Just as the Oscar Best Picture race remains wide open as 2024 comes to an end, there’s a similar sense of excitement mounting about the breadth and range of films competing for Best International Feature Film. The submissions process found 85 of the 89 films presented eligible, but the real work starts now, in terms of whittling those down first to a shortlist of 15 and then to the final five.
Perhaps more so than in recent years, the diversity is eye-popping, ranging from action thrillers and personal dramas to intimate documentaries. The cross-section is well represented at Deadline’s Contenders Film: International showcase, which kicks off today beginning at 9 a.m. Pt.
Click here to launch the livestream.
As ever, this year’s lineup offers a snapshot of film festival highlights, taking us on a whistle-stop tour of the big five — Sundance, Berlin, Cannes, Venice and Toronto — with titles that made an impact at events in Warsaw,...
Perhaps more so than in recent years, the diversity is eye-popping, ranging from action thrillers and personal dramas to intimate documentaries. The cross-section is well represented at Deadline’s Contenders Film: International showcase, which kicks off today beginning at 9 a.m. Pt.
Click here to launch the livestream.
As ever, this year’s lineup offers a snapshot of film festival highlights, taking us on a whistle-stop tour of the big five — Sundance, Berlin, Cannes, Venice and Toronto — with titles that made an impact at events in Warsaw,...
- 7/12/2024
- de Damon Wise
- Deadline Film + TV
Rich Peppiatt’s Kneecap is among the five films nominated for the European University Film Award (Eufa) as announced by the European Film Academy and Filmfest Hamburg.
Irish-language hip hop biopic Kneecap is joined by Dea Kulumbegashvili’s Venice award winner April; Cannes award winnersArmand from Halfdan Ullmann Tondel and Three Kilometres To The End Of The World by Emanuel Parvu; and Kurdwin Ayub’s Austrian drama Moon.
The five selected features will be viewed and discussed across 23 universities in 23 countries with each institution choosing its favourite film.
A representative from each university will attend a three-day deliberation meeting in...
Irish-language hip hop biopic Kneecap is joined by Dea Kulumbegashvili’s Venice award winner April; Cannes award winnersArmand from Halfdan Ullmann Tondel and Three Kilometres To The End Of The World by Emanuel Parvu; and Kurdwin Ayub’s Austrian drama Moon.
The five selected features will be viewed and discussed across 23 universities in 23 countries with each institution choosing its favourite film.
A representative from each university will attend a three-day deliberation meeting in...
- 23/10/2024
- ScreenDaily
Un escaparate del mejor cine europeo del año. © Seff
La 21 edición del Festival de Cine Europeo de Sevilla se celebrará del 8 al 16 de noviembre y ya se conoce la programación completa. En total son veintidós estrenos en España, ocho mundiales y dos internacionales.
La sección oficial contará con un jurado de altísimo nivel presidido por el productor británico David Puttnam y con el actor británico Jeremy Irons, la directora artística del Rome Film Fest, Paola Malanga, la programadora francesa Eva Rekettyei y la directora francoargelina Mounia Meddour. Ellos serán los encargados de decidir el palmarés de esta vigésimo primera edición que cuenta en su sección oficial con títulos destacados como Flow, la película representante de Letonia en los Oscars, Julie Keeps Quiet, representante de Bélgica, The Girl with the Needle, representante de Dinamaca, y Santosh, representante de Reino unido. Otros títulos de la sección oficial incluyen A Missing Part, que se presentó en Toronto,...
La 21 edición del Festival de Cine Europeo de Sevilla se celebrará del 8 al 16 de noviembre y ya se conoce la programación completa. En total son veintidós estrenos en España, ocho mundiales y dos internacionales.
La sección oficial contará con un jurado de altísimo nivel presidido por el productor británico David Puttnam y con el actor británico Jeremy Irons, la directora artística del Rome Film Fest, Paola Malanga, la programadora francesa Eva Rekettyei y la directora francoargelina Mounia Meddour. Ellos serán los encargados de decidir el palmarés de esta vigésimo primera edición que cuenta en su sección oficial con títulos destacados como Flow, la película representante de Letonia en los Oscars, Julie Keeps Quiet, representante de Bélgica, The Girl with the Needle, representante de Dinamaca, y Santosh, representante de Reino unido. Otros títulos de la sección oficial incluyen A Missing Part, que se presentó en Toronto,...
- 18/10/2024
- de Marta Medina
- mundoCine
Otros de los títulos seleccionados incluyen ‘Bird’, ‘Emilia Perez’, ‘Kinds of Kindness’ y ‘The Substance’.
La Academia de Cine Europeo ha anunciado la primera selección de títulos que optan a las nominaciones de los Premios del Cine Europeo. Se han seleccionado 29 producciones y en septiembre se ampliará la lista con una nueva tanda de títulos.
En esta primera lista se encuentran tres películas españolas: Un amor, de Isabel Coixet, con siete nominaciones a los premios Goya 2024, O Corno, de Jaione Camborda, ganadora de la Concha de Oro en el Festival de San Sebastián 2023, y Volveréis, de Jonás Trueba, premio a la Mejor Película europea en la Quincena de Realizadores de Cannes.
La ceremonia de los Premios del Cine Europeo tendrá lugar el 7 de diciembre en Lucerna (Suiza). Pueden optar a los Premios del Cine Europeo los largometrajes europeos que, entre otros criterios, hayan tenido su primera proyección oficial entre el...
La Academia de Cine Europeo ha anunciado la primera selección de títulos que optan a las nominaciones de los Premios del Cine Europeo. Se han seleccionado 29 producciones y en septiembre se ampliará la lista con una nueva tanda de títulos.
En esta primera lista se encuentran tres películas españolas: Un amor, de Isabel Coixet, con siete nominaciones a los premios Goya 2024, O Corno, de Jaione Camborda, ganadora de la Concha de Oro en el Festival de San Sebastián 2023, y Volveréis, de Jonás Trueba, premio a la Mejor Película europea en la Quincena de Realizadores de Cannes.
La ceremonia de los Premios del Cine Europeo tendrá lugar el 7 de diciembre en Lucerna (Suiza). Pueden optar a los Premios del Cine Europeo los largometrajes europeos que, entre otros criterios, hayan tenido su primera proyección oficial entre el...
- 15/8/2024
- de Marta Medina
- mundoCine
The Sarajevo Film Festival, which focuses on films from Southeast Europe, the South Caucasus and Ukraine, has selected 54 films to compete for its Heart of Sarajevo awards. Three films play out of competition. The festival’s 30th edition will run from Aug. 16 to 23.
Jovan Marjanović, director of the festival, said the awards would “amplify voices from the region and bring them closer to the global audience.”
The festival’s four competition sections – for feature, documentary, short and student film – will feature 19 world, nine international, three European, 21 regional and three national premieres.
World premieres include Vuk Ršumović’s “Dwelling Among the Gods,” which plays in the feature film competition program, and Mirjana Karanović’s “Mother Mara,” which is a Gala Screening, playing out of competition.
Marjanović said the program makes the event “once again the place where the broadest audience, as well as film professionals and critics, can gain the most...
Jovan Marjanović, director of the festival, said the awards would “amplify voices from the region and bring them closer to the global audience.”
The festival’s four competition sections – for feature, documentary, short and student film – will feature 19 world, nine international, three European, 21 regional and three national premieres.
World premieres include Vuk Ršumović’s “Dwelling Among the Gods,” which plays in the feature film competition program, and Mirjana Karanović’s “Mother Mara,” which is a Gala Screening, playing out of competition.
Marjanović said the program makes the event “once again the place where the broadest audience, as well as film professionals and critics, can gain the most...
- 25/7/2024
- de Leo Barraclough
- Variety Film + TV
Sarajevo Film Festival has unveiled the programme for its four competition sections at its 30th edition (August 16-23), including five feature world premieres.
Eight films will play in the feature film competition, including the world premiere of Vuk Rsumovic’s Dwelling Among The Gods, about a young Afghan migrant woman who comes to Belgrade and learns her brother drowned in the river, so attempts to bury him under her full name.
Scroll down for the full feature selection
The film is a co-production between Serbia’s BaBoon Production, Croatia’s Kinorama and Italy’s Nightswim.
There is one out of competition title,...
Eight films will play in the feature film competition, including the world premiere of Vuk Rsumovic’s Dwelling Among The Gods, about a young Afghan migrant woman who comes to Belgrade and learns her brother drowned in the river, so attempts to bury him under her full name.
Scroll down for the full feature selection
The film is a co-production between Serbia’s BaBoon Production, Croatia’s Kinorama and Italy’s Nightswim.
There is one out of competition title,...
- 25/7/2024
- ScreenDaily
Ioncinema.com’s Chief Film Critic Nicholas Bell reviewed the entire competition and more. Here is a comprehensive guide to all the feature films across all sections, including logged reviews and forthcoming ones. Though Cannes might be over, we still have unpublished reviews that will be released over the next month.
In Competition:
All We Imagine as Light – [Review]
Anora – [Review]
The Apprentice – [Review]
Beating Hearts – [Review]
Bird – [Review]
Caught by the Tides – [Review]
Emilia Pérez – [Review]
The Girl with the Needle – [Review]
Grand Tour – [Review]
Kinds of Kindness – [Review]
Limonov: The Ballad – [Review]
Marcello Mio – [Review]
Megalopolis – [Review]
The Most Precious of Cargoes – [Review]
Motel Destino – [Review]
Oh, Canada – [Review]
Parthenope – [Review]
The Seed of the Sacred Fig – [Review]
The Shrouds – [Review]
The Substance – [Review]
Three Kilometres to the End of the World – [Review]
Wild Diamond – [Review]
Un Certain Regard:
Armand
Black Dog
The Damned – [Review]
Dog on Trial
Flow
Holy Cow – [Review]
The Kingdom
My Sunshine
Niki
Norah
On Becoming a Guinea Fowl
Santosh
September Says
The Shameless
The Story of Souleymane...
In Competition:
All We Imagine as Light – [Review]
Anora – [Review]
The Apprentice – [Review]
Beating Hearts – [Review]
Bird – [Review]
Caught by the Tides – [Review]
Emilia Pérez – [Review]
The Girl with the Needle – [Review]
Grand Tour – [Review]
Kinds of Kindness – [Review]
Limonov: The Ballad – [Review]
Marcello Mio – [Review]
Megalopolis – [Review]
The Most Precious of Cargoes – [Review]
Motel Destino – [Review]
Oh, Canada – [Review]
Parthenope – [Review]
The Seed of the Sacred Fig – [Review]
The Shrouds – [Review]
The Substance – [Review]
Three Kilometres to the End of the World – [Review]
Wild Diamond – [Review]
Un Certain Regard:
Armand
Black Dog
The Damned – [Review]
Dog on Trial
Flow
Holy Cow – [Review]
The Kingdom
My Sunshine
Niki
Norah
On Becoming a Guinea Fowl
Santosh
September Says
The Shameless
The Story of Souleymane...
- 28/5/2024
- de Eric Lavallée
- IONCINEMA.com
“Three Kilometres to the End of the World” opens on the most shocking of images: A sunset, lushly captured in widescreen from far back on beach, silhouetting two lovers with the whole world all to themselves. You might even gasp.
Only once director Emanuel Parvu goes beyond the opening postcard to reveal more of his hand, you can more easily place this Palme d’Or contender within the grand tradition of Romanian cinema at the Cannes Film Festival. And once you get to know this motley bunch, you can more than easily understand why someone might describe them with this pithy summation: “This country is rotten. Just like the people in it.”
If anything, the uncomplicated beauty of that opening shot offers the necessary ballast when set against the ugliness that follows, for actor-turned-director Emanuel Parvu is playing a devious game, dissembling and examining the mechanisms of reactionary conservatism with...
Only once director Emanuel Parvu goes beyond the opening postcard to reveal more of his hand, you can more easily place this Palme d’Or contender within the grand tradition of Romanian cinema at the Cannes Film Festival. And once you get to know this motley bunch, you can more than easily understand why someone might describe them with this pithy summation: “This country is rotten. Just like the people in it.”
If anything, the uncomplicated beauty of that opening shot offers the necessary ballast when set against the ugliness that follows, for actor-turned-director Emanuel Parvu is playing a devious game, dissembling and examining the mechanisms of reactionary conservatism with...
- 17/5/2024
- de Ben Croll
- The Wrap
Francis Ford Coppola’s Megalopolis has divided Screen International’s Cannes jury grid critics, receiving an average score of 2.1.
The sci-fi epic from the veteran director scored five threes (good) and four ones (bad) with three critics giving it twos (average).
Click on the jury grid above for the most up-to-date version.
Adam Driver leads Coppola’s latest feature as an architect trying to rebuild New York. Other cast include Aubrey Plaza, Laurence Fishburne, Shia Labeouf and Nathalie Emmanuel.
Also landing on the jury grid was Andrea Arnold’s Bird with an average score of 2.4. The surrealist drama received five threes and five twos,...
The sci-fi epic from the veteran director scored five threes (good) and four ones (bad) with three critics giving it twos (average).
Click on the jury grid above for the most up-to-date version.
Adam Driver leads Coppola’s latest feature as an architect trying to rebuild New York. Other cast include Aubrey Plaza, Laurence Fishburne, Shia Labeouf and Nathalie Emmanuel.
Also landing on the jury grid was Andrea Arnold’s Bird with an average score of 2.4. The surrealist drama received five threes and five twos,...
- 17/5/2024
- ScreenDaily
Pim Herrmeling, head of Benelux- based September Films has warned the territory’s buyers are becoming more cautious due to high asking prices.
“Normally, all Cannes Competition films are pre-sold for Benelux. This year, a lot of films were still available,” Herrmeling noted. “On the hot films, there is still a lot of competition but not as early as it used to be.”
As of press time, Paolo Sorrentino’s Parthenope was unsold in the region.
“MGs have gone up in general, which is a bit strange,” said Hermeling
“Home entertainment/VoD is completely gone. SVoD is Ok on the...
“Normally, all Cannes Competition films are pre-sold for Benelux. This year, a lot of films were still available,” Herrmeling noted. “On the hot films, there is still a lot of competition but not as early as it used to be.”
As of press time, Paolo Sorrentino’s Parthenope was unsold in the region.
“MGs have gone up in general, which is a bit strange,” said Hermeling
“Home entertainment/VoD is completely gone. SVoD is Ok on the...
- 17/5/2024
- ScreenDaily
Cannes Competition titles Bird by Andrea Arnold and Emila Perez by Jacques Audiard are among the films eligible for the Queer Palm at this year’s festival.
Any title playing in Cannes which deals in anyway with Lgbtqiaa+ themes is eligible for the Queer Palm, whose jury this year will be presided over by Belgian filmmaker Lukas Dhont. Competing films are drawn from all Cannes selections: Official Selection, Un Certain Regard, Critics’ Week, Directors’ Fortnight and Acid.
Bird centres on a 12-year-old who lives with her single father and brother in a squat and seeks attention and adventure elsewhere; among...
Any title playing in Cannes which deals in anyway with Lgbtqiaa+ themes is eligible for the Queer Palm, whose jury this year will be presided over by Belgian filmmaker Lukas Dhont. Competing films are drawn from all Cannes selections: Official Selection, Un Certain Regard, Critics’ Week, Directors’ Fortnight and Acid.
Bird centres on a 12-year-old who lives with her single father and brother in a squat and seeks attention and adventure elsewhere; among...
- 9/5/2024
- ScreenDaily
Exclusive: Goodfellas has acquired world sales rights to Romanian actor and director Emanuel Parvu’s thriller Three Kilometers To The End Of The World.
The feature was among three films added to the Competition line-up of the Cannes Film Festival on Monday as it announced 13 new titles in the Official Selection for its 77th edition, running from May 14 to 25.
The thriller revolves around a 17-year-old young man who is spending the summer in his home village in the Danube Delta wetlands region in Romania.
One night he is brutally attacked on the street and the next day his world is turned upside-down. His parents no longer look at him as they did, and the seeming tranquility of the village starts to crack.
The cast features newcomer Ciprian Chiujdea as the protagonist alongside Bogdan Dumitrache and Laura Vasiliu.
Memento Distribution has acquired French rights for the drama.
The feature was among three films added to the Competition line-up of the Cannes Film Festival on Monday as it announced 13 new titles in the Official Selection for its 77th edition, running from May 14 to 25.
The thriller revolves around a 17-year-old young man who is spending the summer in his home village in the Danube Delta wetlands region in Romania.
One night he is brutally attacked on the street and the next day his world is turned upside-down. His parents no longer look at him as they did, and the seeming tranquility of the village starts to crack.
The cast features newcomer Ciprian Chiujdea as the protagonist alongside Bogdan Dumitrache and Laura Vasiliu.
Memento Distribution has acquired French rights for the drama.
- 23/4/2024
- de Melanie Goodfellow
- Deadline Film + TV
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