woman and her partner, Carlos, a human in the body of a robot. I can say I was just absorbed by the story and animation. It's not something new but it's just something I enjoy.
The movie made me feel the full spectrum of emotions. I laughed, cried a bit, was moved by the deep repercussions of the story. Could've run for 30 minutes more and I wouldn't have been mad
It's definitely a beautiful movie too. Animation is good, despite a few low-fps sequences, it still works because of the hand drawn art style and crazy backgrounds. Knowing what the crew went through, I understand the need for some simpler parts. Designs are inspired, threading perfectly between the obvious references and something really personal. Music's very good and the overall sound mixing was perfect.
For a first movie, Périn and Sarfati really put the bar extremely high, I'm really wondering what their next move/movie will be. But first, time to rewatch this one.
It's definitely a beautiful movie too. Animation is good, despite a few low-fps sequences, it still works because of the hand drawn art style and crazy backgrounds. Knowing what the crew went through, I understand the need for some simpler parts. Designs are inspired, threading perfectly between the obvious references and something really personal. Music's very good and the overall sound mixing was perfect.
For a first movie, Périn and Sarfati really put the bar extremely high, I'm really wondering what their next move/movie will be. But first, time to rewatch this one.
¿Sabías que…?
- TriviaFirst feature length movie for director Jérémie Périn. He had already directed episodes of the TV show Lastman (2016). In 2018, producer Didier Creste contacted him and Laurent Sarfati, the creator and writer of Lastman, to work on a movie adaptation of their series. Instead, they convinced him to produce an original idea, a neo-noir sci-fi animation movie, for which he was able to find financing, and which eventually became Mars Express.
- ConexionesReferenced in Film Junk Podcast: Episode 977: Queer + Flow (2025)
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- How long is Mars Express?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- EUR 9,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 200,581
- Fin de semana de estreno en EE. UU. y Canadá
- USD 94,738
- 5 may 2024
- Total a nivel mundial
- USD 1,540,232
- Tiempo de ejecución1 hora 28 minutos
- Color
- Relación de aspecto
- 2.00 : 1
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What is the Canadian French language plot outline for Mars Express (2023)?
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